Exploring Gender In The Literature Of The Indian Diaspora

Reflecting the continuing interest in the diaspora and transnationalism, this collection of critical essays is located at the intersection of gender and diaspora studies, exploring the multiple ways in which the literature of the Indian diaspora negotiates, interprets and performs gender within established and emerging ethnic spaces. Based on current theories of diaspora, as well as feminist and queer studies, this collection focuses on close textual interpretation framed by cultural and literary theory. Targeted at both academic and general readers interested in gender and diaspora, as well as Indian literature, this collection is an eclectic selection of works by both established academics and emerging scholars from different parts of the world and with diverse backgrounds. It brings together multiple approaches to the predicament of belonging and the creation of identities, while showcasing the range and depth of the Indian diaspora and the diversity of its literary productions.

This book examines the role of women bloggers in the Indian Blogosphere. It explores how women use new media technologies to create online spaces that share knowledge, raise awareness, and build communities. A unique work at the intersection of digital culture, feminist theory, and diaspora/transnationalism studies, this book brings to light layered and complex issues such as identity, gender performativity, presentation of self, migration, and citizenship. This volume will be useful for scholars and researchers of cultural studies, political studies, gender studies, women’s studies, sociology, diaspora studies, feminist theory, media and communication studies.

This volume explores the intersections of diaspora and gender within the diasporic and Indian imagination. It investigates the ways in which race, class, caste, gender, and sexuality intersect with concepts of home, belonging, displacement and the reinvention of the nation and of self. Positioning itself as a companion to Kala Pani Crossings: Revisiting 19th century Migrations from India's Perspective (Routledge, 2021), the present book examines whether indentureship and diasporic locations marginalised women and men or empowered them; how negotiations or resistances have been determined by race, class, caste, or ethnicity; how traditional standards of Indianness and gender relations have been reshaped; how ideas of home, self and the nation have been impacted in the diaspora and in India after the 19th and early 20th century indentureship migration; and what 21st century Indians stand to gain by theorizing the legacy of 19th century indenture through a gender framework. To understand how fiction and non-fiction writers have negotiated the legacy of indentureship to create spaces where normative practices can be interrogated and challenged, the book gives pride of place to interviews with writers such as Cyril Dabydeen, Ananda Devi, Ramabai Espinet, Davina Ittoo, Brij Lal, Peggy Mohan, Shani Mootoo, and Khal Torabully. Thus rooted in critical analyses but also in subjective and creative perspectives, this volume is a major intervention in understanding Indian indenture and its legacy in the diaspora and in India. It will be of great interest to scholars and researchers of literature, history, Indian Ocean studies, migration and South Asian studies.

About the Author Dipak Giri- M.A. (Double), B.Ed. - is a Ph. D. Research Scholar in Raiganj University, Raiganj, Uttar Dinajpur (W.B.). He is working as an Assistant Teacher in Katamari High School (H.S.), Cooch Behar, West Bengal. He is an Academic Counsellor in Netaji Subhas Open University, Cooch Behar College Study Centre, Cooch Behar, West Bengal. He was formerly Part Time Lecturer in Cooch Behar College, Vivekananda College and Thakur Panchanan Mahila Mahavidyalaya, West Bengal and worked as a Guest Lecturer in Dewanhat College, West Bengal. Along with this book on Indian Diaspora Literature, he has also edited eight books on Indian English Drama, Indian English Novel, Postcolonial English Literature, New Woman in Indian Literature, Indian Women Novelists in English, Homosexuality in Contemporary Indian Literature, Transgender in Indian Context and Mahesh Dattani. He is a well-known academician and has published many scholarly research articles in books and journals of both national and international repute. His area of studies includes Post-Colonial Literature, Indian Writing in English, Dalit Literature, Feminism and Gender Studies. About the Book The anthology Immigration and Estrangement in Indian Diaspora Literature: A Critical Study attempts to study diasporic sensibilities in writings of Indian Diaspora writers. The book mainly focuses its study on the sense of displacement and dislocation rising due to immigration from homeland to hostland as found in writings of Indian Diaspora writers. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.

This volume brings into focus a range of emergent issues related to women in the Indian diaspora. The conditions propelling women’s migration and their experiences during the process of migration and settlement have always been different and very specific to them. Standing ‘in-between’ the two worlds of origin and adoption, women tend to experience dialectic tensions between freedom and subjugation, but they often use this space to assert independence, and to redefine their roles and perceptions of self. The central idea in this volume is to understand women’s agency in addressing and redressing the complex issues faced by them; in restructuring the cultural formats of patriarchy and gender relations; managing the emerging conflicts over what is to be transmitted to the following generations,; renegotiating their domestic roles and embracing new professional and educational successes; and adjusting to the institutional structures of the host state. The essays included in the volume discuss women in the Indian diaspora from multidisciplinary perspectives involving social, economic, cultural, and political aspects. Such an effort privileges diasporic women’s experiences and perspectives in the academia and among policy makers.

