Damned Fools In Utopia

Nicolas Walter was the son of the neurologist, W. Grey Walter, and both his grandfathers had known Peter Kropotkin and Edward Carpenter. However, it was the twin jolts of Suez and the Hungarian Revolution while still a student, followed by participation in the resulting New Left and nuclear disarmament movement, that led him to anarchism himself. His personal history is recounted in two autobiographical pieces in this collection as well as the editor’s introduction. During the 1960s he was a militant in the British nuclear disarmament movement—especially its direct-action wing, the Committee of 100—he was one of the Spies for Peace (who revealed the State’s preparations for the governance of Britain after a nuclear war), he was close to the innovative Solidarity Group and was a participant in the homelessness agitation. Concurrently with his impressive activism he was analyzing acutely and lucidly the history, practice and theory of these intertwined movements; and it is such writings—including Non-violent Resistance and The Spies for Peace and After—that form the core of this book. But there are also memorable pieces on various libertarians, including the writers George Orwell, Herbert Read and Alan Sillitoe, the publisher C.W. Daniel and the maverick Guy A. Aldred. The Right to be Wrong is a notable polemic against laws limiting the freedom of expression. Other than anarchism, the passion of Walter’s intellectual life was the dual cause of atheism and rationalism; and the selection concludes appropriately with a fine essay on Anarchism and Religion and his moving reflections, Facing Death. Nicolas Walter scorned the pomp and frequent ignorance of the powerful and detested the obfuscatory prose and intellectual limitations of academia. He himself wrote straightforwardly and always accessibly, almost exclusively for the anarchist and freethought movements. The items collected in this volume display him at his considerable best.

A hefty collection of noted anarchist Nicolas Walter's writings, this history recounts the anarchist and peace movements in the United Kingdom alongside the author's adventures through activism. Inspired by the Suez and Hungarian Revolutions and his participation in the New Left, Walter became an anarchist and proponent of the freethought movement. Recounting his personal history in two autobiographical pieces, the author reflects on his militant involvement in the British nuclear disarmament movement, his experience as one of the Spies of Peace, and his connection to the Solidarity group. As an activist, Walter concurrently analyzed history, political theory, and activist practices, which he combined to form the backbone upon which he built his beliefs. Also included are musings on various intellectual and political figures such as George Orwell, Herbert Read, C. W. Daniel, and Guy A. Aldred, in addition to ruminations on the atheism and rationalism and the limitations of academia.

Today the word “anarchism” inspires both fear and fascination. But few people understand what anarchists believe, what anarchists want, and what anarchists do. This incisive book puts forward the case for anarchism as a pragmatic philosophy. Originally written in 1969 and updated for the twenty-first century, About Anarchism is an uncluttered, precise, and urgently necessary expression of practical anarchism. Crafted in deliberately simple prose and without constant reference to other writers or past events, it can be understood without difficulty and without any prior knowledge of political ideology. As one of the finest short introductions to the basic concepts, theories, and applications of anarchism, About Anarchism has been translated into many languages, including French, Spanish, Japanese, Chinese, Polish, and Russian. This new edition includes an updated introduction from Natasha Walter and an expanded biographical sketch of the author, Nicolas Walter, who was a respected writer, journalist, and an active protester against the powers of both the church and the state.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

From William Morris to Oscar Wilde to George Orwell left-libertarian thought has long been an important but neglected part of British cultural and political history. This work seeks to recover that indigenous anarchist tradition. It argues that a recovered anarchist tradition could be a touchstone for contemporary political radicals.

Universal basic income. A 15-hour workweek. Open borders. Does it sound too good to be true? One of Europe's leading young thinkers shows how we can build an ideal world today. "A more politically radical Malcolm Gladwell." -- New York Times After working all day at jobs we often dislike, we buy things we don't need. Rutger Bregman, a Dutch historian, reminds us it needn't be this way -- and in some places it isn't. Rutger Bregman's TED Talk about universal basic income seemed impossibly radical when he delivered it in 2014. A quarter of a million views later, the subject of that video is being seriously considered by leading economists and government leaders the world over. It's just one of the many utopian ideas that Bregman proves is possible today. Utopia for Realists is one of those rare books that takes you by surprise and challenges what you think can happen. From a Canadian city that once completely eradicated poverty, to Richard Nixon's near implementation of a basic income for millions of Americans, Bregman takes us on a journey through history, and beyond the traditional left-right divides, as he champions ideas whose time have come. Every progressive milestone of civilization -- from the end of slavery to the beginning of democracy -- was once considered a utopian fantasy. Bregman's book, both challenging and bracing, demonstrates that new utopian ideas, like the elimination of poverty and the creation of the fifteen-hour workweek, can become a reality in our lifetime. Being unrealistic and unreasonable can in fact make the impossible inevitable, and it is the only way to build the ideal world.

