Legendary Hawaii And The Politics Of Place

Hawaiian legends figure greatly in the image of tropical paradise that has come to represent Hawai'i in popular imagination. But what are we buying into when we read these stories as texts in English-language translations? Cristina Bacchilega poses this question in her examination of the way these stories have been adapted to produce a legendary Hawai'i primarily for non-Hawaiian readers or other audiences. With an understanding of tradition that foregrounds history and change, Bacchilega examines how, following the 1898 annexation of Hawai'i by the United States, the publication of Hawaiian legends in English delegitimized indigenous narratives and traditions and at the same time constructed them as representative of Hawaiian culture. Hawaiian mo'olelo were translated in popular and scholarly English-language publications to market a new cultural product: a space constructed primarily for Euro-Americans as something simultaneously exotic and primitive and beautiful and welcoming. To analyze this representation of Hawaiian traditions, place, and genre, Bacchilega focuses on translation across languages, cultures, and media; on photography, as the technology that contributed to the visual formation of a westernized image of Hawai'i; and on tourism as determining postannexation economic and ideological machinery. In a book with interdisciplinary appeal, Bacchilega demonstrates both how the myth of legendary Hawai'i emerged and how this vision can be unmade and reimagined.

This is a book about the politics of competing cultures and myths in a colonized nation. Elizabeth Buck considers the transformation of Hawaiian culture focusing on the indigenous population rather than on the colonizers. She describes how Hawaii's established religious, social, political, and economic relationships have changed in the past 200 years as a result of Western imperialism. Her account is particularly timely in light of the current Hawaiian demands for sovereignty 100 years after the overthrow of the monarchy in 1893. Buck examines the social transformation Hawaii from a complex hierarchical, oral society to an American state dominated by corporate tourism and its myths of paradise. She pays particular attention to the ways contemporary Hawaiians are challenging the use of their traditions as the basis for exoticized entertainment. Buck demonstrates that sacred chants and hula were an integral part of Hawaiian social life; as the repository of the people's historical memory, chants and hula practices played a vital role in maintaining the links between religious, political, and economic relationships. Tracing the ways in which Hawaiian culture has been variously suppressed and constructed by Western explorers, New England missionaries, the tourist industry, ethnomusicologists, and contemporary Hawaiians, Buck offers a fascinating "rereading" of Hawaiian history.

In his most challenging work to date, journalist and author Tom Coffman offers readers a new and much-needed political narrative of twentieth-century Hawaii. The Island Edge of America reinterprets the major events leading up to and following statehood in 1959: U.S. annexation of the Hawaiian kingdom, the wartime crisis of the Japanese-American community, postwar labor organization, the Cold War, the development of Hawaii's legendary Democratic Party, the rise of native Hawaiian nationalism. His account weaves together the threads of multicultural and transnational forces that have shaped the Islands for more than a century, looking beyond the Hawaii carefully packaged for the tourist to the Hawaii of complex and conflicting identities--independent kingdom, overseas colony, U.S. state, indigenous nation--a wonderfully rich, diverse, and at times troubled place. With a sure grasp of political history and culture based on decades of firsthand archival research, Tom Coffman takes Hawaii's story into the twentieth century and in the process sheds new light on America's island edge.

How did early nineteenth-century foreigners understand Hawaiian chiefly politics? What kinds of cultural resources did Hawaiians themselves have to make sense of their own structures of domination and those of the West? What was the outcome in political terms of the encounter between Hawaiians and foreigners? To answer these questions, this volume takes readers on an ethnographic journey through Hawaii's early contact period. It begins by exploring the translation work done by American Protestant missionaries, who played a central role in bridging cultural differences between Hawaiians and Westerners. Evangelicalism and liberal capitalism set the stage for constructing political images of a "pagan" society, and the present work follows the subsequent evolution and transformation of these images. Inventing Politics is a theoretical statement of a new kind of political anthropology. Through an extensive use of primary sources, including many contemporary Hawaiian-language newspapers and dictionaries, it argues that what informs our current understanding of politics was already present in the early nineteenth-century encounters between Hawaiians and foreigners--a reading that translates seemingly apolitical events into the language of politics and speaks to the fundamental question of whether politics is a functional aspect of every society or an invention based on specific cultural meanings and interests.

