First Cut

A Bustle Most Anticipated Book of January 2020 “Scalpel sharp.”—Kathy Reichs A young rookie medical examiner. A suspicious case. An underworld plot only she saw coming. From the New York Times bestselling authors of Working Stiff For San Francisco’s newest medical examiner, Dr. Jessie Teska, it was supposed to be a fresh start. A new job in a new city. A way to escape her own dark past. Instead she faces a chilling discovery when an opioid-overdose case contains hints of something more sinister. Jessie’s superiors urge her to close the case, but as more bodies land on her autopsy table, she uncovers a constellation of deaths that point to an elaborate plot involving drug dealers and Bitcoin brokers. Drawing on her real-life experiences as a forensics expert, Judy Melinek teams up with husband T.J. Mitchell to deliver the most exhilarating mystery of the year. Autopsy means “see for yourself,” and Jessie Teska won’t stop until she has seen it all—even if it means that the next corpse on the table could be her own.

In her debut children's book, "Liam's First Cut, Taye Glover weaves together the beauty of fatherhood, community, and neurodivergence as Liam, a black boy with an autism spectrum disorder, approaches a day he's been anticipating, for quite some time. Liam takes us on a journey towards a big rite of passage in every boy's life as he prepares to get his hair cut on his first visit to a barbershop.

With humor, compassion, and wisdom, Howard Carter recounts the semester he spent watching first-year medical students in a human anatomy lab. From the tentative early incisions of the back, the symbolic weight of extracting the heart, and by the end, the curious mappings of the brain, we embark on a path that is at once frightening, awesome, and finally redemptive.

First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, and updated with a new preface, this book provides a comprehensive treatment of both documentary and feature film editing.

Originally published: Honesdale, Pa.: Front Street, 2000.

Collects the first issues of "DMZ," "Army at Love," "Jack of Fables," "The Exterminators," "Scalped," "Crossing Midnight," "Loveless," and "Preview of Air."

Palm Frond with Its Throat Cut uses both humor and sincerity to capture moments in time with a sense of compassion for the hard choices we must make to survive. Vértiz’s poetry shows how history, oppression, and resistance don’t just refer to big events or movements; they play out in our everyday lives, in the intimate spaces of family, sex, and neighborhood. Vértiz’s poems ask us to see Los Angeles—and all cities like it—as they have always been: an America of code-switching and reinvention, of lyric and fight.

NEW YORK TIMES BESTSELLER • In J. R. Ward’s thrilling finale to her Bourbon Kings series, the Bradford family dynasty teeters on the edge of collapse after the murder of their patriarch—and a shocking arrest. At first, the death of William Baldwine, the head of the Bradford family, was ruled a suicide. But then his eldest son and sworn enemy, Edward, came forward and confessed to what was, in fact, a murder. Now in police custody, Edward mourns not the disintegration of his family or his loss of freedom . . . but the woman he left behind. His love, Sutton Smythe, is the only person he has ever truly cared about, but as she is the CEO of the Bradford Bourbon Company’s biggest competitor, any relationship between them is impossible. And then there’s the reality of the jail time that Edward is facing. Lane Baldwine was supposed to remain in his role of playboy, forever in his big brother Edward’s shadow. Instead he has become the new head of the family and the company. Convinced that Edward is covering for someone else, Lane and his true love, Lizzie King, go on the trail of a killer—only to discover a secret that is as devastating as it is game-changing. As Lane rushes to discover the truth, and Sutton finds herself irresistibly drawn to Edward in spite of his circumstances, the lives of everyone at Easterly will never be the same again. For some, this is good; for others, it could be a tragedy beyond imagining. Only one thing is for certain: Love survives all things. Even murder. Praise for J. R. Ward’s Bourbon Kings series “A most sinful indulgence . . . The gorgeous Kentucky backdrop will sweep you away.”—Susan Wiggs “Breathless fun!”—Lisa Gardner

This book is for executives and practitioners tasked with the movement of data from old systems to a new repository. It uses a series of steps developed in real life situations that will get the reader from an empty new system to one that is working and backed by the user population. Recent figures suggest that nearly 40% of Data Migration projects are over time, over budget or fail entirely. Using this proven methodology will vastly increase the chances of achieving a successful migration.

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.