Family Stories Poetry And Womens Work

"This book is a memoir in poetry about family stories, mother-daughter relationships, women’s work, mothering, writing, family secrets, and patterns of communication in close relationships. Faulkner knits connections between a DIY (do-it-yourself) value, economics, and family culture through the use of poems and images, which present four generations of women in her family and trouble “women’s work” of mothering, cooking and crafting. Family stories anchor family culture and provide insight into relational and family life. This work may be used as a teaching tool to get us to think about the stories that we tell and don’t tell in families and the importance of how family is created, maintained, and altered in our stories. The poetry voices the themes of economic and collective family self-reliance and speaks to cultural discourses of feminist resistance and resilience, relational and personal identities. This book can be read for pleasure as a collection of poetry or used as a springboard for reflection and discussion in courses such as family communication, sociology of gender and the family, psychology of women, relational communication, and women’s studies. “Sandra’s innovative arts-based social science text demystifies poetic inquiry, providing readers both an embodied example of excellence and detailed exercises for use when practicing one’s own craft.” – Elizabeth A. Suter, University of Denver “Through this book, Faulkner presents a refreshing way of understanding, researching, and teaching about the communication in families.” – Pamela J. Lannutti, La Salle University “Faulkner takes readers into the personal lives of four generations of mothers and daughters, poetically uncovering concrete aspects of social processes of family, motherhood, relationships, and writing. A fusion of social science and art that invites engagement of all your senses to understand the felt truth of lived experience.” – Carolyn Ellis, University of South Florida “Captivating, nuanced, and often surprising, Faulkner’s work is a vital contribution that bridges the chasm between traditional interpersonal communication research and brave new artistic worlds for relationship studies.” Jimmie Manning, Northern Illinois University Social Fictions Series International Editorial Advisory Board Carl Bagley, University of Durham, UK Anna Banks, University of Idaho, USA Carolyn Ellis, University of South Florida, USA Rita Irwin, University of British Columbia, Canada J. Gary Knowles, University of Toronto, Canada Laurel Richardson, The Ohio State University (Emeritus), USA Sandra L. Faulkner is Associate Professor of Communication and Director of Women’s, Gender and Sexuality Studies at BGSU. Her teaching and research interests include qualitative methodology, poetic inquiry, and sexuality in close relationships. Left Coast Press published her books Poetry as Method: Reporting Research through Verse and Inside Relationships: A Creative Casebook on Relational Communication. Her poetry appears in places such as Qualitative Inquiry, Women & Language, Storm Cellar, Literary Mama, and Sugar House Review, and her chapbook, Hello Kitty Goes to College, was published by dancing girl press. She lives in NW Ohio with her partner, their warrior girl, and a rescue mutt. "

“Each poem and illustration shines with a personality all its own.” —Shelf Awareness (starred review) “This book has definitely made an impact on my life.” —Kitt Shapiro, daughter of Eartha Kitt Fresh, accessible, and inspiring, Shaking Things Up introduces fourteen revolutionary young women—each paired with a noteworthy female artist—to the next generation of activists, trailblazers, and rabble-rousers. From the award-winning author of Ada’s Violin and Lifeboat 12, Susan Hood, this is a poetic and visual celebration of persistent women throughout history. In this book of poems, you will find Mary Anning, who was just thirteen when she unearthed a prehistoric fossil. You’ll meet Ruby Bridges, the brave six-year-old who helped end segregation in the South. And Maya Lin, who at twenty-one won a competition to create a war memorial, and then had to appear before Congress to defend her right to create. And those are just a few of the young women included in this book. Readers will also hear about Molly Williams, Annette Kellerman, Nellie Bly, Pura Belpré, Frida Kahlo, Jacqueline and Eileen Nearne, Frances Moore Lappé, Mae Jemison, Angela Zhang, and Malala Yousafzai—all whose stories will enthrall and inspire. This poetry collection was written, illustrated, edited, and designed by women and includes an author’s note, a timeline, and additional resources. With artwork by award-winning and bestselling artists including Selina Alko, Sophie Blackall, Lisa Brown, Hadley Hooper, Emily Winfield Martin, Oge Mora, Julie Morstad, Sara Palacios, LeUyen Pham, Erin Robinson, Isabel Roxas, Shadra Strickland, and Melissa Sweet. A 2019 Bank Street Best Book of the Year Named to the 2019 Texas Topaz Nonfiction Reading List Selected for CCBC Choices Book 2019 Selected as a Notable Social Studies Trade Books for Young People 2019 Named to the Cuyahoga County Public Library’s 2018 list of Great Books for Kids 2020-2021 South Carolina Picture Book Award Nominee

After rising from poverty to earn two Ivy League degrees, an Appalachian lawyer pays tribute to the strong “hill women” who raised and inspired her, and whose values have the potential to rejuvenate a struggling region. “Destined to be compared to Hillbilly Elegy and Educated.”—BookPage (starred review) “A gritty, warm love letter to Appalachian communities and the resourceful women who lead them.”—Slate Nestled in the Appalachian mountains, Owsley County, Kentucky, is one of the poorest places in the country. Buildings are crumbling as tobacco farming and coal mining decline. But strong women find creative ways to subsist in the hills. Through the women who raised her, Cassie Chambers traces her path out of and back into the Kentucky mountains. Chambers’s Granny was a child bride who rose before dawn every morning to raise seven children. Granny’s daughter, Ruth—the hardest-working tobacco farmer in the county—stayed on the family farm, while Wilma—the sixth child—became the first in the family to graduate from high school. Married at nineteen and pregnant with Cassie a few months later, Wilma beat the odds to finish college. She raised her daughter to think she could move mountains, like the ones that kept her safe but also isolated from the larger world. Cassie would spend much of her childhood with Granny and Ruth in the hills of Owsley County. With her “hill women” values guiding her, she went on to graduate from Harvard Law. But while the Ivy League gave her opportunities, its privileged world felt far from her reality, and she moved home to help rural Kentucky women by providing free legal services. Appalachian women face issues from domestic violence to the opioid crisis, but they are also keeping their towns together in the face of a system that continually fails them. With nuance and heart, Chambers breaks down the myth of the hillbilly and illuminates a region whose poor communities, especially women, can lead it into the future.

