Eight And A Half

8 1/2 is among the greatest films of one of the masters of Italian cinema, Federico Fellini. This is the first English translation of the dialogue and the first complete continuity script of 8 1/2. This richly comic work, long recognized as the most important expression of the director's views about himself and his art, communicates to its viewers an understanding of the processes of filmmaking itself. 8 1/2 is the story of a director's efforts to make a film; it depicts the conditions of creativity, the struggle waged between the individual and the world, a struggle that finally makes some sense out of life and art.

Federico Fellini's masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini's mirror image, and the story to reflect the making of 8 1/2 itself. Whether attacked for self-indulgence or extolled for self-consciousness, 8 1/2 became the paradigm of personal filmmaking, and numerous directors, including Fassbinder, Truffaut, Scorsese, Bob Fosse and Bruce LaBruce, paid homage to the film and its themes of personal and creative ennui in their own work. Now that 8 1/2's conceit is less shocking, D.A. Miller argues, we can see more clearly how tentative, even timid, Fellini's ground-breaking incarnation always was. Guido is a perfect blank, or is trying his best to seem one. By his own admission he doesn't even have an artistic or social statement to offer: 'I have nothing to say, but I want to say it anyway.' 8 1/2's deepest commitment is not to this man (who is never quite 'all there') or to his message (which is lacking entirely) but to its own flamboyant manner. The enduring timeliness of 8 1/2 lies, Miller suggests, in its aggressive shirking of the shame that falls on the man – and the artist – who fails his appointed social responsibilities.

First book in the New York Times , Wall Street Journal, and USA Today bestselling Rose Gardner Mystery series. For Rose Gardner, working at the DMV on a Friday afternoon is bad even before she sees a vision of herself dead. She’s had plenty of visions, usually boring ones like someone’s toilet’s overflowed, but she’s never seen one of herself before. When her overbearing momma winds up murdered on her sofa instead, two things are certain: There isn't enough hydrogen peroxide in the state of Arkansas to get that stain out, and Rose is the prime suspect. Rose realizes she’s wasted twenty-four years of living and makes a list on the back of a Wal-Mart receipt: twenty-eight things she wants to accomplish before her vision comes true. She’s well on her way with the help of her next door neighbor Joe, who has no trouble teaching Rose the rules of drinking, but won’t help with number fifteen-- do more with a man. Joe’s new to town, but it doesn’t take a vision for Rose to realize he’s got plenty secrets of his own. Somebody thinks Rose has something they want and they’ll do anything to get it. Her house is broken into, someone else she knows is murdered, and suddenly, dying a virgin in the Fenton County jail isn’t her biggest worry after all.

Eight and a Half Light Years from Home By: David White A spaceship with corrupted software crashes on a cold February evening in front of a Coast Guard helicopter. Immediately, the incident is reported to the Secretary of Defense who orders the craft and beings on board to be transported to Area 51 by a NASA exo-biologist roused from his sleep in the middle of the night. “I became an exo-biologist because there were so few exos that nobody could prove me wrong.” The exo-biologist and the aliens discuss human oddities for eight and a half light years, before their software is corrected. They leave, only to return to obtain a nuclear weapon to destroy the hated Mouse people.

When you find the courage to change at midlife, Angeles Arrien teaches, a miracle happens. Your character is opened, deepened, strengthened, softened. You return to your souls highest values. You are now prepared to create your legacy: an imprint of your dream for our world - a dream that can fully come true in The Second Half of Life. Worki...

Federico Fellini's masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini's mirror image, and the story to reflect the making of 8 1/2 itself. Whether attacked for self-indulgence or extolled for self-consciousness, 8 1/2 became the paradigm of personal filmmaking, and numerous directors, including Martin Scorsese, Woody Allen and Bruce LaBruce, paid homage to it in their own work. Now that 8 1/2's conceit is less shocking, D.A. Miller argues, we can see more clearly how tentative, even timid, Fellin's ground-breaking incarnation always was. Guido is a perfect blank, or is trying his best to seem one. By his own admission he doesn't even have an artistic or social statement to offer: 'I have nothing to say, but I want to say it anyway.' 8 1/2's deepest commitment is not to this man (who is never quite 'all there') or to his message (which is lacking entirely) but to its own flamboyant manner. The enduring timeliness of 8 1/2 lies, Miller suggests, in its aggressive shirking of the shame that falls on the man – and the artist – who fails his appointed social responsibilities.

The second book in the New York Times, Wall Street Journal, and USA Today bestselling Rose Gardner Mystery series. When Rose reports for Fenton County jury duty she figures she’s lucky to get out of a morning working at the DMV. Instead, despite a disastrous encounter with the new assistant district attorney, Mason Deveraux, she’s picked as a juror on a murder case. As the case progresses, she realizes an ominous vision she had in the men’s restroom proves the defendant is innocent. And there’s not a cotton picking thing she can do about it. Or is there? As if things weren’t bad enough, Rose’s older sister Violet is going through a mid-life crisis. Violet insists that Rose stop seeing her sexy new boyfriend, Arkansas state detective Joe Simmons, and date other men. Rose is done letting people boss her around, but she can’t commit to Joe either. Still, Rose isn’t about to let the best thing in her life slip away.

Whether you’re newly together and eager to make it work or a longtime couple looking to strengthen and deepen your bond, Eight Dates offers a program of how, why, and when to have eight basic conversations with your partner that can result in a lifetime of love. “Happily ever after” is not by chance, it’s by choice– the choice each person in a relationship makes to remain open, remain curious, and, most of all, to keep talking to one another. From award-winning marriage researcher and bestselling author Dr. John Gottman and fellow researcher Julie Gottman, Eight Dates offers an ingenious and simple-to-implement approach to effective relationship communication. Here are the subjects that every serious couple should discuss: Trust. Family. Sex and intimacy. Dealing with conflict. Work and money. Dreams, and more. And here is how to talk about them—how to broach subjects that are difficult or embarrassing, how to be brave enough to say what you really feel. There are also suggestions for where and when to go on each date—book your favorite romantic restaurant for the Sex & Intimacy conversation (and maybe go to a yoga or dance class beforehand). There are questionnaires, innovative exercises, real-life case studies, and skills to master, including the Four Skills of Intimate Conversation and the Art of Listening. Because making love last is not about having a certain feeling—it’s about both of you being active and involved.