Critical Perspectives on Chitra Banerjee Divakaruni: Feminism and Diaspora offers insights into Chitra Banerjee Divakaruni’s provocative and popular fiction. In their engaging and comprehensive introduction, editors Amritjit Singh and Robin Field explore how Divakaruni’s short stories and novels have been shaped by her own struggles as a new immigrant and by the influences she imbibed from academic mentors and feminist writers of color. Twelve critical essays by both aspiring and experienced scholars explore Divakaruni's aesthetic of interconnectivity and wholeness as she links generations, races, ethnicities, and nations in her depictions of the diversity of religious and ethnic affiliations within the Indian diaspora. The contributors offer a range of critical perspectives on Divakaruni’s growth as a novelist of historical, mythic, and political motifs. The volume includes two extended interviews with Divakaruni, offering insights into her personal inspirations and social concerns, while also revealing her deep affection for South Asian communities, as well as an essay by Divakaruni herself—a candid expression of her artistic independence in response to the didactic expectations of her many South Asian readers.

The Essays In This Volume Were Originally Presented At A Conference Held At The Institute For Common Wealth And American Studies And English Language In Mysore In 1998.

In the wake of the steady expansion and more recent explosion of Anglo-Indian and Indo-Anglian writing, and following the success of Salman Rushdie's Midnight's Children, the literature of the Indian diaspora has become the object of close attention. As a body of literature, it simultaneously represents an important multicultural perspective within individual ‘national' literatures (such as those of Canada or Australia) as well as a more global perspective taking in the phenomena of transculturalism and diaspora. However, while readers may share an interest in the writing of the Indian diaspora, they do not always interpret the notion of ‘Indian diaspora' in the same way. Indeed, there has been much debate in recent years about the appropriateness of terms such as diaspora and exile. Should these terms be reserved for the specifically historical nature of problems encountered in the process of acquiring new nationality and citizenship, or can they be extended to the writing of literature itself or used to describe ‘economic' migration arising out of privilege? As a response to these debates, Shifting Continents/Colliding Cultures explores the aftermath of British colonialism on the Indian subcontinent and Sri Lanka, including the resulting diaspora. The essays also examine zones of intersection between theories of postcolonial writing and models of diaspora and the nation. Particular lines of investigation include: how South-Asian identity is negotiated in Western spaces, and its reverse, how Western identity is negotiated in South-Asian space; reading identity by privileging history; the role of diasporic women in the (Western) nation; how diaspora affects the literary canon; and how diaspora is used in the production of alternative identities in films such as Gurinder Chadha's Bhaji on the Beach.

This book describes the processes of migration and settlement of indentured Indian women and tries to map their struggles, challenges and agencies. It highlights the fact that even though indentured women faced various kinds of violence and abuse owing to the authoritarian and patriarchal setup of the plantations, over a period of time, they managed to turn the adverse circumstances to their advantage. They struggled to emerge as productive workforces and empowered themselves through acquiring education and skill, and negotiating new spaces and identities for themselves. At the same time, they also raised families in often inhospitable circumstances, passing on to their descendants, a strong foundation to build successful lives for themselves.The book discusses indentured women from a multidisciplinary perspective and adopts multiple methodologies, including primary and secondary sources, personal narrations, pictorial representations and theoretical discussions. It also provides an overview of the current discourses and the changing paradigms of the studies on Indian indentured women. Further, it presents a detailed, region-wise description of indentured women migrants. The regions covered in this book are Asia- Pacific (countries covered are Fiji, Burma and Nepal); Africa (countries covered are South Africa, Mauritius and Reunion Island); and the Caribbean (countries covered are Suriname, Trinidad and Tobago). In addition, one full section of the book is devoted to the theoretical frameworks that touch upon gender performativity, normative misogyny, Bahadur's Coolie Women, literary representations and resistance movements. It is intended for academics and researches in the field of diaspora/migration/transnational studies, history, sociology, literature, women/gender studies, as well as policymakers and general readers interested in the personal experiences of women and migrants.

This book explores the influence which education and migration experiences have on women of Indian origin in Australia and the United Kingdom when (re)negotiating their identities. The intersections of migration and transnationalism are critically examined through multiple theoretical lenses across three thematic domains encompassing socio-historical discourses, postcolonial theory, theories on intersectionality and interceptionality, emotional reflexivity and affects. In doing so, the book highlights the ambiguities around gendered access and equity to education, migration experiences, the acculturation process, dilemmas surrounding transnationality and negotiation of identities, belonging and struggles inherent in simultaneously maintaining ties with home and new social fields. Chapters highlight the practical, methodological, and substantive aspects of affective dimensions and voice with a critical understanding of different tensions, challenges, complexities and conflicts underlining the stories. The book raises the question of voice and agency in advocating emotion-based writing in recalibrating conditions representing gendered subjective multivocality of women in breaking silences. Presenting non-Western perspectives through fragmented and often marginalised accounts within transnational and global spaces, this book will be of interest to researchers in the fields of Sociology, Gender Studies, Migration, Transnational and Diaspora studies, Sociology of Education, Feminist Studies, Cultural Studies, Literature and Cultural Geographies.