Earls Well That Ends Well

This beautiful, sweet Regency romance from beloved author Jane Ashford takes you to a glittering world of revelations and romance, where a lonely earl can find love where he least expects it... Arthur Shelton, Earl of Macklin, has helped four young noblemen recover from grief and find love, but he's learned to live his own life as a widower. Yet when he returns home after traveling, his estate feels too empty, and he quickly heads to London. There, he encounters Teresa Alvarez de Granada, a charming Spanish noblewoman and is immediately entranced. There is no room for earls in the quiet, safe life Teresa has finally found for herself. The earl might be charming and handsome, but she knows firsthand how dangerous attraction can be. The more determined Teresa is to discourage Arthur, the more entangled they get, and it's only a matter of time before her respect for him starts to feel a lot like love. Praise for Jane Ashford's Regency romances: "Humor, drama, mystery, romance, intrigue, and a surprising ending."—Harlequin Junkie for How to Cross a Marquess "An irresistible love story."—Library Journal for A Duke Too Far "Expertly crafted...another triumph of nuanced characterization and sparkling wit."—Booklist for Nothing Like a Duke

Ben Jonson was the greatest of Shakespeare's contemporaries. In the century following his death he was seen by many as the finest of all English writers, living or dead. His fame rested not only on the numerous plays he had written for the theatre, but on his achievements over three decades as principal masque-writer to the early Stuart court, where he had worked in creative, and often stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he had become - in fact if not in title - the first Poet Laureate in England. Jonson's life was full of drama. Serving in the Low Countries as a young man, he overcame a Spanish adversary in single combat in full view of both the armies. His early satirical play, The Isle of Dogs, landed him in prison, and brought all theatrical activity in London to a temporary — and very nearly to a permanent — standstill. He was 'almost at the gallows' for killing a fellow actor after a quarrel, and converted to Catholicism while awaiting execution. He supped with the Gunpowder conspirators on the eve of their planned coup at Westminster. After satirizing the Scots in Eastward Ho! he was imprisoned again; and throughout his career was repeatedly interrogated about plays and poems thought to contain seditious or slanderous material. In his middle years, twenty stone in weight, he walked to Scotland and back, seemingly partly to fulfil a wager, and partly to see the land of his forebears. He travelled in Europe as tutor to the mischievous son of Sir Walter Ralegh, who 'caused him to be drunken and dead drunk' and wheeled provocatively through the streets of Paris. During his later years he presided over a sociable club in the Apollo Room in Fleet Street, mixed with the most learned scholars of his day, and viewed with keen interest the political, religious, and scientific controversies of the day. Ian Donaldson's new biography draws on freshly discovered writings by and about Ben Jonson, and locates his work within the social and intellectual contexts of his time. Jonson emerges from this study as a more complex and volatile character than his own self-declarations (and much modern scholarship) would allow, and as a writer whose work strikingly foresees - and at times pre-emptively satirizes - the modern age.

Lady Philippa Marbury is . . . odd The brilliant, bespectacled daughter of a double marquess cares more for books than balls, for science than the season, and for laboratories than love. She's looking forward to marrying her simple fiancé and living out her days quietly with her dogs and her scientific experiments. But before that, Pippa has two weeks to experience all the rest—fourteen days to research the exciting parts of life. It's not much time, and to do it right she needs a guide familiar with London's darker corners. She needs . . . a Scoundrel She needs Cross, the clever, controlled partner in London's most exclusive gaming hell, with a carefully crafted reputation for wickedness. But reputations often hide the darkest secrets, and when the unconventional Pippa boldly propositions him, seeking science without emotion, she threatens all he works to protect. He is tempted to give Pippa precisely what she wants . . . but the scoundrel is more than he seems, and it will take every ounce of his willpower to resist giving the lady more than she ever imagined.