Emilio Sanchez In New York And Latin America

This book focuses on the life and artistic activities of Emilio Sanchez (1921–1999) in New York, and Latin America in the 1940s and 1950s. More specifically, the book will consider Sanchez in the wider context of mid-century Cuban artists, and cross-cultural exchange between New York, Cuba, and the Caribbean. The book reflects on why Sanchez chose to be a mobile observer of the American and Caribbean vernacular at a time when such an approach seemed at odds with the mainstream avant-garde. The book includes a foreword by Dr. Ann Koll, former Executive Director/Curator of the Emilio Sanchez Foundation, and an introduction by Dr. Nathan J. Timpano, University of Miami Department of Art and Art History. This book will be of interest to scholars in modern art, Caribbean studies, architectural history, and Latin American and Hispanic studies.

- A selection of visually unique paintings, watercolors, drawings, and etchings by the 20th-century Cuban American artist Emilio Sanchez - A cabinet of wonders that include letters, photographs and ephemera associated with the life and work of Sanchez - A collection of works by friends and contemporaries of the artist from both Cuba and North America - A celebration of the US Postal Service's selection of Sanchez as part of their "Forever Series" of stamps - Includes provocative essays that challenge our understanding of Sanchez's role within 20th-century Cuban, and Latin American modern art Emilio Sanchez Fonts (1921-1999) was a Cuban American artist known for his architectural paintings, drawings, and graphic prints of New York, Latin America, and the Caribbean. As a realist artist, he was attracted to folklore and the vernacular, with architectural scenes of everyday life taking preference over the great historical narratives of western civilization. His keen eye and remarkable ability to edit incidental elements also made him a painter of dreamlike architectural enigmas, as if the buildings he depicted existed only in memory. Sanchez's work is in the permanent collections of many institutions, including the Metropolitan Museum of Art (New York), the Boston Museum of Fine Arts, the Brooklyn Museum of Art, the Hirshhorn Museum and Sculpture Garden (Washington DC), the Museo Nacional de Bellas Artes de La Habana (Havana), the Museo de Arte Moderno (Bogotá), and the Philadelphia Museum of Art. He received First Prize at the 1974 San Juan Biennial in, Puerto Rico, and was awarded the CINTAS Fellowship in the Visual Arts (1989-90). His remarkable story, like that of his tragic country, is a tale of powerful contrasts, intense light, and mysteriously penetrating shadows.

Explores how one group of Latin American artists express their relationship to American art, history and culture.

A stunning behind-the-curtain look into the last years of the illegal transatlantic slave trade in the United States "A remarkable piece of scholarship, sophisticated yet crisply written, and deserves the widest possible audience."--Eric Herschthal, New Republic "Engrossing. . . . Astonishingly well-documented. . . . A signal contribution to U.S. antebellum historiography. Highly recommended for U.S. Middle Period, African American, and Civil War historians, and for all general readers."--Library Journal, Starred Review Long after the transatlantic slave trade was officially outlawed in the early nineteenth century by every major slave trading nation, merchants based in the United States were still sending hundreds of illegal slave ships from American ports to the African coast. The key instigators were slave traders who moved to New York City after the shuttering of the massive illegal slave trade to Brazil in 1850. These traffickers were determined to make Lower Manhattan a key hub in the illegal slave trade to Cuba. In conjunction with allies in Africa and Cuba, they ensnared around two hundred thousand African men, women, and children during the 1850s and 1860s. John Harris explores how the U.S. government went from ignoring, and even abetting, this illegal trade to helping to shut it down completely in 1867.

In the 20th century, modern architecture thrived in Cuba and a wealth of buildings was realized prior to the revolution 1959 and in its wake. The designs comprise luxurious nightclubs and stylish hotels, sports facilities, elegant private homes and apartment complexes. Drawing on the vernacular, their architects defined a way to be modern and Cuban at the same time – creating an architecture oscillating between tradition and avantgarde. Audacious concrete shells, curving ramps, elegant brises-soleils and a fluidity of interior and exterior spaces are characteristic of an airy, often colorful architecture well-suited to life in the tropics. New photographs and drawings were specially prepared for this publication. A biographical survey portraits the 40 most important Cuban architects of the era.

"He Raped. . . Altemio Sanchez was a modern-day Jekyll and Hyde—a family man who resided in Buffalo, New York, with a wife and two sons, worked nights as a machinist, and concealed a terrible secret. Once a year, after his shift, he'd make a side trip to a secluded spot where women would ride bikes and jog. He was called ""The Bike Path Rapist""—until he crossed the line from rape to murder. He Killed. . . For fourteen years, the Bike Path Killer mercilessly raped and murdered his prey, eluding police every step of the way. Then, the killings stopped. People wondered whether he'd left town, had been locked up in prison for another crime, or maybe even died. But when another woman's corpse with the same lethal signature surfaced, authorities knew the Bike Path Killer was back. And He Almost Got Away With It. Now, for the first time, two award-winning reporters follow a depraved killer's bloody trail of terror to the bitter end: his horrifying confession. . . Includes 16 pages of shocking photos. "

Inspired by True Current Events.Dolores, Ernesto, and Emilio Sanchez are on a quest to America to find work and to save their family, who has been devastated by their father's accident and the drought in their home country of Honduras. But making their way to America would be too expensive for a family stricken by poverty. With only their faith in God to see them through, the teenaged siblings set off for their new home, despite the threat from the cartel, corrupt police officers, starvation, and death. Meanwhile, Eva Jordan is determined to start a new life on the American side of the Mexican border, hoping to shake off the scars from a horrible marriage. Despite her mother's concern for her daughter living so close to the border, Eva decides to take a vacation to the other side to sharpen up her Spanish and relax before her new job begins. She is struck by the beautiful towns of Mexico, but slowly, her eyes are opened to the dangers that are knocking at her front door. But when a hurricane washes away the border walls, will the two sides collide in hatred or unite in perfect harmony?

In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.