Kings Secret Matter Th Kindle

Although many people today reject Christianity for intellectual reasons, greater numbers of people are rejecting Christianity because it does not engage their imagination. Christians must not only demonstrate that the Christian worldview is true, but that it is also good, beautiful, and relevant. The Good News of the Return of the King: The Gospel in Middle-earth is a book that endeavors to show the truth, goodness, and beauty of Jesus Christ, the gospel, and the biblical metanarrative by engaging the imagination through J. R. R. Tolkien’s The Lord of the Rings, as well as The Hobbit and The Silmarillion. In this book, I propose that J. R. R. Tolkien’s The Lord of the Rings is a story about what Jesus’ parables are about: the good news about the return of the king. As a work of imaginative fiction similar to Jesus’ parables, The Lord of the Rings can bypass both intellectual and imaginative objections to the gospel and pull back the “veil of familiarity” that obscures the gospel for many.

List of publications, v. 1-132, in v. 132.

Share the fruits of my first five years of publishing. Learn about blogging, writing, cover design, editing, marketing, and find a bunch of great resources to help you in your publishing journey, many of them free. I'm not the be-all and end all of Christian publishing, but I'm here to help, and so are a bunch of other Christian writers and service providers. You know what a net is. It catches things. To a fish or a bird, it's a bad thing. But to an indie author, it's a good thing. Out there online, there are people who will be your net as you learn how to publish. I'm talking about the kind of net that keeps acrobats from squishing when they miss that swing or those hands high up there in the air. But my biggest piece of advice is to concentrate on finding other Christians.You need to find some warm, loving, encouraging, snuggly-blanket-type people you can seek out when you just don't know what to do.

This exciting exploration of Stephen King’s digital writing maneuvers and electronic ventures on online platforms and e-readers unravels the author’s latest writing techniques and justifies his unprecedented success in the new millennium. It investigates the latest additions to the Master of Horror’s “toolbox” by studying King’s media presence and writing oeuvre in the twenty-first century through online projects, such as his videogame Discordia. The book closely traces King’s shifts from print to the digital as he crafts his stories to share with his constant readers. Its examination of King’s re-vitalized Gothic sheds light on his shift towards new realizations that take into consideration the needs and tastes of the contemporary consuming public in a constant dialogue with their contemporary fears and anxieties. While exploring King’s literary generic and technological crossovers, the book stresses the need for an encompassing theory that takes into account literary tradition, norms, and motifs adjusted according to the materialities and technological specificities of each medium in specific socio-cultural and economic contexts.