Forging Freedom In The Mid Hudson Valley

Slavery and Freedom in the Mid-Hudson Valley focuses on the largely forgotten history of slavery in New York and the African American freedom struggle in the central Hudson Valley prior to the Civil War. Slaves were central actors in the drama that unfolded in the region during the Revolution, and they waged a long and bitter battle for freedom during the decades that followed. Slavery in the countryside was more oppressive than slavery in urban environments, and the agonizingly slow pace of abolition, constraints of rural poverty, and persistent racial hostility in the rural communities also presented formidable challenges to free black life in the central Hudson Valley. Michael E. Groth explores how Dutchess County's black residents overcame such obstacles to establish independent community institutions, engage in political activism, and fashion a vibrant racial consciousness in antebellum New York. By drawing attention to the African American experience in the rural Mid-Hudson Valley, this book provides new perspectives on slavery and emancipation in New York, black community formation, and the nature of black identity in the Early Republic.

"Long Hammering addresses the integral role that African Americans played in every aspect of Hudson Valley society, which historically is the embryo of New York history. From the time of the colonial period when enslaved African labor was vital tot he tremendous wealth New York generated as a British Colony, to the end of the 19th century when a more democratic society was, African American involvement was a historical fact." -- Publisher's description.

Jaap Penraat can't understand the Germans' hatred of his Jewish neighbors in his hometown of Amsterdam. As the restrictions multiply and the violence escalates, Jaap knows he must take action to help his friends. He begins by using his father's printing press to forge identification cards and papers for Jewish neighbors and refugees, but as the Nazi grasp tightens, he is forced to take a more drastic path--leading twenty Jews on the dangerous first leg of a journey to Paris, the start of the underground pipeline to safety.

An innovative blend of cultural and political history, Emancipating New York is the most complete study to date of the abolition of slavery in New York state. Focusing on public opinion, David N. Gellman shows New Yorkers engaged in vigorous debates and determined activism during the final decades of the eighteenth century as they grappled with the possibility of freeing the state's black population. The gradual emancipation that began in New York in 1799 helped move an entire region of the country toward a historically rare slaveless democracy, creating a wedge in the United States that would ultimately lead to the Civil War. Gellman's comprehensive examination of the reasons for and timing of New York's dismantling of slavery provides a fascinating narrative of a citizenry addressing longstanding injustices central to some of the greatest traumas of American history.

The Other New York provides the first comprehensive look at New York State's rural areas during the American Revolution. This county-by-county survey of the regions outside of New York City describes the social and cultural conditions on the eve of the Revolution and details the events leading up to the conflict, the battles and campaigns fought within the state, the hardships civilians experienced while creating new local governments and supplying the war effort, and postwar reconstruction efforts. It also chronicles the impact that the war had on the European Americans, Native Americans, and African Americans. These groups endured years of strife yet went on to create New York State.

Unearths an unexpected bloom of liberty in an ex-slave's journal.

In this sweeping, foundational work, Pulitzer Prize–winning historian David Hackett Fischer draws on extensive research to show how enslaved Africans and their descendants enlarged American ideas of freedom in varying ways in different regions of the early United States. African Founders explores the little-known history of how enslaved people from different regions of Africa interacted with colonists of European origins to create new regional cultures in the colonial United States. The Africans brought with them linguistic skills, novel techniques of animal husbandry and farming, and generations-old ethical principles, among other attributes. This startling history reveals how much our country was shaped by these African influences in its early years, producing a new, distinctly American culture. Drawing on decades of research, some of it in western Africa, Fischer recreates the diverse regional life that shaped the early American republic. He shows that there were varieties of slavery in America and varieties of new American culture, from Puritan New England to Dutch New York, Quaker Pennsylvania, cavalier Virginia, coastal Carolina, and Louisiana and Texas. This landmark work of history will transform our understanding of America’s origins.

Unearths an unexpected bloom of liberty in an ex-slave's journal.

In this volume, Tanya Sheehan takes humor seriously in order to trace how photographic comedy was used in America and transnationally to express evolving ideas about race, black emancipation, and civil rights in the mid-1800s and into the twentieth century. Sheehan employs a trove of understudied materials to write a new history of photography, one that encompasses the rise of the commercial portrait studio in the 1840s, the popularization of amateur photography around 1900, and the mass circulation of postcards and other photographic ephemera in the twentieth century. She examines the racial politics that shaped some of the most essential elements of the medium, from the negative-positive process to the convention of the photographic smile. The book also places historical discourses in relation to contemporary art that critiques racism through humor, including the work of Genevieve Grieves, Adrian Piper, Lorna Simpson, Kara Walker, and Fred Wilson. By treating racial humor about and within the photographic medium as complex social commentary, rather than a collectible curiosity, Study in Black and White enriches our understanding of photography in popular culture. Transhistorical and interdisciplinary, this book will be of vital interest to scholars of art history and visual studies, critical race studies, U.S. history, and African American studies.