In the late 1950s, Stuart Hall, Edward Thompson and Raymond Williams among others, came together as part of a promising new political formation, the New Left. The six years of the group's formal existence represents one of the richest and most exciting periods in the intellectual history of the left in Britain. This short period saw the beginning of many future theoretical developments in radical politics, and the founder members of the New Left are now associated with groundbreaking work in history, culture and politics.

Where and what was Robin Hood? Why is an outlaw from fourteenth century England still a hero today, with films, festivals and songs dedicated to his living memory? This book explores the mysteries, the historical evidence, and the trajectory that led to centuries of village festivals around Mayday and the green space of nature unconquered by the forces in power. Great revolutionaries including William Morris adopted Robin as hero, children’s books offered many versions, and Robin entered modern popular culture with cheap novels, silent films and comics. There, in the world of popular culture, Robin Hood continues to holds unique and secure place. The “bad-good” hero of pulp urban fiction of the 1840s–50s, and more important, the Western outlaw who thwarts the bankers in pulps, films, and comics, is essentially Robin Hood. So are Zorro, the Cisco Kid, and countless Robin Hood knockoff characters in various media. Robin Hood has a special resonance for leftwing influences on American popular culture in Hollywood, film and television. During the 1930s–50s, future blacklist victims devised radical plots of “people’s outlaws,” including anti-fascist guerilla fighters, climaxing in The Adventures of Robin Hood, network television 1955–58, written under cover by victims of the Blacklist, seen by more viewers than any other version of Robin Hood. Robin Hood: People’s Outlaw and Forest Hero also features 30 pages of collages and comic art, recuperating the artistic interpretations of Robin from seven centuries, and offering new comic art as a comic-within-a book. With text by Paul Buhle, comics and assorted drawings by Christopher Hutchinson, Gary Dumm, and Sharon Rudahl; Robin Hood: People’s Outlaw and Forest Hero adds another dimension to the history and meaning of rebellion.

Lessons of the Spanish Revolution examines the many ways in which Spain’s revolutionary movement contributed to its own defeat. Was it too weak to carry through the revolution? To what extent was the purchase of arms and raw materials from outside sources dependent upon the appearance of a constitutional government inside Republican Spain? What chances had an improvised army of guerrillas against a trained fighting force? These were some of the practical problems facing the revolutionary movement and its leaders. But in seeking to solve these problems, the anarchists and revolutionary syndicalists were also confronted with other fundamental questions. Could they collaborate with political parties and reformist unions? Given the circumstances, was one form of government to be supported against another? Should the revolutionary impetus of the first days of resistance be halted in the interests of the armed struggle against Franco or be allowed to develop as far as the workers were prepared to take it? Was the situation such that the social revolution could triumph and, if not, what was to be the role of the revolutionary workers? Originally written as a series of weekly articles in the 1950s and expanded, republished, and translated into many languages over the years, Vernon Richards’s analysis remains essential reading for all those interested in revolutionary praxis.

Cycling: A Sociology of Vélomobility explores cycling as a sociological phenomenon. Drawing on extensive ethnographic fieldwork, it considers the interaction of materials, competencies and meanings that comprise a variety of cycling practices. What might appear at first to be self-evident actions are shown to be constructed through the interplay of numerous social and political forces. Using a theoretical framework from mobilities studies, its central themes respond to the question of what it is about cycling that provokes so much interest and passion, both positive and negative. Individual chapters consider how cycling has appeared as theme and illustration in social theory, as well as the legacies of these theorizations. The book expands on the image of cycling practices as the product of an assemblage of technology, rider and environment. Riding spaces as material technologies are found to be as important as the machinery of the cycle, and a distinction is made between routes and rides to help interpret aspects of journey-making. Ideas of both affordance and script are used to explore how elements interact in performance to create sensory and experiential scapes. Consideration is also given to the changing identities of cycling practices in historical and geographical perspective. The book adds to existing research by extending the theorization of cycling mobilities. It engages with both current and past debates on the place of cycling in mobility systems and the problems of researching, analyzing and communicating ephemeral mobile experiences.