Packed with travel information, including more listings, deals, and insider tips: CANDID LISTINGS of hundreds of places to eat, sleep, and surf like a local RELIABLE MAPS and directions to help you navigate the islands Rewarding VOLUNTEER OPPORTUNITIES in ecological and cultural conservation STUDY ABROAD to learn about volcanology, indigenous languages, and exotic species INSIDER TIPS on saving money and finding aloha EXTENSIVE BEACH COVERAGE, from the sickest surf spots to the most breathtaking sunsets HIDDEN TREASURES, from roadside shave ice stands to deserted beaches

Relative to the other habited places on our planet, Hawai‘i has a very short history. The Hawaiian archipelago was the last major land area on the planet to be settled, with Polynesians making the long voyage just under a millennium ago. Our understanding of the social, political, and economic changes that have unfolded since has been limited until recently by how little we knew about the first five centuries of settlement. Building on new archaeological and historical research, Sumner La Croix assembles here the economic history of Hawai‘i from the first Polynesian settlements in 1200 through US colonization, the formation of statehood, and to the present day. He shows how the political and economic institutions that emerged and evolved in Hawai‘i during its three centuries of global isolation allowed an economically and culturally rich society to emerge, flourish, and ultimately survive annexation and colonization by the United States. The story of a small, open economy struggling to adapt its institutions to changes in the global economy, Hawai‘i offers broadly instructive conclusions about economic evolution and development, political institutions, and native Hawaiian rights.

CATCH A WAVE is a study of the early statehood politics of Hawaii. The legendary Governor John A. Burns is challenged by the brilliant upstart Thomas P. Gill in the Democratic primary. The influences of labor, business, war veterans, insiders and outsiders are revealed in the process. The campaign was an early exercise in fusing money and television. The renowned Democratic consultant Joseph Napolitan called CATCH A WAVE "required reading for anyone interested in politics and government in Hawaii." The book has sold 20,000 copies. The current printing is its sixth.

In the Hawaiian Homes Commission Act (HHCA) of 1921, the U.S. Congress defined “native Hawaiians” as those people “with at least one-half blood quantum of individuals inhabiting the Hawaiian Islands prior to 1778.” This “blood logic” has since become an entrenched part of the legal system in Hawai‘i. Hawaiian Blood is the first comprehensive history and analysis of this federal law that equates Hawaiian cultural identity with a quantifiable amount of blood. J. Kēhaulani Kauanui explains how blood quantum classification emerged as a way to undermine Native Hawaiian (Kanaka Maoli) sovereignty. Within the framework of the 50-percent rule, intermarriage “dilutes” the number of state-recognized Native Hawaiians. Thus, rather than support Native claims to the Hawaiian islands, blood quantum reduces Hawaiians to a racial minority, reinforcing a system of white racial privilege bound to property ownership. Kauanui provides an impassioned assessment of how the arbitrary correlation of ancestry and race imposed by the U.S. government on the indigenous people of Hawai‘i has had far-reaching legal and cultural effects. With the HHCA, the federal government explicitly limited the number of Hawaiians included in land provisions, and it recast Hawaiians’ land claims in terms of colonial welfare rather than collective entitlement. Moreover, the exclusionary logic of blood quantum has profoundly affected cultural definitions of indigeneity by undermining more inclusive Kanaka Maoli notions of kinship and belonging. Kauanui also addresses the ongoing significance of the 50-percent rule: Its criteria underlie recent court decisions that have subverted the Hawaiian sovereignty movement and brought to the fore charged questions about who counts as Hawaiian.