Index To The Journal Of The Society For Armenian Studies For The Years 1984 1991

The second volume of The Heritage of Armenian Literature continues the highly acclaimed and monumental project of presenting Armenia's literary treasures to an English-speaking audience. Nowhere else can students and general readers easily find a comprehensive, English-language guide to these masterpieces, complete with important background information and vivid, accurate translations of key sample passages. Volume 2 takes readers through the medieval period up to the eighteenth century. As in the previous volume, the editors here offer a wide and varied range of readings that encompasses the literary panorama of this ancient civilization. They situate each work as extensively as possible within its theological, historical, and philosophical contexts, while highlighting aspects that will be meaningful to readers in light of modern scholarship.

Armenia was the first country to recognize Christianity as the official state religion in 301 AD, twelve years before Constantine's decree granting tolerance to Christianity within the Roman Empire. Ever since, Armenia has claimed the privilege of being the first Christian nation, and the wealth of Christian art produced in Armenia since then is testimony to the fundamental importance of the Christian faith to the Armenian people. This extensive new survey of Armenian Christian art, published to accompany a major exhibition at The British Library, celebrates the Christian art tradition in Armenia during the last 1700 years. The extraordinary quality and range of Armenian art which is documented includes sculpture, metalwork, textiles, ceramics, wood carvings and illuminated manuscripts and has been drawn together from collections throughout the world—many of the examples have never before been seen outside Armenia. In his authoritative text, Dr. Vrej Nersessian, Curator at The British Library, charts the development of Christianity in Armenia. This fascinating history is essential to an understanding of the art and religious tradition of Armenia, a country in which the sense of the sacred extends well beyond the purely religious, infiltrating the entire fabric of Armenian affairs to create a fascinating culture. This sumptuously illustrated book will be of immense value to anyone with an interest in Byzantine art and culture, the history of Christianity and the history of Armenia and the Middle Orient.

"Armenian Christianity manifests a unique blend of patriotism and piety - given its ethnic character from the outset and the fact of its having survived the unfavorable currents of history. Beginning from the inception of Armenian letters at the turn of the fifth century, the author surveys that blend in ancient Armenian sources spanning a thousand years. He shows how the theme finds its fullest manifestation as a literary motif in the medieval panegyrics dedicated to St. Gregory the Illuminator, founder of the Armenian Church at the dawn of the fourth century. Of these, the panegyric by Hovhannes of Erzenka (a prolific author of the thirteenth century) exhibits all the characteristics of the motif in ancient Armenian literature. Consequently, his work receives ample coverage in this unique study, including a translation of the entire text with commentary. Annotated selections from the other panegyrics on St. Gregory complete the book, the second volume in the AVANT series devoted to the study of the Armenian Christian heritage."--BOOK JACKET.

Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstruct historical aural environments. Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.