Last Night I Sang To The Monster

"Sáenz' poetic narrative will captivate readers from the first sentence to the last paragraph of this beautifully written novel. . . . It is also a celebration of life and a song of hope in celebration of family and friendship, one that will resonate loud and long with teens."—Kirkus Reviews "…There is never a question of either Sáenz’s own extraordinary capacity for caring and compassion or the authenticity of the experiences he records in this heartfelt account of healing and hope."—Booklist "Offering insight into [an adolescent's] addiction, dysfunction and mental illness, particularly in the wake of traumatic events, Sáenz's artful rendition of the healing process will not soon be forgotten."—Publishers Weekly "Sáenz weaves together [18-year-old] Zach's past, present, and changing disposition toward his future with stylistic grace and emotional insight. This is a powerful and edifying look into both a tortured psyche and the methods by which it can be healed."—School Library Journal Zach is eighteen. He is bright and articulate. He's also an alcoholic and in rehab instead of high school, but he doesn't remember how he got there. He's not sure he wants to remember. Something bad must have happened. Something really, really bad. Remembering sucks and being alive—well, what's up with that? I have it in my head that when we're born, God writes things down on our hearts. See, on some people's hearts he writes Happy and on some people's hearts he writes Sad and on some people's hearts he writes Crazy on some people's hearts he writes Genius and on some people's hearts he writes Angry and on some people's hearts he writes Winner and on some people's hearts he writes Loser. It's all like a game to him. Him. God. And it's all pretty much random. He takes out his pen and starts writing on our blank hearts. When it came to my turn, he wrote. I don't like God very much. Apparently he doesn't like me very much either. Sad Benjamin Alire Sáenz is a prolific novelist, poet, and author of children's books. Sammy and Juliana in Hollywood, his first novel for young adults, was a finalist for the Los Angeles Times Book Prize and a Young Adult Library Services Association Top Ten Books for Young Adults pick in 2005.

The “Hollywood” where Sammy Santos and Juliana Ríos live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends—members of the 1969 high school graduating class—face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. By summer’s end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he’s angry. He’s angry about Juliana’s death, he’s angry about the poverty his father and his sister must endure, he’s angry at his high school and its thinly disguised gringo racism, and he’s angry he might not be able to go to college. Benjamin Alire Sáenz, evoking the bittersweet ambience found in such novels as McMurtry’s The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s. Benjamin Alire Sáenz—novelist, poet, essayist and writer of children’s books—is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a “fronterizo,” a person of the border.

Presents a collection of poems focusing on the border between the United States and Mexico.

Winner of the 2013 PEN/Faulkner Award for Fiction Benjamin Alire S enz's stories reveal how all borders--real, imagined, sexual, human, the line between dark and light, addict and straight--entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Ju rez two blocks south of the Rio Grande. It's a touchstone for each of S enz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. S enz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club. Benjamin Alire S enz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. S enz is the chair of the creative writing department of University of Texas at El Paso. Awards: PEN/Faulkner Award for Fiction Lambda Literary Award Southwest Book Award

Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.

“In a lyrical and hard-hitting exploration of betrayal and healing, the son of a Connecticut socialite comes to terms with his abuse at the hands of a beloved priest” (Kirkus Reviews, starred review). As sixteen-year-old Aidan Donovan’s fractured family disintegrates around him, he searches for solace in a few bumps of Adderall, his father’s wet bar, and the attentions of his local priest, Father Greg—the only adult who actually listens to him. When Christmas hits, Aidan’s world collapses in a crisis of trust when he recognizes the darkness of Father Greg’s affections. He turns to a crew of new friends to help make sense of his life: Josie, the girl he just might love; Sophie, who’s a little wild; and Mark, the charismatic swim team captain whose own secret agonies converge with Aidan’s. The Gospel of Winter maps the ways love can be used as a weapon against the innocent—but can also, in the right hands, restore hope and even faith. Brendan Kiely’s unflinching and courageous debut novel exposes the damage from the secrets we keep and proves that in truth, there is power. And real love.

Twenty years after writing Drug Lord, Terrence Poppa decided the information in his book was more important than ever. In an important interview with the Texas Tribune, Poppa explains that ''the Mexico that I wrote about in the book describes the old order of things: Mexico under the PRI. In that sense, the book was out of date, because how drug trafficking operated under the PRI is completely different than how it works today in a new Mexico, under the democratically transformed Mexico...There has been a decoupling of the highest levels of power from drug trafficking now. It's important for people to understand that, so I had to bring the book up to date.''

“Ben Saenz’s vivid imagination captures all that is beautiful, agonizing and redemptive in the crossings we make through borders of geography and culture. But it is in the interior journeys of the psyche and the soul that we must find salvation; Saenz’s brilliant prose penetrates to that core and he finds and exposes that truth. A reader can ask for no more than this: to be spellbound by a story, and to come to the last page with a sense of having been being changed and allowed to carry something of it away.” —Abraham Verghese, author of My Own Country From award-winning poet Benjamin Alire Sáenz comes a haunting novel depicting the cruelties of cultural displacement and the resilience of those who are left in its aftermath. In Perfect Light is the story of two strong-willed people who are forever altered by a single tragedy. After Andés Segovia's parents are killed in a car accident when he is still a young boy, his older brother decides to steal the family away to Juárez, Mexico. That decision, made with the best intentions, sets into motion the unraveling of an American family. Years later, his family destroyed, Andés is left to make sense of the chaos—but he is ill-equipped to make sense of his life. He begins a dark journey toward self-destruction, his talent and brilliance brought down by the weight of a burden too frightening and maddening to bear alone. The manifestation of this frustration is a singular rage that finds an outlet in a dark and seedy El Paso bar—leading him improbably to Grace Delgado. Recently confronted with her own sense of isolation and mortality, Grace is an unlikely angel, a therapist who agrees to treat Andés after he is arrested in the United States. The two are suspicious of each other, yet they slowly arrive at a tentative working relationship that allows each of them to examine his and her own fragile and damaged past. With the urgent, unflinching vision of a true storyteller and the precise, arresting language of a poet, Sáenz's In Perfect Light bears witness to the cruelty of circumstance and, more than offering escape, the novel offers the possibility of salvation.

For use in schools and libraries only. Ram and Jake do have one thing in common: They are lost boys who have never met their fathers. As Jake and Ram overcome their suspicions of each other, their friendship becomes a healing in a world of hurt.

Set in the Ichidian Universe, this Sherrilyn Kenyon spine-tingler features Command Assassin Nykyrian Quikiades and Kiara Zamir