Memories Of 1990 Nazareth Pennsylvania

Stories about growing up and living in Nazareth, Pennsylvania as told from the perspective of past and present Nazareth residents.

"For the span of one hundred years, Peter, Theodore, and J. Fred. Wolle formed an American musical dynasty. While each musician was rooted in the Moravian musical tradition, particularly through the innovations of The Bach Choir of Bethlehem, their influence extended beyond the Moravian Church and became a major force in Bach performance in America. The early characterization of Bethlehem, Pennsylvania as the American Bayreuth remains an apt one to this day." "The musical tradition that shaped these musicians was centered in Nazareth (1740) and Bethlehem (1742), the first Moravian communities founded in Pennsylvania. In addition to schools for young children, the Moravians established academies for young men in Nazareth and for young women in Bethlehem. These academies became well known for their excellence. Music was central in both schools, and each had faculties of fine musicians trained in Europe who transplanted European musical excellence to American soil. As a result, during the late eighteenth and early nineteenth centuries, each academy provided a music education unsurpassed in America. In addition, each institution was closely attached to the vital music-making that pervaded all Moravian communities. Thus, this deep reverence for music in Nazareth and Bethlehem nourished and trained many fine musicians. For generations members of the same families sang, played musical instruments, and composed sacred music together." "This book is also about Moravian cultural patterns that produced so many musically productive men, women, and children who still shape life in the city of Bethlehem."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In 1740, Moravian immigrants made their first permanent American settlement in Nazareth, Pennsylvania. Nazareth was closed to residents outside of the Moravian faith. In 1856, the town opened to non-Moravians, who were then allowed to own property and liv

Issued in conjunction with the exhibition held at the Metropolitan Museum of Art, New York, from February 9 to July 4, 2011.

There was a village in Palestine called Ein Houd, whose people traced their ancestry back to one of Saladin's generals who was granted the territory as a reward for his prowess in battle. By the end of the 1948 Arab-Israeli War, all the inhabitants of Ein Houd had been dispersed or exiled or had gone into hiding, although their old stone homes were not destroyed. In 1953 the Israeli government established an artists' cooperative community in the houses of the village, now renamed Ein Hod. In the meantime, the Arab inhabitants of Ein Houd moved two kilometers up a neighboring mountain and illegally built a new village. They could not afford to build in stone, and the mountainous terrain prevented them from using the layout of traditional Palestinian villages. That seemed unimportant at the time, because the Palestinians considered it to be only temporary, a place to live until they could go home. The Palestinians have not gone home. The two villages—Jewish Ein Hod and the new Arab Ein Houd—continue to exist in complex and dynamic opposition. The Object of Memory explores the ways in which the people of Ein Houd and Ein Hod remember and reconstruct their past in light of their present—and their present in light of their past. Honorable Mention, 1999 Perkins Book Prize, Society for the Study of Narrative

This book transforms archaeological knowledge of Nazareth by publishing over 80 years of archaeological work at the Sisters of Nazareth convent, including a detailed re-investigation in the early twenty-first century under the author's direction. Although one of the world's most famous places and of key importance to understanding early Christianity, Nazareth has attracted little archaeological attention. Following a chance discovery in the 1880s, the site was initially explored by the nuns of the convent themselves – one of the earliest examples of a major programme of excavations initiated and directed by women – and then for decades by Henri Senès, whose excavations (like those of the nuns) have remained almost entirely unpublished. Their work revealed a complex sequence, elucidated and dated by twenty-first century study, beginning with a partly rock-cut Early Roman-period domestic building, followed by Roman-period quarrying and burial, a well-preserved cave-church, and major surface-level Byzantine and Crusader churches. The interpretation and broader implications of each phase of activity are discussed in the context of recent studies of Roman-period, Byzantine, and later archaeology and contemporary archaeological theory, and their relationship to written accounts of Nazareth is also assessed. The Sisters of Nazareth Convent provides a crucial archaeological study for those wishing to understand the archaeology of Nazareth and its place in early Christianity and beyond.