Melusine Notes

This volume of original essays is the first collection devoted to the monumental Roman de Melusine (1393) by Jean d'Arras. A masterwork of late fourteenth-century French prose fiction, Melusine tells of the powerful medieval dynasty of Lusignan from its founding as a city by the legendary Melusine, an enigmatic fairy-figure subject to periodic monstrous transformations, through its expansion in Europe and the Near East, to its ultimate evanescence. Melusine offers a singular blend of history and fiction as it upholds the proprietary claims to Lusignan of the work's illustrious patron, Jean, Duc de Berry. The great deeds of Melusine, her forebears, and her progeny unfold in a narrative that blends elements of myth, folklore, and popular traditions with epic, Crusade narrative, romance, and theological doctrine. Advancing a wealth of new material and fresh insight, the essays in this volume address the complex interplay of the conventions of medieval fictional, historical, and genealogical writing from a wide variety of critical perspectives. Together, they offer a new, more balanced and comprehensive understanding of one of the most significant literary works of late medieval European culture.

Jean d’Arras’s splendid prose romance of Melusine, written for Jean de Berry, the brother of King Charles V of France, is one of the most significant and complex literary works of the later Middle Ages. The author, promising to tell us “how the noble and powerful fortress of Lusignan in Poitou was founded by a fairy,” writes a ceaselessly astonishing account of the origins of the powerful feudal dynasty of the Lusignans in southwestern France, which flourished in western Europe and the Near East during the age of the Crusades. The spellbinding story of the destinies of the fairy Melusine, her mortal husband, and her extraordinary sons blends history, myth, genealogy, folklore, and popular traditions with epic, romance, and Crusade narrative. Preceded by a substantial introduction, this translation, the first in English to be amply annotated, captures the remarkable range of stylistic registers that characterizes this extravagant and captivating work.

Readers have long been fascinated by the enigmatic figure of M lusine - a beautiful fairy woman cursed to transform into a half-serpent once a week, whose part-monstrous sons are the ancestor of several European noble houses. This study is the first to consider how this romance developed from a local legend to European bestseller, analysing versions in French, German, Castilian, Dutch, and English. It addresses questions on how to study medieval literature from a European perspective, moving beyond national canons, and reading M lusine's bodily mutability as a metaphor for how the romance itself moves and transforms across borders. It also analyses key changes to the romance's content, form, and material presentation - including its images - and traces how the people who produced and consumed this romance shaped its international transmission and spread. The author shows how M lusine's character is adapted within each local context, while also uncovering previously unknown connections between the different branches of this multilingual tradition. Moving beyond established paradigms of separate national traditions, manuscript versus print, and medieval versus Renaissance literature, the book integrates literary analysis with art historical and book historical approaches. LYDIA ZELDENRUST is a Leverhulme Early Career Fellow at the Department of English and Related Literature at the University of York.