Damn Near White

Carolyn Wilkins grew up defending her racial identity. Because of her light complexion and wavy hair, she spent years struggling to convince others that she was black. Her family’s prominence set Carolyn’s experiences even further apart from those of the average African American. Her father and uncle were well-known lawyers who had graduated from Harvard Law School. Another uncle had been a child prodigy and protégé of Albert Einstein. And her grandfather had been America's first black assistant secretary of labor. Carolyn's parents insisted she follow the color-conscious rituals of Chicago's elite black bourgeoisie—experiences Carolyn recalls as some of the most miserable of her entire life. Only in the company of her mischievous Aunt Marjory, a woman who refused to let the conventions of “proper” black society limit her, does Carolyn feel a true connection to her family's African American heritage. When Aunt Marjory passes away, Carolyn inherits ten bulging scrapbooks filled with family history and memories. What she finds in these photo albums inspires her to discover the truth about her ancestors—a quest that will eventually involve years of research, thousands of miles of travel, and much soul-searching. Carolyn learns that her great-grandfather John Bird Wilkins was born into slavery and went on to become a teacher, inventor, newspaperman, renegade Baptist minister, and a bigamist who abandoned five children. And when she discovers that her grandfather J. Ernest Wilkins may have been forced to resign from his labor department post by members of the Eisenhower administration, Carolyn must confront the bittersweet fruits of her family's generations-long quest for status and approval. Damn Near White is an insider’s portrait of an unusual American family. Readers will be drawn into Carolyn’s journey as she struggles to redefine herself in light of the long-buried secrets she uncovers. Tackling issues of class, color, and caste, Wilkins reflects on the changes of African American life in U.S. history through her dedicated search to discover her family’s powerful story.

During the 19th and 20th centuries, a powerhouse of Black American leaders emerged, consisting primarily of men and women with "an apparent mix of Caucasoid features." The face of the African warrior, brought to America centuries prior from the Ivory Coast had changed, due to perpetual miscegenation (race-mixing) and the application of the One-Drop Rule, a racial marker exclusive to the United States, in which a person was considered Black if he or she had any African ancestry. No other country in the world has historically defined race in the same manner. Accepted socially and legally since slavery, this "rule," as well as its strict enforcement, created a dynamic leadership pool of Light, Bright and Damn Near White revolutionaries, embraced by the Black community as some of its most vocal and active leaders. This book features these unsung Black heroes and heroines (covering the Slavery, Reconstruction, Jim Crow, and Civil Rights eras). Some born slaves and some born free, these men and women were on the forefront of civil rights, innovation, and social reform. Their personal contributions are woven within the very fabric of American culture and policy. The continued acceptance of the One-Drop Rule is apparent, in America's embracing of Barack Obama as the first Black President of the United States, and not the first bi-racial president, despite his mother's race (White). This informative book is about history . . . American History and African-American History.

The election of America's first biracial president brings the question dramatically to the fore. What does it mean to be biracial or tri-racial in the United States today? Anthropologist Stephanie Bird takes us into a world where people are struggling to be heard, recognized, and celebrated for the racial diversity one would think is the epitome of America's melting pot persona. But being biracial or tri-racial brings unique challenges - challenges including prejudice, racism and, from within racial groups, colorism. Yet America is now experiencing a multiracial baby boom, with at least three states logging more multiracial baby births than any other race aside from Caucasians. As the Columbia Journalism Review reported, American demographics are no longer black and white. In truth, they are a blended, difficult-to-define shade of brown. Bird shows us the history of biracial and tri-racial people in the United States, and in European families and events. She presents the personal traumas and victories of those who struggle for recognition and acceptance in light of their racial backgrounds, including celebrities such as golf expert Tiger Woods, who eventually quit trying to describe himself as Cablanasin, a mix including Asian and African American. Bird examines current events, including the National Mixed Race Student Conference, and the push to dub this Generation MIX. And she examines how American demographics, government, and society are changing overall as a result. This work includes a guide to tracing your own racial roots.

Best known as the woman who “ran MGM,” Ida R. Koverman (1876–1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman’s life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood’s Golden Era. For nearly a century, Koverman’s legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery—until now. This story begins with Koverman’s early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state’s progressive impulse. During the Roaring Twenties, she was a key architect of the Southland’s conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As “the political boss of Los Angeles County,” she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer’s executive secretary, was epitomized by her third incarnation as “one of the most formidable women in Hollywood,” whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM’s catalog of stars and her own influence on American popular culture. Recognized as “one of the invisible power centers in both MGM and the city of Los Angeles,” she nurtured the city’s burgeoning performing arts by fostering music and musicians and the public financing of them. As the “lioness” of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she “damn near ran the studio.”

Integration and black power collide and force a black man who has walked comfortably in the black and white communities to realize he is not free in either place and needs to work for a level of interracial justice in which all of us can be true to our roots and feel at home anywhere in the world.

“Some [of the stories] are hilarious; many are sad; all are the kind of stuff that makes Miss Marple look like a Girl Scout.”—Dick Adler, Chicago Tribune An original anthology. A collection of twenty-seven original “geezer noir” stories by some of today’s top crime writers, including John Harvey, Laura Lippman, Ken Bruen, Colin Cotterill, and more. Bill Crider’s “Cranked” was nominated for the Edgar and Anthony awards and won the Derringer Award. Megan Abbott’s “Policy” was nominated for the Anthony Award and became the basis for her novel Queenpin, which won the 2008 Edgar Award.

" ... takes readers through the basics of making parts from metal, plastic, or composites. When building custom cars or motorcycles, fabricating parts is a necessary part of the process. That is, fabricators must cut, bend, shape, weld, and fasten raw materials to create elements of their custom vehicles ... Processes covered include shop set-up, basic tool selection, project planning, sheet metal fabrication, welding, machining, working with plastics and composites, and more."--Publisher description.

Build The Damn Thing is a battle-tested guide for every entrepreneur who the establishment has excluded. Finney, an investor and startup champion, explains how to build a business from the ground up; from developing a business plan to finding investors, growing a team, and refining a product. Finney empowers entrepreneurs to take advantage of their unique networks; arms readers with responses to investors who say, "great pitch but I just don't do Black women"; and inspires them to overcome naysayers. For all the Builders striving to build their businesses in a world that has overlooked and underestimated them: this is the essential guide to knowing, breaking, remaking and building your own rules of entrepreneurship in a startup and investing world designed by the "Entitleds." Don't wait for the system to let you in - break down the door and build your damn thing.

The follow-up to the Edgar Award-nominated original "geezer noir" crime anthology Damn Near Dead.

How many licks to the center of a Tootsie Pop? How many people are having sex at this moment? How long would it take a monkey on a typewriter to produce the plays of Shakespeare? For all those questions that keep you up at night, here's the way to answer them. And the beauty of it is that it's all approximate! Using Enrico Fermi's theory of approximation, Santos brings the world of numbers into perspective. For puzzle junkies and trivia fanatics, these 70 word puzzles will show the reader how to take a bit of information, add what they already know, and extrapolate an answer. Santos has done the impossible: make math and the multiple possibilities of numbers fun and informative. Can you really cry a river? Is it possible to dig your way out of jail with just a teaspoon and before your life sentence is up? Taking an academic subject and using it as the prism to view everyday off-the-wall questions as math problems to be solved is a natural step for the lovers of sudoku, cryptograms, word puzzles, and other thought-provoking games.