Material Culture And Identities In Egyptology

The book examines the connection between identity and material culture, which forms the backbone of archaeology. The assumed direct relationship between the things of daily life and the aspects of identity such as gender, age or ethnicity to name but a few is challenged under consideration of post-colonial theories and critically applied to a case study in ancient Egypt (Tell el-Dab'a), which provides exclusively material culture for interpretation. Besides a detailed introduction to the formation and current use of aspects of identity and culture concepts with special regard to archaeology, definitions (such as 'entanglement' and 'appropriation') and a placement of fusions of material culture from various areas in the theoretical framework are proposed.

Ethnic Identities in the Land of the Pharaohs deals with ancient Egyptian concept of collective identity, various groups which inhabited the Egyptian Nile Valley and different approaches to ethnic identity in the last two hundred years of Egyptology. The aim is to present the dynamic processes of ethnogenesis of the inhabitants of the land of the pharaohs, and to place various approaches to ethnic identity in their broader scholarly and historical context. The dominant approach to ethnic identity in ancient Egypt is still based on culture historical method. This and other theoretically better framed approaches (e.g. instrumentalist approach, habitus, postcolonial approach, ethnogenesis, intersectionality) are discussed using numerous case studies from the 3rd millennium to the 1st century BC. Finally, this Element deals with recent impact of third science revolution on archaeological research on ethnic identity in ancient Egypt.

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women’s burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter. Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.

The wish to affiliate with a specific cultural, social, or ethnical group is as important today as it was in past societies, such as that of the ancient Egyptians. The same significance applies to the self-presentation of an individual within such a group. Although it is inevitable that we perceive ancient cultures through the lens of our time, place, and value systems, we can certainly try to look beyond these limitations. Questions of how the ancient Egyptians saw themselves and how individuals tried to establish and thus present themselves in society are central pieces of the puzzle of how we interpret this ancient culture. This volume focuses on the topic of identity and self-presentation, tackling the subject from many different angles: the ways in which social and personal identities are constructed and maintained; the manipulations of culture by individuals to reflect real or aspirational identities; and the methods modern scholars use to attempt to say something about ancient persons. Building on the work of Ronald J. Leprohon, to whom this volume is dedicated, contributions in this volume present an overview of our current state of understanding of patterns of identity and self-presentation in ancient Egypt. The contributions approach various aspects of identity and self-presentation through studies of gender, literature, material culture, mythology, names, and officialdom.

Growing out of a colloquium organised in São Paulo in March 2016, here Nine papers approach the potential of materiality in Ancient Egypt based on several case studies covering a wide range of topics such as Egyptian art, recent perspectives on sex and gender, hierarchies, and the materiality of textual sources and images.

Material Identities examines the way that individuals use material objects as tools for projecting aspects of their identities. Considers the way identity is fashioned, launched, used, and admired in the material world. Contributors intervene from the disciplines of art history, anthropology, design and material culture. Considers contrasting media - painting, print, sculpture, dress, coinage, architecture, furniture, luxury items, and interior design. Explores the complexity of identity through the intersection notions of gender, ethnicity, age, sexuality, and class. Reaffirms the central role of public identities and their impact on social life.

"This book examines a group of twelve ancient Egyptian tombs (c. 2300 BCE) in the elite Old Kingdom cemetery of Elephantine at Qubbet el-Hawa in modern Aswan. It develops an interdisciplinary approach to the material--drawing on methods from art history, archaeology, anthropology, and sociology, including agency theory, the role of style, the reflexive relationship between people and landscape, and the nature of locality and community identity. A careful examination of the architecture, setting, and unique text and image programs of these tombs in context provides a foundation for considering how ancient Egyptian provincial communities bonded to each other, developed shared identities within the broader Egyptian world, and expressed these identities through their personal forms of visual and material culture"--

This volume considers the relationship between architectural form and different layers of identity assertion in Roman Egypt. It stresses the sophistication of the concept of identity, and the complex yet close association between architecture and identity.

The inherent paradox of Egyptology is that the objective of its study – people living in Egypt in Pharaonic times – are never the direct object of its studies. Egyptology, as well as archaeology in general, approach ancient lives through material (and sometimes immaterial) remains. This Element explores how, through the interplay of things and people – of non-human actants and human actors – Pharaonic material culture is shaped. In turn, it asks how, through this interplay, Pharaonic culture as an epistemic entity is created: an epistemic entity which conserves and transmits even the lives and deaths of ancient people. Drawing upon aspects of Actor Network Theory, this Element introduces an approach to see technique as the interaction of people and things, and technology as the reflection of these networks of entanglement.

This book examines an elite Old Kingdom cemetery at the southern boundary of ancient Egypt, where the local community developed a unique visual expression of texts, images, and architecture in their tombs. Deborah Vischak argues that localized communities are an important source of identity in ancient Egypt.