Forgive Us Our Spins

"Well written, witty, and wise. Jesse Larner's book goes well beyond its brief: it helps us understand where the left has been going for the last few years, and where it might end up." —GEORGE MONBIOT, columnist, The Guardian (UK) "Forgive Us Our Spins is a very smart and well-researched book about the ever-controversial Michael Moore. Larner does a great job at showing why Moore's political and cultural adventures often do more damage than good. And Larner is a man of the left who doesn't make excuses for the right. A concern for decency and the quality of public discussion in this country shine through in this book—a healthy antidote to not just Michael Moore but also the intellectual clowns of the right, like Ann Coulter and Michael Savage. Let's hope Larner's voice is heard by many." —KEVIN MATTSON, professor, Ohio University, and author of Upton Sinclair and the Other American Century As the 2004 presidential election approached, Michael Moore repeatedly expressed confidence that his film Fahrenheit 9/11 would have a powerful impact on the outcome of that bitter contest. The talking cogs in the right-wing media machine were happy to agree with him. They foresaw that Moore and his flawed, shallow, and factually sloppy film would be major factors in motivating and energizing their base. Left, right, or in between, everyone has an opinion about Michael Moore. His books reside on bestseller lists, his films are unfailingly controversial, and his politics range far to the left of any elected official on the national scene. So why is he the only voice capable of bringing progressive issues and ideas to public awareness? What message should the Democratic Party glean from his immense popularity? What impact will Moore and his work have on the future of the left? In Forgive Us Our Spins, you'll meet Michael Moore as you've never seen him before. This witty, well-written critique of America's most commercially successful radical examines Moore's life and work, reveals the personal history that underlies his political passions, and takes a clear-eyed look at his controversial trouble with the facts. Love him or hate him, you can't deny Michael Moore's political stature. Is he the champion the left has long yearned for or the kind of friend that's more dangerous than an enemy? Read Forgive Us Our Spins, then decide.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

From the author of Axis and Vortex, the first Hugo Award-winning novel in the environmental apocalyptic Spin Trilogy... One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives. The effect is worldwide. The sun is now a featureless disk--a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world's artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they'd been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside--more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future. Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who's forged a new religion out of the fears of the masses. Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans...and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth's probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun--and report back on what they find. Life on Earth is about to get much, much stranger. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

"In Forgive Us Our Spins, public affairs analyst Jesse Larner traces the rise of America's most commercially successful radical and examines Michael Moore's impact on political discourse in a very conservative age. Larner digs deep into Moore's past to explore the roots of his activism, identify recurring themes and methods in his work, and describe crucial relationships that reveal the man behind the icon."--BOOK JACKET.

The principal doctrines defining Mormonism today often bear little resemblance to those it started out with in the early 1830s. This book shows that these doctrines did not originate in a vacuum but were rather prompted and informed by the religious culture from which Mormonism arose. Early Mormons, like their early Christian and even earlier Israelite predecessors, brought with them their own varied culturally conditioned theological presuppositions (a process of convergence) and only later acquired a more distinctive theological outlook (a process of differentiation). In this first-of-its-kind comprehensive treatment of the development of Mormon theology, Charles Harrell traces the history of Latter-day Saint doctrines from the times of the Old Testament to the present. He describes how Mormonism has carried on the tradition of the biblical authors, early Christians, and later Protestants in reinterpreting scripture to accommodate new theological ideas while attempting to uphold the integrity and authority of the scriptures. In the process, he probes three questions: How did Mormon doctrines develop? What are the scriptural underpinnings of these doctrines? And what do critical scholars make of these same scriptures? In this enlightening study, Harrell systematically peels back the doctrinal accretions of time to provide a fresh new look at Mormon theology. “This Is My Doctrine” will provide those already versed in Mormonism’s theological tradition with a new and richer perspective of Mormon theology. Those unacquainted with Mormonism will gain an appreciation for how Mormon theology fits into the larger Jewish and Christian theological traditions.

In this stunning follow-up to the critically acclaimed novel Spin State, Chris Moriarty depicts a grim future in which the final frontier may well be extinction. For as far-flung planets are terraformed and Earth’s age-old conflicts are contracted out to AIs, humanity is losing the only war that counts: the war for survival. Call Arkady a clone with a conscience. Or call him a traitor. A member of the space-faring Syndicates, Arkady has defected to Israel with a hot commodity: a genetic weapon powerful enough to wipe out humanity. But Israel’s not buying it. They’re selling it—and Arkady—to the highest bidder. As the auction heats up, the Artificial Life Emancipation Front sends in Major Catherine Li. Already drummed out of the Peacekeepers for “war crimes,” Li has now literally hooked up with an AI who has lived many lifetimes and shunted through many bodies. And while they each have their own definition of victory, together they have only one chance at survival. . . .

We're all familiar with the warning, "Don't believe everything you see or hear." Bill Press, the popular co-host of CNN's Crossfire, will have you wondering whether you should believe anything at all. Spin -- intentional manipulation of the truth -- is everywhere. It's in the White House, in the courtrooms, in headlines and advertising slogans. Even couples on dates -- not to mention book jackets -- are guilty of spin. Now, analyst Bill Press freeze-frames the culture of spin to investigate what exactly spin is, who does it and why, and its impact on American society as a whole. Depending upon who is doing it, spinning can mean anything from portraying a difficult situation in the best possible light to completely disregarding the facts with the intent of averting embarrassment or scandal. Using examples drawn from recent history -- the Clinton presidency, the Florida recount, and the Bush White House -- Press first probes spin's favorite haunt: politics. In addition to surveying the incarnations of spin in the fields of journalism, law, and advertising, Press also chews on the spin of sex and "dating," a word that has become the very embodiment of spin. Perhaps surprisingly, however, Press argues that spin isn't all bad, and that without it the harsh truths of our times might be too tough to swallow. With the same keen sense of humor that helped make CNN's Crossfire television's premier debate show and the limited run of The Spin Room so popular, Press turns the tables on the prime purveyors of spin -- called spin doctors -- noting some of their biggest guffaws and blunders. As Press notes, it has become abundantly clear that the twenty-first century, beginning as it has with a president who was "spun into office," will be a fertile stomping ground for spin.