Juneteenth Rodeo

Timeless photos offer a rare portrait of the jubilant, vibrant, vital, nearly hidden, and now all-but-vanished world of small-town Black rodeos. Long before Americans began to officially commemorate Juneteenth, in the heat of East Texas, saddles were being cinched, buckles shined, and lassoes adjusted for a day on the Black rodeo circuit in honor of the holiday. In the late 1970s, as they had been doing for generations, Black communities across the region held local rodeos for the talented cowboys and cowgirls who were segregated from the mainstream circuit. It was to these vibrant community events that bestselling Texas writer Sarah Bird, then a young photojournalist, found herself drawn. In Juneteenth Rodeo, Bird’s lens celebrates a world that was undervalued at the time, capturing everything, from the moment the pit master fired up his smoker, through the death-defying rides, to the last celebratory dance at a nearby honky-tonk. Essays by Bird and sports historian Demetrius Pearson reclaim the crucial role of Black Americans in the Western US and show modern rodeo riders—who still compete on today’s circuit—as “descendants” in a more than two-hundred-year lineage of Black cowboys. A gorgeous tribute to the ropers and riders—legends like Willie Thomas, Myrtis Dightman, Rufus Green, Bailey’s Prairie Kid, Archie Wycoff, and Calvin Greeley—as well as the secretaries, judges, and pick-up men and even the audience members who were as much family as fans, Juneteenth Rodeo ultimately seeks to put Black cowboys and cowgirls where they have always belonged: in the center of the frame.

Sonja Getz of Dorfburg, Texas, who upon reaching her 30th birthday decides to go in search of her long-lost father. She shares this odyssey with reluctant partner Prairie James, a professional rope-twirler doing the second-rate rodeo circuit.

Black Cowboys of Rodeo is a collection of one hundred years’ worth of firsthand cowboy stories, set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.

Black Rodeo in the Texas Gulf Coast Region: Charcoal in the Ashes provides an in depth sociocultural and historical analysis of the genesis and contemporary state of affairs regarding African American rodeo cowboys in southeast Texas, whose ancestors were instrumental in the development of the most celebrated livestock management industry in the world. The author painstakingly chronicles the origin of the Texas cattle industry from its Mexican roots to Austin’s Colony, better known as the George Plantation/Ranch, where African Americans were intimately involved in the livestock management industry since its inception. Although enslaved before, during, and after the Republic of Texas was established, they were early stakeholders in the expansion of the western frontier, and an indispensable source of labor that facilitated the burgeoning cattle industry. Yet, as the author maintains, American history wantonly trivialized, marginalized, and blatantly omitted their contributions. This book sheds light on these early cowboys and their descendants who have participated in America’s most prominent prole sport with little to no media exposure. The author dubbed them “Shadow Riders of the Subterranean Circuit,” and even though American sports are integrated African American rodeo cowboys may be metaphorically seen as bits of charcoal spread among ashes.

From the Wild West shows of the nineteenth century to the popular movie Westerns of the twentieth century, one view of an idealized and mythical West has been promulgated. Elyssa Ford suggests that we look beyond these cowboy clichés to complicate and enrich our picture of the American West. Rodeo as Refuge, Rodeo as Rebellion takes us from the beachfront rodeo arenas in Hawai‘i to the reservation rodeos held by Native Americans to reveal how people largely missing from that stereotypical picture make rodeo—and America—their own. Because rodeo has such a hold on our historical and cultural imagination, it becomes an ideal arena for establishing historical and cultural relevance. By claiming a place in that arena, groups rarely included in our understanding of the West—African Americans, Native Americans, Mexican Americans, Native Hawaiians, and the LGBT+ community—emphasize their involvement in the American past and proclaim their right to an American identity today. In doing so, these groups change what Americans know about their history and themselves. In her journey through these race- and group-specific rodeos, Ford finds that some see rodeo as a form of escape, a refuge from a hostile outside world. For others, rodeo has become a site of rebellion, a place to proclaim their difference and to connect to a different story of America. Still others, like Mexican Americans and the LGBT+ community, look inward, using rodeo to coalesce and celebrate their own identities. In Ford’s study of these historically marginalized groups, she also examines where women fit in race- and group-specific rodeos—and concludes that even within these groups, the traditional masculinity of the rodeo continues to be promoted. Female competitors may find refuge within alternate rodeos based on their race or sexuality, but they still face limitations due to their gender identity. Whether as refuge or rebellion, rodeos of difference emerge in this book as quintessentially American, remaking how we think about American history, culture, and identity.

Some call it Freedom Day; some call it Emancipation Day; some call it Juneteenth. Learn more about this important holiday that celebrates the end of chattel slavery in the United States in this Step 3 History Reader. On June 19, 1865, two years after the Emancipation Proclamation, a group of enslaved men, women, and children in Texas gathered. Order Number 3 was read, proclaiming that they were no longer enslaved--they were free. People danced, wept tears of joy, and began to plan their new lives. Juneteenth became an annual celebration that is observed by more and more Americans with parades, picnics, family gatherings, and reflection on the words of historical figures, to mark the day when freedom truly rang for all. Step 3 Readers feature engaging characters in easy-to-follow plots and popular topics--for children who are ready to read on their own.

Featuring stunning full-color photographs by Gabriela Hasbun, THE NEW BLACK WEST celebrates the modern Black cowboys of the Bill Pickett Invitational Rodeo and the community that comes together to witness their achievements year after year. A powerful symbol of self-reliance, strength, and determination, the Black cowboy is a figure commonly overlooked in the histories of the American West. Held annually in cities across the United States, the Bill Pickett Invitational Rodeo (BPIR) honors the historic accomplishments of Black cowboys and fosters a vibrant community dedicated to continuing that legacy. Bay Area photographer Gabriela Hasbun has spent more than a decade photographing this beloved event in the Oakland hills. Her images capture the joy and excitement of performers and audience members, showcasing the daring feats, spectacular outfits, and welcoming atmosphere that make the Bill Pickett Invitational Rodeo an unmissable experience. In addition to Hasbun's photographs, THE NEW BLACK WEST features quotes and stories from the cowboys themselves, a foreword from the Oakland rodeo's regional manager, Jeff Douvel, and a short essay from BPIR owner Valeria Howard-Cunningham.

(2007) BEFORE YOU VISIT SAN FRANCISCO FOR THE FIRST TIME, OR BEFORE YOU RETURN -- AND FOR NATIVES PLANNING TOMORROW'S DAY, TAKE A LOOK AT SAN FRANCISCO AS NEVER BEFORE. Over 1,140 unique S.F. underground photojournalism photos you will not see anyplace else! A Noah's Ark of Recurring Celebration: San Francisco Annual Event History - Winners of the Human Race ... Storytellin' Muni Drivers 20th Anniversary Edition (history & oral journalism). San Francisco, birthplace of United Nations and 49'ers is about being real. At least 70 of the 142 annual events are put on by non-profit groups to support non-profit causes to help others; the other 70 events help support non-profit causes. We're a city that cares about people. San Franciscans, visitors to-and-from the Bay Area, and tourists from across the country and around the world have faith in San Francisco and what we stand for, in our good will, creativity, and diversity ...and respect San Francisco historically as a haven of social justice for immigrants fleeing war, slavery, starvation and poverty, and as the friendliest, most creative, openly diverse and welcoming city in the world. We've historically documented that unspoken social contract, spirit and human accomplishment in a unique book about a unique city, and why it's a travel destination for pleasure seekers and business people for their conventions, from around the world.