Killing Auntie

"The Polish postwar firebrand Andrzej Bursa acquired a reputation as a quick-burning, existentially tormented rebel. . . . Yet Bursa's dark humor and deadpan satire . . . keep utter bleakness at bay."—The Independent "A revolution against the banality of everyday life."—Gazeta Krakowska A young university student named Jurek, with no particular ambitions or talents, is adrift. After his doting aunt asks him to perform a small chore, he decides to kill her for no good reason other than, perhaps, boredom. Killing Auntie follows Jurek as he seeks to dispose of the corpse—a task more difficult than one might imagine—and then falls in love with a girl he meets on a train. Can he tell her what he's done? Will that ruin everything? "I'm convinced—simply—that we are all guilty," says Jurek, and his adventures with nosy neighbors, false-toothed grandmothers, and love-making lynxes shed light on how an entire society becomes involved in the murder and disposal of dear old Auntie. This is a short comedic masterpiece combining elements of Fyodor Dostoevsky, Jean-Paul Sartre, Franz Kafka, and Joseph Heller, coming together in the end to produce an unforgettable tale of murder and—just maybe—redemption. Andrzej Bursa was born in 1934 in Krakow, Poland, and died twenty-five years later. In his brief lifetime he composed some of the most original Polish writing of the twentieth century. Killing Auntie is his only novel. His brilliant career and tragic early death established him as a cult figure among restless and disenchanted youth.

This collection includes, in addition to the first English translation of the short novel 'Killing Auntie', poems, parables, short stories, lyrics and dramatic scenarios, showing the full range of Bursa's work.

“Fabre speaks to us of luck and misfortune, of the accidents that make a man or defeat him . . . [He] is the discreet megaphone of the man in the crowd” (Elle). Lifelong Parisian Dominique Fabre—author of The Waitress Was New—exposes the shadowy, anonymous lives of many who inhabit the French capital. In this quiet, subdued tale, a middle-aged office worker, divorced and alienated from his only son, meets up with two childhood friends who are similarly adrift, without passions or prospects. He’s looking for a second act to his mournful life, seeking the harbor of love and a true connection with his son. Set in palpably real Paris streets that feel miles away from the City of Light, Guys Like Me is a stirring novel of regret and absence, yet not without a glimmer of hope. “Fabre’s unexpectedly touching novel has a laugh of its own behind its low-key, smoothly translated narrative voice . . . The city it evokes isn’t the Paris of tourists but of local people.” —The New York Times “Fabre is a genius of these nuanced, interior moments . . . The story Fabre tells is that of every one of us: looking for meaning in the mundane, moving through our lives, our interactions, as if through the fabric of a dream.” —Los Angeles Times “A short, arresting tale that . . . not only offers keen insights into the mind of its middle-aged protagonist, but also provides the reader with a unique tour of what everyday life in the low-key suburbs of Paris must truly be like.” —Typographical Era

Joyeux Noël: “[An]endearing collection of Christmas stories from ten of France’s most esteemed writers―past and present―skillfully translated.” ―Foreword Reviews This collection brings together the best French Christmas stories of all time, featuring classics by Guy de Maupassant and Alphonse Daudet, plus stories by the esteemed twentieth century authors Irène Némirovsky and Nobel Prize winner Anatole France and contemporary writers Dominique Fabre and Jean-Philippe Blondel. With a holiday spirit conveyed through sparkling Paris streets, opulent feasts, wandering orphans, kindly monks, homesick soldiers, oysters, crayfish, ham, bonbons, flickering desire, and more than a little wine, this collection encapsulates Christmas à la française—delicious, intense and unexpected.

A strong and moving memoir which offers a captivating and extremely rare insight into the life of an ordinary girl growing up in a British working class family in the 1950s. Mary’s secret diaries discovered by her children, chronicle her early personal life experiences, successes, challenges and hardships in an amusing and delightfully innocent way. Mary’s first diary begins in 1952 when she is an impressionable fourteen-year-old, living in Berkshire, England and continues to 1956 when she turns eighteen. Through her eyes and subsequent diary entries, she recounts the fascinating dramas of a lively, sensitive young woman navigating her way through family life, finishing grammar school, entering the workplace at fifteen, all intertwined with juggling romantic interests and aspirational dreams. Witness her day-to-day trials, happiness, and emotional struggles in a world of boys and married men, as she juggles a string of admirers, her sister’s favouritism and independence leading to a shock elopement, being forbidden to sing with a band, taking her first holiday abroad with friends where she reveals all the details of what went on, along with many other of life’s firsts. Will she ever find ‘The One,’ or manage to resist buying those beautiful high heels? The charm and honesty in which Mary regales her private life and the pickles she gets herself into, is so engaging and powerful that you can’t help but be drawn into her remarkable and totally relatable world, which additionally enlightens the reader of a bygone era of innocence, simplicity, and glamour.