Khan electrified viewers around the world when he took the stage at the 2016 Democratic National Convention. When he offered to lend Donald Trump his own much-read and dog-eared pocket Constitution, his gesture perfectly encapsulated the feelings of millions. The oldest of ten children born to farmers in Pakistan, Khan was a university student who read the Declaration of Independence and was awestruck by what might be possible in life. He and his wife instilled in their children the ideals that brought to America, and then tragically lost a son, an Army captain killed while protecting his base camp in Iraq. Here Khan tells readers why we must not be afraid to step forward for what we believe in when it matters most.

A NEW YORK TIMES NOTABLE BOOK OF 2019 From National Book Award finalist Megan K. Stack, a stunning memoir of raising her children abroad with the help of Chinese and Indian women who are also working mothers When Megan Stack was living in Beijing, she left her prestigious job as a foreign correspondent to have her first child and work from home writing a book. She quickly realized that caring for a baby and keeping up with the housework while her husband went to the office each day was consuming the time she needed to write. This dilemma was resolved in the manner of many upper-class families and large corporations: she availed herself of cheap Chinese labor. The housekeeper Stack hired was a migrant from the countryside, a mother who had left her daughter in a precarious situation to earn desperately needed cash in the capital. As Stack's family grew and her husband's job took them to Dehli, a series of Chinese and Indian women cooked, cleaned, and babysat in her home. Stack grew increasingly aware of the brutal realities of their lives: domestic abuse, alcoholism, unplanned pregnancies. Hiring poor women had given her the ability to work while raising her children, but what ethical compromise had she made? Determined to confront the truth, Stack traveled to her employees' homes, met their parents and children, and turned a journalistic eye on the tradeoffs they'd been forced to make as working mothers seeking upward mobility—and on the cost to the children who were left behind. Women's Work is an unforgettable story of four women as well as an electrifying meditation on the evasions of marriage, motherhood, feminism, and privilege.

Celebrate Unconditional Love with "A Family Affair- Inspirational Short Stories and Poetry about Family & Faith" Désouvré's work is so personal, however his inspirational work has such a universal theme. From his Family to yours experience "A Family Affair- Today" reading for the whole Family. Expecting a child read "To My Unborn Children" Désouvré's words will leap off the page as you read each word.

In an astonishing feat of literary detection, one of the most provocative critics of our time and the author of In the Freud Archives and The Purloined Clinic offers an elegantly reasoned meditation on the art of biography. In The Silent Woman, Janet Malcolm examines the biographies of Sylvia Plath to create a book not about Plath’s life but about her afterlife: how her estranged husband, the poet Ted Hughes, as executor of her estate, tried to serve two masters—Plath’s art and his own need for privacy; and how it fell to his sister, Olwyn Hughes, as literary agent for the estate, to protect him by limiting access to Plath’s work. Even as Malcolm brings her skepticism to bear on the claims of biography to present the truth about a life, a portrait of Sylvia Plath emerges that gives us a sense of “knowing” this tragic poet in a way we have never known her before. And she dispels forever the innocence with which most of us have approached the reading of any biography.

75 Poems by the Author of How the García Girls Lost Their Accents and In the Time of the Butterflies The works of this award-winning poet and novelist are rich with the language and influences of two cultures: those of the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped her life. In these seventy-five autobiographical poems, Alvarez’s clear voice sings out in every line. Here, in the middle of her life, she looks back as a way of understanding and celebrating the woman she has become. Don't miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!

My mother, Lovella Bagley had ten children. She taught her family about Jesus and the biblical principles of His word. Her dream was to write a book about her husband and all her children. She was married to Lee Earnest Bagley, Sr. for sixty-five years; he went home to be with the Lord on December 12, 2009. My father had a good sense of humor and an extraordinary personality. He provided for his family by working at an apartment complex as a Supervisor of Plumbing- in Lubbock, Texas. In my upcoming book, Why am I Here?I will talk about specifics in our familys life. Our mother was diagnosed with Alzheimers at the age of seventy-five and I watched her sad face as the doctor gave her the news. I watched her go from a vibrant woman to being in a wheelchair. She was determined to finish writing her poetry in her journal because she was quickly losing her memory. Her impeding illness did not discourage her even though she continued to struggle to remember names, events and wording. Every night she wrote poems and short stories in her journal that she kept in a silver briefcase. Some years passed and my siblings and I became her caregivers. Throughout the years, I thought about that silver briefcase as our family had relocated to Dallas, Texas. My brother Rodney decided to take a trip to Lubbock, Texas to visit relatives. During his visit, Rodney went to his storage to get furniture and other items to take back to Dallas. As he walked through the storage he looked next to a wall and there laid the silver briefcase that held my mothers poems. I was so excited; I knewthere has to be a reason for us findingthe silver briefcase. In my book, Poems from the Heart of a Woman it presents poetry written by my mother as well as myself.