Familia Mala Pandora

Jealousy! Treachery! Mysteries! Love Triangles! Pigs! Weddings! Transformations! Magic Potions! Volcanoes! Evil Spirits! Mechanical Frogs! And more! Those crazy Olympians wreak havoc in heaven and earth in this action-packed, humorous adaptation of the myth of Pandora. Although this is the third installment of the Familia Mala series of novellas, it can be read independently from the rest. This novella is suitable for novice level Latin learners of all ages.

On the island of Seriphos lives Perseus a twelve-year-old boy living whose world is turned upside down. When the cruel king of the island, Polydectes, is seeking a new bride, he casts his eye upon Perseus' mother, Dana�. The woman bravely refuses, setting in motion a chain of events that includes a mysterious box, a cave whose walls are covered with strange writing, and a dark family secret. "Perseus et Rex Malus" is the first of a two-part adventure based on the Greek myth of Perseus. Using only 300 unique Latin words, this fantasy novel is of interest to those learning Latin in a classroom setting as well as those learning Latin on their own.

From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.

He was home from prison. Ten years compressed in the nerve-racking space of a few seconds. This tall, broad-shouldered stranger was her husband. Every memory she had of his appearance was there, stamped with a brutal decade of maturity, but there. Except for the look in his eyes. Nothing had ever been bleak and hard about him before. He stared at her with an intensity that could have burned her shadow on the floor. Words were hopeless, but all that they had. "Welcome back," she said. Then, brokenly, "Jake." He took a deep breath, as if a shiver had run through him. He closed the doors without ever taking his eyes off her. Then he was at her in two long steps, grasping her by the shoulders, lifting her to her toes. "I trained myself not to think about you," he said, his voice a raw whisper. "Because if I had, I would have lost my mind." "I never deserted you. I wanted to be a part of your life, but you wouldn't let me. Will you please try, now?" "Do you still have it?" he asked. Anger. Defeat. The hoarse sound she made contained both. "Yes." He released her. "Good. That's all that matters." Sam turned away, tears coming helplessly. After all these years, there was still only one thing he wanted from her, and it was the one thing she hated, a symbol of pride and obsession she would never understand, a blood red stone that had controlled the lives of too many people already, including theirs. The Pandora ruby. Deborah Smith is the NYT bestselling author of A Place To Call Home and the Kindle No. 1 bestselling author of The Crossroads Café. Learn more about her books at BellBridgeBooks.com.

Piccius is not your average Roman chicken... Sure, he lives in a chicken coop like other chickens. But, the gods tell him their will and Piccius shares the gods' will to the Romans through Marcus, the Pullarius... if only Roman generals would listen to Marcus and Piccius! This is the story of not just a sacred chicken and his keeper but also the story of the Roman general Publius Claudius Pulcher and what happens when he consults the sacred chickens of Rome...Suitable for novice Latin readers in their 1st-2nd year of Latin study.

A group of special interest to mammalogists, taxonomists, and systemicists, ungulates have proven difficult to classify. This comprehensive review of the taxonomic relationships of artiodactyls and perissodactyls brings forth new evidence in order to propose a theory of ungulate taxonomy. With this straightforward volume, Colin Groves and the late Peter Grubb cut through previous assumptions to define ungulate genera, species, and subspecies. The species-by-species accounts incorporate new molecular, cytogenetic, and morphological data, as well as the authors’ own observations and measurements. The authors include references and supporting arguments for new classifications. A starting point for further research, this book is sure to be discussed and hotly debated in the mammalogical community. A well-reasoned synthesis, Ungulate Taxonomy will be a defining volume for years to come.

The story of Atlas and Heracles Atlas knows how it feels to carry the weight of the world; but why, he asks himself, does it have to be carried at all? In Weight — visionary and inventive, yet completely believable and relevant to the questions we ask ourselves every day — Winterson’s skill in turning the familiar on its head to show us a different truth is put to stunning effect. When I was asked to choose a myth to write about, I realized I had chosen already. The story of Atlas holding up the world was in my mind before the telephone call had ended. If the call had not come, perhaps I would never have written the story, but when the call did come, that story was waiting to be written. Rewritten. The recurring language motif of Weight is “I want to tell the story again.” My work is full of Cover Versions. I like to take stories we think we know and record them differently. In the retelling comes a new emphasis or bias, and the new arrangement of the key elements demands that fresh material be injected into the existing text. Weight moves far away from the simple story of Atlas’s punishment and his temporary relief when Hercules takes the world off his shoulders. I wanted to explore loneliness, isolation, responsibility, burden, and freedom too, because my version has a very particular end not found elsewhere. —from Jeanette Winterson’s Foreword to Weight

Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.

A “brilliant” novel of Elizabeth Bathory, the notorious sixteenth-century Hungarian aristocrat who bathed in the blood of virgins (St. Petersburg Times). Turmoil reigns in post-Soviet Hungary when journalist Drake Bathory-Kereshtur returns from America to grapple with his family history. He’s haunted by the legacy of his ancestor, the notorious sixteenth-century Countess Elizabeth Bathory, who is said to have murdered more than 650 young virgins and bathed in their blood to preserve her youth. Interweaving past and present, The Blood Countess tells the stories of Elizabeth’s debauched and murderous reign and Drake’s fascination with the eternal clashes of faith and power, violence and beauty. Codrescu traces the captivating origins of the countess’s obsessions in tandem with the emerging political fervor of the reporter, building the narratives into an unforgettable, bloody crescendo. Taut and intense, The Blood Countess is a riveting novel that deftly straddles the genres of historical fiction, thriller, horror, and family drama.