English Furniture Designs Of The Eighteenth Century

The eighteenth century has been seen as a Golden Age of design and craftsmanship. This book goes well beyond these ideas and investigates the various developments in the infrastructure of the eighteenth-century furniture world.

English furniture of the eithteenth century has never been more admired or sought after than it is today. This is largely because it possesses a simplicity, a sober elegance and a practical usefulness which make it ideal for modern houses. Such furniture owes as much to good design as to the craftsman's skill, and that is why, in this book, the Victoria and Albert Museum has made an attempt to carry out--for the first time--a systematic survey of the great mass of eighteenth-century designs which has come down to us. The Museum is in a good position to embark upon such a venture, because it possessess one of the largest collections of English furniture designs in existence, a collection which includes copies of nearly all the relevant pattern books, some of them very rare, and a considerable number of original drawings, which tend to be rarer still, because they were all too often lost or destroyed, once they had served their purpose. --back cover.

The Georgian period was one of disciplined designs and the published pattern books regulated the basic

The eighteenth century was a golden era for English furniture design, and this book celebrates the works of the master craftsmen who helped define this iconic style. With detailed descriptions and vivid photography, readers will gain a new appreciation for the artistry and craftsmanship that went into each piece of furniture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from English Furniture Designers of the Eighteenth Century N the present volume I have endeavoured to trace the history of English furniture from the reign of William and Mary to the early years of the nine teenth century. The illustrations (most of which have not appeared before) present choice examples of the Queen Anne School, the brothers Adam, the Chippendales, Sheraton, Shearer, and Hepplewhite. I have not reproduced any fanciful designs from the illustrated catalogues issued by eighteenth-cen tury cabinet-makers, but have preferred to give illustrations of pieces that were actually made and are to-day the cherished possessions - by inherit ance or purchase - of time-honoured families or dis criminating collectors. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The late Pierre Verlet, conservateur en chef du Departement des Objets d'Art at the Louvre, was the unquestioned expert on pre-Revolutionary French decorative arts. His definitive book French Furniture of the 18th Century (Les Meubles Francais du XVIIIe Siecle) has now been translated into English for the first time by Penelope Hunter-Stiebel, noted specialist in 18th century French furniture and former student of Verlet. The book contains a vast amount of information on the art of furniture in 18th century France. It examines the tools and techniques used in furniture making during that period; defines the various types of furniture developed; explores the organisation of the furniture industry, the working of the guilds and the relationships among makers, dealers, and clients; lists the outstanding makers and reproduces their marks; and discusses the market, restoration, forgeries, and the growth of public collections. Since the book was first published in 1955, previously unknown pieces of furniture have been discovered, and new documents and analyses have been taken into account in this augmented text.The book is enhanced by 16 pages of full colour and 174 black-and-white illustrations. The illustrations range broadly to allow for the juxtaposition of elegant and simple furniture and to include a variety of types, forms and decorations. This book is a valuable research tool for all curators, collectors, dealers, and art historians.