Mary E Wilkins Freeman

Yet as Leah Blatt Glasser shows, Freeman was one of the first American authors to write extensively about the relationships women form outside of marriage and motherhood, the role of work in women's lives, the complexity of women's sexuality, and the interior lives of women who rebel rather than conform to patriarchal strictures.

Luella Miller By Mary Eleanor Wilkins Freeman We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

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THAT affair of Jim Simmons's cats never became known. Two little boys and a little girl can keep a secret -- that is, sometimes. The two little boys had the advantage of the little girl because they could talk over the affair together, and the little girl, Lily Jennings, had no intimate girl friend to tempt her to confidence. She had only little Amelia Wheeler, commonly called by the pupils of Madame's school "The Copy-Cat." Amelia was an odd little girl -- that is, everybody called her odd. She was that rather unusual creature, a child with a definite ideal; and that ideal was Lily Jennings. However, nobody knew that. If Amelia's mother, who was a woman of strong character, had suspected, she would have taken strenuous measures to prevent such a peculiar state of affairs; the more so because she herself did not in the least approve of Lily Jennings. Mrs. Diantha Wheeler (Amelia's father had died when she was a baby) often remarked to her own mother, Mrs. Stark, and to her mother-in-law, Mrs. Samuel Wheeler, that she did not feel that Mrs. Jennings was bringing up Lily exactly as she should. "That child thinks entirely too much of her looks," said Mrs. Diantha. "When she walks past here she switches those ridiculous frilled frocks of hers as if she were entering a ballroom, and she tosses her head and looks about to see if anybody is watching her. If I were to see Amelia doing such things I should be very firm with her.""Lily Jennings is a very pretty child," said Mother-in-law Wheeler, with an under-meaning, and Mrs. Diantha flushed. Amelia did not in the least resemble the Wheelers, who were a handsome set. She looked remarkably like her mother, who was a plain woman, only littleAmelia did not have a square chin. Her chin was pretty and round, with a little dimple in it. In fact, Amelia's chin was the prettiest feature she had. Her hair was phenomenally straight. It would not even yield to hot curling-irons, which her grandmother Wheeler had tried surreptitiously several times when there was a little girls' party. "I never saw such hair as that poor child has in all my life," she told the other grandmother, Mrs. Stark. "Have the Starks always had such very straight hair?"Mrs. Stark stiffened her chin. Her own hair was very straight. "I don't know," said she, "that the Starks have had any straighter hair than other people. If Amelia does not have anything worse to contend with than straight hair I rather think she will get along in the world as well as most people."