Dominion Of The Eye

Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.

A "marvelous" (Economist) account of how the Christian Revolution forged the Western imagination. Crucifixion, the Romans believed, was the worst fate imaginable, a punishment reserved for slaves. How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion-an obscure provincial by the name of Jesus-was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history. Today, the West remains utterly saturated by Christian assumptions. As Tom Holland demonstrates, our morals and ethics are not universal but are instead the fruits of a very distinctive civilization. Concepts such as secularism, liberalism, science, and homosexuality are deeply rooted in a Christian seedbed. From Babylon to the Beatles, Saint Michael to #MeToo, Dominion tells the story of how Christianity transformed the modern world.

"And God said, Let us make man in our image, after our likeness; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth." --Genesis 1:24-26 In this crucial passage from the Old Testament, God grants mankind power over animals. But with this privilege comes the grave responsibility to respect life, to treat animals with simple dignity and compassion. Somewhere along the way, something has gone wrong. In Dominion, we witness the annual convention of Safari Club International, an organization whose wealthier members will pay up to $20,000 to hunt an elephant, a lion or another animal, either abroad or in American "safari ranches," where the animals are fenced in pens. We attend the annual International Whaling Commission conference, where the skewed politics of the whaling industry come to light, and the focus is on developing more lethal, but not more merciful, methods of harvesting "living marine resources." And we visit a gargantuan American "factory farm," where animals are treated as mere product and raised in conditions of mass confinement, bred for passivity and bulk, inseminated and fed with machines, kept in tightly confined stalls for the entirety of their lives, and slaughtered in a way that maximizes profits and minimizes decency. Throughout Dominion, Scully counters the hypocritical arguments that attempt to excuse animal abuse: from those who argue that the Bible's message permits mankind to use animals as it pleases, to the hunter's argument that through hunting animal populations are controlled, to the popular and "scientifically proven" notions that animals cannot feel pain, experience no emotions, and are not conscious of their own lives. The result is eye opening, painful and infuriating, insightful and rewarding. Dominion is a plea for human benevolence and mercy, a scathing attack on those who would dismiss animal activists as mere sentimentalists, and a demand for reform from the government down to the individual. Matthew Scully has created a groundbreaking work, a book of lasting power and importance for all of us.

New York Times bestselling author Eric Van Lustbader presents a new story about the rogue secret agent who has lost his memory created by internationally bestselling novelist Robert Ludlum Jason Bourne is searching for an elusive cadre of terrorists planning to destroy America's most strategic natural resources-and needs the help of his longtime friend, General Boris Karpov. Karpov, the newly appointed head of Russia's most feared spy agency, FSB-2, is one of the most determined, honorable, and justice-hungry men that Bourne knows. But Karpov has made a deal with the devil. In order to remain the head of FSB-2, he must hunt down and kill Bourne. Now, these two trusted friends are on a deadly collision course. From the Colombian highlands to Munich, Cadiz, and Damascus, the clock is counting down to a disaster that will cripple America's economic and military future. Only Bourne and Karpov have a chance to avert the catastrophe-but if they destroy each other first, that chance will be gone forever.

This volume contributes to contemporary debates on hegemony, power and identity in contemporary historical and anthropological literature through an examination of the imperial encounter between the British and the Greeks of the Ionian Islands during the 19th century. Each chapter focused on a different aspect of the imperial encounter, with topics including identity construction, the contestation over civil society, gender and the manipulation of public space, hegemony and accommodation, the role of law and of the institutions of criminal justice, and religion and imperial domination. It argues that a great deal can be learned about colonializm in general through an analysis of the Ionian Islands, precisely because the colonial encounter was so atypical. For example, it demonstrates that because the Ionian Greeks were racially white, Christian and descendents of Europe's classical forebears, the process of colonial identity formation was more ambiguous and complex than elsewhere in the Empire where physical and cultural distinctions were more obvious. Colonial officers finally decided the Ionian Greeks were Mediterranean Irish who should be treated like European savages.

This selection of articles from the Encyclopedia of the Eye covering retina, optics/optic nerve and comparative topics constitutes the first reference for scientists, post docs, and graduate students with an interest beyond standard textbook materials. It covers the full spectrum of research on the retina - from the basic biochemistry of how nerve cells are created to information on neurotransmitters, comparisons of the structure and neuroscience of peripheral vision systems in different species, and all the way through to injury repair and other clinical applications. The first single volume to integrate comparative studies into a comprehensive resource on the neuroscience of the retina Chapters are carefully selected from the Encyclopedia of the Eye by one of the world's leading vision researchers The best researchers in the field provide their conclusions in the context of the latest experimental results

Sweet Revenge? When two senseless killings hit close to home, columnist Clarence Abernathy seeks revenge for the murders—and, ultimately, answers to his own struggles regarding race and faith. After being dragged into the world of inner-city gangs and racial conflict, Clarence is encouraged by fellow columnist Jake Woods to forge an unlikely partnership with a redneck homicide detective. Soon the two find themselves facing dark forces, while unseen eyes watch from above. This re-release of Randy Alcorn’s powerful bestseller spins off from Deadline and offers a fascinating glimpse inside heaven. Can One Man’s Search for Justice Stand Up to the Forces of Evil Threatening to Destroy Him? A shocking murder drags black newspaper columnist Clarence Abernathy into the disorienting world of inner-city gangs and racial conflict. In a desperate hunt for answers to the violence (and to his own struggles with race and faith), Clarence forges an unlikely partnership with redneck detective Ollie Chandler. Despite their differences, Clarence and Ollie soon find themselves sharing the same mission: victory over the forces of darkness vying for dominion. Filled with insight—and with characters so real you’ll never forget them—Dominion is a dramatic story of spiritual searching, racial reconciliation, and hope. I don’t know when I have read a novel that affected me so profoundly. Randy Alcorn has combined a superb mystery/detective story with a lesson in racial relations in America, gang dynamics and symbols, Christian values, and spiritual warfare. —Dave Kirby, Troy (Alabama) Broadcasting Corporation Even better than its predecessor…Alcorn’s writing remains top-notch. —Sean Taylor, CBA Marketplace READER’S GUIDE INCLUDED Story Behind the Book Randy Alcorn thoroughly researched his characters, spending time in the inner city with homicide and gang detectives to better create the scenes for this bestselling novel. He set the story in his hometown of Portland, Oregon, and the main character, Clarence Abernathy, is a black journalist whose unforgettable father played baseball in the old Negro Leagues. Randy has received many letters from readers who assume he is African American due to his accurate portrayals of racial issues.

Alloria returns to the planet of her birth, triggering dark forces that begin to influence her brother, Yrion. His fears nettled, Yrion is driven onto a path for dominion that involves those beyond the realm of the living and a pursuit across the far reaches of the universe in a fight for survival. The magic continues in "Eye of Dominion"... and that's the truth.