George Eliots Novels

This carefully crafted ebook: "The Complete Works of George Eliot" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Scenes of Clerical Life (1858): The Sad Fortunes of the Rev. Amos Barton, Mr. Gilfil's Love Story, Janet's Repentance Adam Bede (1859) The Lifted Veil (1859) The Mill on the Floss (1860) Silas Marner, the Weaver of Raveloe (1861) Romola (1863) Brother Jacob (1864) Felix Holt, the Radical (1866) The Spanish Gypsy (1868) Middlemarch (1871/72) The Legend of Jubal, and Other Poems (1874): The Legend of Jubal, Agatha, Armgart, How Lisa Loved the King, A Minor Prophet, Brother and Sister, Stradivarius, A College Breakfast-Party, Two Lovers, Self and Life, "Sweet Endings Come and Go, Love," The Death of Moses, Arion, "O May I Join the Choir Invisible." Daniel Deronda (1876) Impressions of Theophrastus Such (1879) The Essays: From the Note-Book of an Eccentric, How to Avoid Disappointment, The Wisdom of the Child, A Little Fable with a Great Moral, Hints on Snubbing, Carlyle's Life of Sterling, Margaret Fuller, Woman in France: Madame de Sablé, Three Months in Weimar, Evangelical Teaching: Dr. Cumming, German Wit: Henry Heine, The Natural History of German Life, Silly Novels by Lady Novelists, George Forster, Worldliness and Other-Worldliness: The Poet Young, The Influence of Rationalism, The Grammar of Ornament, Address to Working Men, by Felix Holt, Leaves from a Note-Book. Miscellaneous Poems: On Being Called a Saint, Farewell, Sonnet, Question and Answer, "'Mid my Gold-Brown Curls," "'Mid the Rich Store," "As Tu Va la Lune se Lever," In A London Drawing Room, Arms! To Arms!, Ex Oriente Lux, In the South, Will Ladislaw's Song, Erinna, I Grant you Ample Leave, Mordecai's Hebrew Verses, Count that Day Lost.

The works collected in this volume provide an illuminating introduction to George Eliot's incisive views on religion, art and science, and the nature and purpose of fiction. Essays such as 'Evangelical Teaching' show her rejecting her earlier religious beliefs, while 'Woman in France' questions conventional ideas about female virtues and marriage, and 'Notes on Form in Art' sets out theories of idealism and realism that she developed further in Middlemarch and Daniel Deronda. It also includes selections from Eliot's translations of works by Strauss and Feuerbach that challenged many ideas about Christianity; excerpts from her poems; and reviews of writers such as Wollstonecraft, Goethe and Browning. Wonderfully rich in imagery and observations, these pieces reveal the intellectual development of this most challenging and rewarding of writers.

In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel – both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch.

A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories. Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.

An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.

The author, whose real name was Mary Ann Evans, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. Her work was mostly set in provincial England and known for their realism and psychological insight.

On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.

Mary Ann Evans (1819-1880), known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Felix Holt, the Radical (1866), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. She used a male pen name, she said, to ensure that her works would be taken seriously. Female authors were published under their own names during Eliot's life, but she wanted to escape the stereotype of women writing only lighthearted romances. She also wished to have her fiction judged separately from her already extensive and widely known work as an editor and critic.

This carefully crafted ebook: "The Complete Novels of George Eliot: Adam Bede + The Lifted Veil + The Mill on the Floss + Silas Marner + Romola + Brother Jacob + Felix Holt the Radical + Middlemarch + Daniel Deronda" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Adam Bede (1859) The Lifted Veil (1859) The Mill on the Floss (1860) Silas Marner (1861) Romola (1863) Brother Jacob (1864) Felix Holt, the Radical (1866) Middlemarch (1871/72) Daniel Deronda (1876) Mary Ann (Marian) Evans (1819 – 1880), better known by her pen name George Eliot, was an English novelist, journalist and translator. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological insight.