Cosmology Across Cultures

These are the proceedings of "Cosmology Across Cultures: An International Conference on the Impact of the Study of the Universe in Human Thinking" organized by the Spanish Institutes of Astrophysics of the Canaries and Andalucía under the patronage of the European Society for Astronomy in Culture (SEAC). The conference hosted in the multicultural historical city of Granada more than 80 participants from all the continents. This conference joined specialists of cultural astronomy studies and modern cosmology in a single forum where ideas about the comprehension of the Universe across time, space, and cultures were interchanged, analyzed, revised, and challenged. An experiment, excellently represented by this book, it worked out in a most satisfactory ambience, permitting both modern cosmologists to receive an insight of how people in the past perceived the cosmos and cultural astronomers to understand the great advances of cosmology in the last few decades and consequently the exact and modest position occupied by humankind in an expanding universe dominated by dark matter and dark energy. The volume is chronologically organized, beginning with modern cosmological studies, followed by historical documentation, and ending with information from archaeological remains. Each section of the book can be studied independently, although a general inspection of the complete volume is recommended to get a correct insight of the spirit of the conference. This book is of interest to any scholar or student wishing to understand the evolution of the human comprehension of the universe.

Astronomy Across Cultures: A History of Non-Western Astronomy consists of essays dealing with the astronomical knowledge and beliefs of cultures outside the United States and Europe. In addition to articles surveying Islamic, Chinese, Native American, Aboriginal Australian, Polynesian, Egyptian and Tibetan astronomy, among others, the book includes essays on Sky Tales and Why We Tell Them and Astronomy and Prehistory, and Astronomy and Astrology. The essays address the connections between science and culture and relate astronomical practices to the cultures which produced them. Each essay is well illustrated and contains an extensive bibliography. Because the geographic range is global, the book fills a gap in both the history of science and in cultural studies. It should find a place on the bookshelves of advanced undergraduate students, graduate students, and scholars, as well as in libraries serving those groups.

From GPO Bookstore's Website: Authors with diverse backgrounds in science, history, anthropology, and more, consider culture in the context of the cosmos. How does our knowledge of cosmic evolution affect terrestrial culture? Conversely, how does our knowledge of cultural evolution affect our thinking about possible cultures in the cosmos? Are life, mind, and culture of fundamental significance to the grand story of the cosmos that has generated its own self-understanding through science, rational reasoning, and mathematics? Book includes bibliographical references and an index.

Astronomy Across Cultures: A History of Non-Western Astronomy consists of essays dealing with the astronomical knowledge and beliefs of cultures outside the United States and Europe. In addition to articles surveying Islamic, Chinese, Native American, Aboriginal Australian, Polynesian, Egyptian and Tibetan astronomy, among others, the book includes essays on Sky Tales and Why We Tell Them and Astronomy and Prehistory, and Astronomy and Astrology. The essays address the connections between science and culture and relate astronomical practices to the cultures which produced them. Each essay is well illustrated and contains an extensive bibliography. Because the geographic range is global, the book fills a gap in both the history of science and in cultural studies. It should find a place on the bookshelves of advanced undergraduate students, graduate students, and scholars, as well as in libraries serving those groups.

NOTE: NO FURTHER DISCOUNT FOR THIS PRINT PRODUCT--OVERSTOCK SALE -- Significantly reduced list price During the last 50 years, coincident with the Space Age, cosmic evolution has been recognized as the master narrative of the universe, history writ large. Cosmic evolution includes physical, biological, and cultural evolution, and of these the latter is by far the most rapid. In this volume, authors with diverse backgrounds in science, history, anthropology, and more, consider culture in the context of the cosmos. How does our knowledge of cosmic evolution affect terrestrial culture? Conversely, how does our knowledge of cultural evolution affect our thinking about possible cultures in the cosmos? Are life, mind, and culture of fundamental significance to the grand story of the cosmos that has generated its own self-understanding through science, rational reasoning, and mathematics? Might this lead to cultural evolution on a large enough scale to allow the universe to both create and steer itself toward its own destiny? Related products: NASA's First 50 Years: Historical Perspectives; NASA 50 Anniversary Proceedings can be found here: https://bookstore.gpo.gov/products/sku/033-000-01336-1 Bringing the Future Within Reach: Celebrating 75 Years of the NASA John H. Glenn Research Center, 1941-2016 can be found here: https://bookstore.gpo.gov/products/sku/033-000-01377-9 Other products produced by National Aerounautics and Space Administration (NASA) can be found here: https://bookstore.gpo.gov/agency/550

This book offers a radical reinterpretation of the formative stages of Chinese culture and history, tracing the central role played by cosmology in the formation of China's early empires. It crosses the disciplines of history, social anthropology, archaeology, and philosophy to illustrate how cosmological systems, particularly the Five Elements, shaped political culture. By focusing on dynamic change in early cosmology, the book undermines the notion that Chinese cosmology was homogenous and unchanging. By arguing that cosmology was intrinsic to power relations, it also challenges prevailing theories of political and intellectual history.

