Holding The Line On The River Of Death

The award-winning Civil War historian examines the actions of Union Cavalry on the first day of the Battle of Chickamauga in this history and tour guide. This volume provides an in-depth study of the two important delaying actions conducted by mounted Union soldiers at Reed’s and Alexander’s bridges on the first day of Chickamauga. Much like Eric J, Wittenberg’s “The Devil’s to Pay”: John Buford at Gettysburg—which won the Gettysburg Civil War Roundtable’s 2015 Book Award—this volume combines engaging military history with a detailed walking and driving tour complete with the GPS coordinates. On September, 18, 1863, a cavalry brigade under Col. Robert H. G. Minty and Col. John T. Wilder’s legendary “Lightning Brigade” of mounted infantry made stout stands at a pair of chokepoints crossing Chickamauga Creek. Minty’s small cavalry brigade held off nearly ten times its number by designing and implementing a textbook example of a delaying action. Their efforts thwarted Confederate Gen. Braxton Bragg’s entire battle plan by delaying his army’s advance for an entire day. The appendices of this book include two orders of battle, a discussion of the tactics employed by the Union mounted force, and an epilogue on how the War Department and National Park Service have remembered these events. Complete with more than 60 photos and 15 maps by master cartographer Mark Anderson Moore, Holding the Line on the River of Death is a valuable addition to the burgeoning Chickamauga historiography.

NAMED A TOP 10 BOOK OF 2018 BY NPR and THE WASHINGTON POST WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN CURRENT INTEREST FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE NONFICTION AWARD The instant New York Times bestseller, "A must-read for anyone who thinks 'build a wall' is the answer to anything." --Esquire For Francisco Cantú, the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Driven to understand the hard realities of the landscape he loves, Cantú joins the Border Patrol. He and his partners learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Plagued by a growing awareness of his complicity in a dehumanizing enterprise, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the full extent of the violence it wreaks, on both sides of the line.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation

Set during the last year of the American Civil War, Death on the River portrays the grim brutality of war through the eyes of a young soldier. After the older brother he worshipped is killed in battle, young Jake Clay joins the Union Army in the spring of 1864, determined to make his parents proud and honor his brother's death. His dreams of glory vanish, however, when he is wounded and taken prisoner in his first battle at Cold Harbor, Virginia, and confined to the Confederate prison camp at Andersonville, where 30,000 soldiers face violence, disease and starvation. Frightened and disillusioned, Jake takes up with Billy Sharp, an unscrupulous opportunist who shows him how to survive, no matter what the cost. By the war's end Jake's sleep is haunted by the ghosts of those who have died so he could live. When the camp is liberated, Jake and Billy head north on the Mississippi riverboat Sultana, overcrowded far beyond its capacity. Unknown to Jake, the fateful journey up river will come closer to killing him than Andersonville did, but it will also provide him with his one chance at redemption.

A chronicle of a kayak team's quest to make the first descent through the dangerous Tsangpo Gorge describes how the four expert members of the team took on an adventure that ended in tragedy.

" The Battle Rages Higher tells, for the first time, the story of the Fifteenth Kentucky Infantry, a hard-fighting Union regiment raised largely from Louisville and the Knob Creek valley where Abraham Lincoln lived as a child. Although recruited in a slave state where Lincoln received only 0.9 percent of the 1860 presidential vote, the men of the Fifteenth Kentucky fought and died for the Union for over three years, participating in all the battles of the Atlanta campaign, as well as the battles of Perryville, Stones River and Chickamauga. Using primary research, including soldiers’ letters and diaries, hundreds of contemporary newspaper reports, official army records, and postwar memoirs, Kirk C. Jenkins vividly brings the Fifteenth Kentucky Infantry to life. The book also includes an extensive biographical roster summarizing the service record of each soldier in the thousand-member unit. Kirk C. Jenkins, a descendant of the Fifteenth Kentucky's Captain Smith Bayne, is a partner in a Chicago law firm. Click here for Kirk Jenkins' website and more information about the 15th Kentucky Infantry.