Cupid Joins The War

ÿCupid is the moving and inspiring true story of a war horse, one of many thousands that were shipped across the English Channel a hundred years ago to play their part on the Western Front during the First World War. Cupid had been a father?s gift to his 15-year-old son, and when war broke out father, son and horse found themselves facing the horrors of the conflict together. They did not all return. Martin Laurie is the grandson of the young man who owned Cupid and rode her to war. With the aid of his grandfather?s letters and family documents and photographs, he has pieced together an astonishing story.

Ricky Fallon had decided not to kill himself after all—moments before accidentally slipping off a bridge and plunging to his death. Now he’s a Cupid in the afterlife, helping high school students fall in love. The job would be cool if it weren’t for the dorky pink bodysuits, his jerky boss, and attacks from joy-sucking shadowy entities called Suicides. When Fallon discovers a dangerous new Suicide in human form, a terrific battle erupts. Before the Suicide can become too powerful, Fallon has to convince his fellow Cupids of the extraordinary threat, protect the girl he’s falling for . . . and foil the Suicides’ evil scheme to spread despair to all humanity. Timothy Carter’s Evil? was named to ALA’s 2010 Rainbow Project list for GLBTQ Books for Children and Teens Praise: “Full of funny scenes, humorous dialogue, an interesting cast of characters, and plenty of entertainment. Once again, Timothy Carter has penned a winner.”—CM: CANADIAN REVIEW OF MATERIALS

Born in June 1883 to an aristocratic Scottish family, Dorothy Gibson-Craig was brought up with dogs and horses. In 1926 she married Maj. Gen. Geoffrey Brooke, recipient of the Distinguished Service Order in World War I and a writer on equine culture. She followed her new husband to Cairo, where she discovered thousands of malnourished and suffering former British war horses leading lives of backbreaking toil and misery. Brought to the Middle East by British forces during the Great War, these ex-cavalry horses had been left behind at the war’s end, abandoned like used equipment too costly to send home. In Dorothy Brooke and the Fight to Save Cairo’s Lost War Horses Grant Hayter-Menzies chronicles not only the lives and eventual rescue of these noble creatures, who after years of deprivation and suffering found respite in Brooke’s Old War Horse Memorial Hospital, but also the story of the challenges of founding and maintaining an animal-rescue institution on this scale. The legacy of the Old War Horse Memorial Hospital and its founder endures today in the dozens of international Brooke animal-welfare facilities dedicated to improving the lives of working horses, donkeys, and mules across Africa, Asia, and Latin America. The author, Grant Hayter-Menzies, is making a donation of 20% of the royalties from the book to The Brooke Hospital for Animals and 20% of the royalties to its affiliate in Egypt, Brooke Hospital for Animals (Egypt). Neither the author or the publisher receives any payment from Brooke or any other party in connection with sales of this book.The Brooke Hospital for Animals is a charity registered in England and Wales no. 1085760.

South Asian Pornographies is the first consolidated volume that explores the relationships between pornography, obscenity, law and desire in South Asia. Focusing on case studies from India, Sri Lanka and Bangladesh while gesturing towards other countries in South Asia, the authors of this volume come from fields as varied as history, literature, media and communication, and the visual arts. The book proposes that as a geo-political location, South Asia has a unique relationship to pornography, given the multiplicity of cultural and legal-censorial regimes that define the obscene and the permissible. South Asian case studies can demonstrate how pornography in the region is often defined in oblique terms, finding reflection in various modes of popular (and sometimes underground) culture, bypassing legal and censorial constraints. Like questions of identity that can only be answered in the plural (identities rather than identity), this book demonstrates how a range of pornographies constitutes the force field of sexualized media in South Asia. It will be of interest to researchers and advanced students of Communication Studies, Cultural Studies, Film Studies, History, Sociology, and Social and Cultural Anthropology. The chapters in this book were originally published in the journal Porn Studies.

He's mythologically hot, a little bit wicked, and almost 100% immortal. And he'll hit you right in the heart . . . "Miss Black, we have a big problem.” Lila Black doesn't believe in matchmaking, let alone soul mates. So then why is she constantly being hassled by the Cupids Matchmaking Service? But this gilded, cherub-bedecked dating agency isn't exactly what it seems . . . and it’s about to turn Lila's entire world upside down. It turns out that Cupids Matchmaking is the real deal. As in, it's run by actual cupids—who don't look at all like they do in the paintings—and they have a serious problem with Lila's “match.” Because this guy shouldn't be in the system. He shouldn't have a match. And while he's irresistibly hot, he's also incredibly dangerous. Because Lila's true love match is Cupid. The original bad boy of love. And he wants her. Now Lila's once-normal teenaged world has exploded into a mythological nightmare overrun by crime-lord sirens, wrathful cupid hit men, magic arrows that cause no end of trouble, and a mischievous, not-so-angelic love god she can't seem to stop herself from falling for . . . Adored by 50 million readers on Wattpad, Lauren Palphreyman's smash-hit book is now in print for the first time.