It Took A Mill Village

This book documents the growth of industrial technology in these "little hamlets," covering the social, labor, economic, and technical aspects of this fascinating chapter in the development of American enterprise.

A Mill Village Story is the record of one man’s upbringing in a place and time that is quickly vanishing. A quintessentially American small town, West Point, Georgia is a place defined by its local industry—a world-class textile mill run by the West Point Pepperell corporation—and adherence to traditional Southern values of congeniality, manners, and friendliness. Everyone author Gerald Andrews knew or even just rubbed shoulders with worked at the mill, and it was Andrews's experiences there that would take him from relative poverty to the corporate boardroom. A Mill Village Story is an account of Andrews's early years, his rapid rise to leadership in various textile firms, and the special character of the village that shaped him. How does a young man go from night watchman to corporate sales in a matter of years? A Mill Village Story offers some explanation. Creativity and kindness set him on the right path, those characteristics nurtured in him by family members and the mill community. Gerald Andrews also quickly gained a reputation as a problem-solver—even at the lowest position at the mill—and for recognizing the importance of every employee, no matter their rank. This compassion for his employees contributed to his success. In A Mill Village Story, a lifetime of wisdom comes to file, with Andrews peppering his tale with the homegrown philosophies he developed from the unique social relationships he enjoyed growing up. Add to the mix personal encounters with Southern characters like country psychic Mayhayley Lancaster and A Mill Village Story becomes a memorable time capsule that serves as a portrait of a uniquely American place.

This is the story of a revolution--the factors influencing management's decision to sell, the extent of the sales, procedures followed in the various sales, psychological effects upon the worker, effects upon labor-management relations, the reaction of the union, and the changes in mill village life resulting from the sales. Originally published in 1949. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The textile era was born of a perfect storm. When North Georgia's red clay failed farmers and prices fell during Reconstruction, opportunities arose. Beginning in the 1880s, textile industries moved south. Mill owners enticed an entire workforce to leave their farms and move their families into modern mill villages, encased communities with stores, theaters, baseball teams, bands and schools. To some workers, mill village life was idyllic. They had work, recreation, education, shopping and a home with the modern conveniences of running water and electricity. Most importantly, they got a paycheck. But after the New Deal, workers started to see the raw deal they were getting from mill owners and rebelled. Strikes and economic changes began to erode the era of mill villages, and by the 1960s, mill village life was all but gone. Author Lisa Russell brings these once-vibrant communities back to life.

In 1904, the building of a planned community began, and the Henry River Manufacturing Company started producing fine cotton yarns in 1905. In its time, Henry River Mill Village was a completely self-sustained town: it operated under its own currency, generated its own electricity, and churned its own moonshine. While the mill thrived during its operating years, the 12-hour shifts often proved backbreaking for workers. By the time the 12,000 spindles slowed to a halt in the late 1960s, many workers had hoboed out of town looking for higher wages. The mill itself burned down in 1977, but the two-story company store and many of the workers' houses remain, creating an eerie silhouette--and serving as inspiration to both artists and filmmakers.

Company towns - those associated with textiles, mining, or tool manufacturing, for example - are found worldwide and have been in existence for many centuries. But with the coming of the Industrial Revolution, what had been isolated instances of town building became a veritable phenomenon. With explosive growth, virtually hundreds of them appeared in the Western World until about the time of the Great Depression, with development most intensive and homogenous in Europe and the Americas. Although the technological experience of the Industrial Revolution has been widely chronicled and the stories of misplaced banking and exploited labor well documented, until now the actual settings of company towns and the overall achievement in industrial architecture and town planning have been largely ignored. The Company Town describes the concurrent development and building of selected towns in Europe and the Americas, assessing technical advances in factory building, worker housing, and the public buildings that owner-industrialists, in their capacity as philanthropists, bestowed upon such towns. In many instances, the company town came to symbolize the wrecking of the environment, especially in places associated with extractive industries such as mining and lumber milling. Some resident industrialists, however, took a genuine interest in the welfare of their work forces, and in a number of instances hired architects to provide a model environment. Overtaken by time, these towns were either abandoned or caught up in suburban growth. The most thorough-going and only international assessment of the company town, this collection of essays by specialists and authorities of each region offers a balancedaccount of architectural and social history and provides a better understanding of the architectural and urban experiences of the early industrial age.

In 200 rare historical photos, Rhode Island's Mill Villages fascinating history comes to life. Some 200 rare and historic photographs are coupled with detailed and informative captions that immerse the reader in the daily lives and environments of these communities. In the years surrounding the Civil War, European immigrants and textile workers came to Rhode Island to work in the state's mills. Soon, villages and neighborhoods formed around these mills, creating unique and closely knit communities in which the wealthy families who owned and operated the mills lived side by side with those who labored for them. The photographs presented here offer a glimpse at the development of these familial communities that are such an integral part in the history of both Rhode Island and the United States.

In the early 1900s, Huntsville, Alabama, had more spindles than any other city in the South. Cotton fields and mills made the city a major competitor in the textile industry. Entire mill villages sprang up around the factories to house workers and their families. Many of these village buildings are now iconic community landmarks, such as the revitalized Lowe Mill arts facility and the Merrimack Mill Village Historic District. The "lintheads," a demeaning moniker villagers wore as a badge of honor, were hard workers. Their lives were fraught with hardships, from slavery and child labor to factory fires and shutdowns. They endured job-related injuries and illnesses, strikes and the Great Depression. Author Terri L. French details the lives, history and legacy of the workers.

It was never a term of endearment --linthead-- but some people whose lives were formed in the cotton mill villages of the South wore it as a badge of honor. One is Wilt Browning, part of the last generation to be born and raised on the mill hill. This book is a look at mill hill life from the 1940s through the early 50s, when the mills began selling off company houses and life on the mill hills began changing rapidly. Linthead is a revisiting of the life that thousands of Carolinians and other Southerners once lived, a life that exists now only in memories. Browning brings those memories to life.