All culture, particularly that of non-literate traditions, is constantly being recreated, and in the process also undergoes changes. In this book, Fredrik Barth examines the changes that have taken place in the secret cosmological lore transmitted in male initiation ceremonies among the Mountain Ok of Inner New Guinea, and offers a new way of explaining how cultural change occurs. Professor Barth focuses in particular on accounting for the local variations in cosmological traditions that exist among the Ok people, who otherwise share similar material and ecological conditions, and similar languages. Rejecting existing anthropological theory as inadequate for explaining this, Professor Barth constructs a new model of the mechanisms of change, based on his close empirical observation of the processes of cultural transmission. This model emphasises the role of individual creativity in cultural reproduction and change, and maintains that cosmologies can be adequately understood only if they are regarded as knowledge in the process of communication, embedded in social organization, rather than as fixed bodies of belief. From the model he derives various theoretically grounded hypotheses regarding the probable courses of change that would be generated by such mechanisms. He then goes on to show that these hypotheses fit the actual patterns of variation that are found among the Ok.

Born in the medieval walled city of Fritzlar, Germany, Cultural Philosopher Thomas Dietrich has resided in the San Francisco area since age seven. He received bachelor?s degrees in philosophy and classical studies from the University of San Francisco, where he ?read practically every piece of classical literature in existence.? Dietrich has traveled extensively in Greece, the Mediterranean, Scandinavia, Europe, and South America, and has lived and studied privately in Ecuador and Ireland. The idea for Dietrich?s first book, The Origin of Culture, began with his studies at the University of San Francisco. These beginnings were cultivated by 40 years of research into an array of different sciences and ancient cultures, including astrology, cosmology, cosmochronology, and mythology of the ancient Greeks, Romans, Egyptians, Mayans, Aztecs, and Irish. In The Origin of Culture, Dietrich uses the original testimonies of ancient sources to bridge the gap between history, religion, science, and mythology, thereby uncovering undeniable cycles of culture and civilization. Professionally, Dietrich is a noted stone figure-carver and monumental designer. He and his wife live in San Bruno, Calif., and have three grown children. Dietrich is currently at work on a sequel to The Origin of Culture, as well as a book about designs for small urban gardens.

Reshaping the World is a nuanced exploration of the plurality, complexity, and adaptability of Precolumbian and colonial-era Mesoamerican cosmological models and the ways in which anthropologists and historians have used colonial and indigenous texts to understand these models in the past. Since the early twentieth century, it has been popularly accepted that the Precolumbian Mesoamerican cosmological model comprised nine fixed layers of underworld and thirteen fixed layers of heavens. This layered model, which bears a close structural resemblance to a number of Eurasian cosmological models, derived in large part from scholars’ reliance on colonial texts, such as the post–Spanish Conquest Codex Vaticanus A and Florentine Codex. By reanalyzing and recontextualizing both indigenous and colonial texts and imagery in nine case studies examining Maya, Zapotec, Nahua, and Huichol cultures, the contributors discuss and challenge the commonly accepted notion that the cosmos was a static structure of superimposed levels unrelated to and unaffected by historical events and human actions. Instead, Mesoamerican cosmology consisted of a multitude of cosmographic repertoires that operated simultaneously as a result of historical circumstances and regional variations. These spaces were, and are, dynamic elements shaped, defined, and redefined throughout the course of human history. Indigenous cosmographies could be subdivided and organized in complex and diverse arrangements—as components in a dynamic interplay, which cannot be adequately understood if the cosmological discourse is reduced to a superposition of nine and thirteen levels. Unlike previous studies, which focus on the reconstruction of a pan-Mesoamerican cosmological model, Reshaping the World shows how the movement of people, ideas, and objects in New Spain and neighboring regions produced a deep reconfiguration of Prehispanic cosmological and social structures, enriching them with new conceptions of space and time. The volume exposes the reciprocal influences of Mesoamerican and European theologies during the colonial era, offering expansive new ways of understanding Mesoamerican models of the cosmos. Contributors: Sergio Botta, Ana Díaz, Kerry Hull, Katarzyna Mikulska, Johannes Neurath, Jesper Nielsen, Toke Sellner Reunert†, David Tavárez, Alexander Tokovinine, Gabrielle Vail