Jewish Cultural Studies

Defines the distinctive field of Jewish cultural studies and its basis in folkloristic, psychological, and ethnological approaches. Jewish Cultural Studiescharts the contours and boundaries of Jewish cultural studies and the issues of Jewish culture that make it so intriguing—and necessary—not only for Jews but also for students of identity, ethnicity, and diversity generally. In addition to framing the distinguishing features of Jewish culture and the ways it has been studied, and often misrepresented and maligned, Simon J. Bronner presents several case studies using ethnography, folkloristic interpretation, and rhetorical analysis. Bronner, building on many years of global cultural exploration, locates patterns, processes, frames, and themes of events and actions identified as Jewish to discern what makes them appear Jewish and why. Jewish Cultural Studiesis divided into three parts. Part 1 deals with the conceptualization of how Jews in complex, heterogenous societies identify themselves as a cultural group to non-Jews and vice versa—such as how the Jewish home is socially and materially constructed. Part 2 delves into ritualization as a strategic Jewish practice for perpetuating peoplehood and the values that it suggests—for example, the rising popularity of naming ceremonies for newborn girls, simhat bat or zeved habat, in the twenty-first century. Part 3 explores narration, including the global transformation of Jewish joking in online settings and the role of Jews in American political culture. Bronner reflects that a reason to separate Jewish cultural studies from the fields of Jewish studies and cultural studies is the distinctiveness of Jewish culture among other ethnic experiences. As a diasporic group with religious ties and varying local customs, Jews present difficulties of categorization. He encourages a multiperspectival approach that considers the Jewish double consciousness as being aware of both insider and outsider perspectives, participation in ancient tradition and recent modernization, and the great variety and stigmatization of Jewish experience and cultural expression. Students and scholars in Jewish studies, cultural studies, ethnic-religious studies, folklore, sociology, psychology, and ethnology are the intended audience for this book.

Most Jews will feel intimately familiar with and attached to the figure of the ‘Jewish mother’, yet few have questioned representations of mothers and motherhood in Jewish culture. This volume aims to fill this gap by bringing to the fore the vast network of symbols and images which Jews have associated with mothers from the Bible to the modern period. It demonstrates the complex ways in which the Jewish mother has been used to construct and frame Jewish religion and culture.

Defines the distinctive field of Jewish cultural studies and its basis in folkloristic, psychological, and ethnological approaches.

Jewish Bodylore: Feminist and Queer Ethnographies of Folk Practices explores the Jewish body and its symbology as a space for identity communication, applying the tools of bodylore (the folkloric study of the body) to the Jewish body in ways that are in line both with feminist and queer theory. The text centers a feminist folkloric approach to embodiment while simultaneously recognizing its overlaps with the study of Jewish bodies and symbols. It investigates Jewish embodiment with a keen eye to that which breaks from tradition. Consideration is given to the ways in which bodies intersect with time and space in the synagogue, within religious movements, in secular culture, and in childhood ritual. Representing a unique approach to contemporary Jewish Studies, this book argues that Jewish bodies and the intersections they represent are at the core of understanding the contemporary Jewish experience. Rather than abandoning or dismissing Judaism, many contemporary Jews use their bodies as a canvas, claiming space for themselves, demonstrating a deliberate and calculated navigation of Jewish law, and engaging a traditionally patriarchal symbol set which, in its feminist use, amplifies their voices in a context which might otherwise silence them. Through these actions and choices, contemporary Jews demonstrate a nuanced understanding of their public identities as gendered and sexed bodies and a commitment to working towards increased inclusivity within the larger Jewish and secular communities. In the end, this book is a foray into the world of Jewish bodies, how they can be conceptualized using folkloristics, and how feminist methodologies of the body can be applied fairly to Jewish bodies, celebrating the multitude of ways in which the body can be conceptualized and experienced.

This book seeks to harness the possibilities offered by the evolving collection of forces by which Jewish Studies is constituted and practiced in order to open, refashion, and exemplify possibilities for a humanities to come.

This book presents original studies of how a cultural concept of Jewishness and a coherent Jewish history came to make sense in the experiences of people entangled in different historical situations. Instead of searching for the inconsistencies, discontinuities, or ruptures of dominant grand historical narratives of Jewish cultural history, this book unfolds situations and events, where Jewishness and a coherent Jewish history became useful, meaningful, and acted upon as a site of causal explanations. Inspired by classical American pragmatism and more recent French pragmatism, we present a new perspective on Jewish cultural history in which the experiences, problems, and actions of people are at the center of reconstructions of historical causalities and projections of future horizons. The book shows how boundaries between Jewish and non-Jewish are not a priori given but are instead repeatedly experienced in a variety of situations and then acted upon as matters of facts. In different ways and on different scales, these studies show how people's experiences of Jewishness perpetually probe, test, and shape the boundaries between what is Jewish and non-Jewish, and that these boundaries shape the spatiotemporal linkages that we call history.

This study of Jewish cultural innovation in early twentieth-century France highlights the complexity and ambivalence of Jewish identity and self-definition in the modern world. This stimulating and original book makes a major contribution to our understanding of modern Jewish history as well as to the history of the Jews in France and to the larger discourse about modern Jewish identities.

In an effort to disentangle motherhood from idealized notions of the Jewish family, Motherhood in the Jewish Cultural Imagination presents new perspectives on Jewish mothers by examining them in an array of time periods and social, religious, literary and historical contexts. This collection of articles also grants mothers a more prominent analytical place in the narration of Jewishness by exploring the ways that Jews have used motherhood to construct and sustain Jewish culture. Each contribution exposes the complexities of the place that mothers occupy in our understanding of Jewish culture and identity. Utilizing methodologies from literature, folklore, psychology, anthropology, sociology, and religion, the essays in this volume locate mothers, motherhood, and mothering in a societal context organized by gender and show how these images interact with, support, and contest prevailing gender belief systems. The book include examinations of childless women warriors of the Bible; childrearing and custodial care in ancient Israel; analyses of the power of God in relationship to the power of mothers in rabbinic literature; depictions of pregnant mothers; descriptions of rabbinic mothers in mourning; images of motherhood in the Zohar; constructions of mothers in medieval piyut; analyses of medieval stories about mothers; perspectives on biblical mothers in modern Jewish literature; mothers in the Hebrew revival movement; mothers in Jewish women's prayer books; mothers in Jewish children's literature; Ottoman Jewish mothers; Afghani Jewish mothers; mothers in Israeli film; and the impact of mothering on American Jewish women activists.