Exciting. Moving. Another page-turner by the author of Aspen and Night Whispers Bless the beasts and children…especially at Christmas! After nearly a hundred years, there are wolves in Colorado again. And Brigitte Hartman, a field biologist working with the Fish and wildlife Service, is one of the people responsible. The reintroduction of a wolf pack to the Flat Tops Wilderness area is her job—but it's also her passion. Local ranchers, like Steve Slater, are passionate about the project, too…though not in quite the same way. They're against it. They believe the wolves are a threat to their cattle, their livelihood. Considering how he feels about the wolves, Steve finds that his life is complicated—to say the least—by his attraction to Brigitte. Falling for Steve complicates her life, too. Particularly when she grows close to his young daughters and begins dreaming of a family Christmas. This family. This Christmas. And a husband called Steve…

Ellie Quicke is surrounded by problems on all sides – will she sink or swim? Ellie’s friend on the police force asks her to enquire about some deaths in the community which might or might not be suicide, and various relatives of the deceased confirm their suspicions. Unbeknown to the police, an elderly lady moving in and out of dementia has come across some drugs and is using them to ease people in pain out of their misery. At the same time, the project to turn the quirky, turreted Pryce House into a hotel is dogged by problems and suspicion falls on the difficult twelve-year-old boy Mikey who Ellie has taken in. Social Services threaten to remove him into care. And Ellie’s pregnant daughter Diana has been juggling problems caused by the slow convalescence of her estate agent husband. Can Ellie track down whoever it is who is killing for mercy, keep Mikey at home, and steer Diana into calmer waters?

"Fast, slick and acerbically funny: buckle up and enjoy the ride." Guardian The setting: Montevideo’s Old Town, with its dark alleys, crumbling facades and watchful residents. The gig: an armoured truck robbery. The cast: Diego, a failed kidnapper with weak nerves, Ursula Lopez, an amateur criminal with an insatiable appetite, El Roto, the broken one, a notorious hoodlum with excessive self-confidence. Dr Antinucci, a shady lawyer with big plans. And finally, Leonilda Lima, a washed-out police inspector with a glimmer of faith in justice.

The most horrifying murder, the most unbelievable truth! The cannibal dinner, the gag girl, the lover's ice sculpture, the Nanke murderer's surrender, the human skin painting, the ghost's reflection in the mirror ... You will never be able to understand in the human mind the true purpose behind these horrific murders. Let the hypnotists take a unique view and lead you into the heart of those terrible criminals and into those terrifying truths. We hereby declare that anyone with a history of heart disease should give up! Those with IQ below 120, please give up! People with poor mental endurance, please give up! Never try to guess the truth until the last moment.

This is the third volume of a series of the new translation of the Chinese classical novel generally known as "The Water Margin." In this volume, the company of outlaws on Mount Liang continues to grow: a butcher, a blacksmith, a public executioner, a petty thief... and the usual generals defecting from the government forces. Lu Zhishen, the Flowery Monk, and his companions from Twin Dragon Peak reappear and finally join the company, uniting two important strands of the story. Some episodes are relatively light: a tiger is stolen, an innkeeper's favorite rooster is illicitly eaten, Iron Ox is lowered to the bottom of a well and nearly gets forgotten. But in general the mood is darker. The naked bodies of a lecherous wife is carved up, an innocent child is mercilessly dispatched to gain a reluctant recruit. Chao Gai, the leader on Mount Liang, is killed in battle. Song Jiang replaces him, but for how long can he control his unruly forces? Despite the attraction of the life on the marshes, with its rootless freedom and rough code of honor, we are not to forget how the story was launched, when 108 Demon Princes were released in a black cloud. This series of new translation by John and Alex Dent-Young is also the first English translation of the 120-chapter version of "The Water Margin."