Epigraphia Zeylanica Being Lithic And Other Inscriptions Of Ceylon Edited And Translated By Don Martino De Zilva Wickremasinghe S Paranavitana Hw Codrington

Rewriting Buddhism is the first intellectual history of premodern Sri Lanka’s most culturally productive period. This era of reform (1157–1270) shaped the nature of Theravada Buddhism both in Sri Lanka and also Southeast Asia and even today continues to define monastic intellectual life in the region. Alastair Gornall argues that the long century’s literary productivity was not born of political stability, as is often thought, but rather of the social, economic and political chaos brought about by invasions and civil wars. Faced with unprecedented uncertainty, the monastic community sought greater political autonomy, styled itself as royal court, and undertook a series of reforms, most notably, a purification and unification in 1165 during the reign of Parakramabahu I. He describes how central to the process of reform was the production of new forms of Pali literature, which helped create a new conceptual and social coherence within the reformed community; one that served to preserve and protect their religious tradition while also expanding its reach among the more fragmented and localized elites of the period.

At the pilgrimage site of Adam’s Peak in Sri Lanka, a footprint is embedded atop the mountain summit. Buddhists hold that it was left by the Buddha, Hindus say Lord Siva, and Muslims and Christians identify it with Adam, the first man. The Sri Lankan state, for its part, often uses the Peak as a prop to convey a harmonious image of religious pluralism, despite increasing Buddhist hegemony. How should the diversity of this place be understood historically and managed practically? Considering the varied heritage of this sacred site, Alexander McKinley develops a new account of pluralism based in political ecology, representing the full array of actors and issues on the mountain. From its diverse people to rare species to deep geology, the Peak exemplifies a planetary pluralism that recognizes a multiplicity of beings while accepting competition and disorder. Taking a place-based approach, McKinley casts the mountain as an actor, exploring how its rocks, forests, and waters promote pilgrimage, inspire storytelling, and make ethical demands on human communities. Combining history and ethnography while furnishing original translations of sources from Pali, Sinhala, and Tamil, this multidisciplinary and stylistically innovative book shows how religious traditions share literal common ground in their reverence for the mountain.