Contemporary American Poetry

Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences.

Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course. The poetry collected in this volume reveals the range and power of the contemporary American imagination. The verve, freedom, and boldness of American English are combined with the new harmonies of modern cadence. Here are distillations of twentieth-century perception, feeling, and thought, and reflections of changing social realities, scientific and psychoanalytic insights, and the strong voices of feminism and black consciousness. This is a book for those who value fresh and original poetry and for readers worldwide who are curious about contemporary American experience. Helen Vendler relies on her own taste and judgment in singling out excellent poems, beginning with the late modernist flowering of Wallace Stevens and continuing to the present. Her wide-ranging Introduction places recent American poetry in its aesthetic and social contexts. The anthology provides an extensive offering of the work of major poets and introduces many writers who are only now beginning to make their reputation. Thirty-five poets are included, with a representative selection from the earlier to later work of each and a significant number of long poems. Brief biographies of the poets are appended.

Contains poems by A.R. Ammons, Alan Ansen, John Ashbery, Marvin Bell, Michael Benedikt, John Berryman, Elizabeth Bishop, Robert Bly, Philip Booth, Edgar Bowers, Tom Clark, Gregory Corso, Henri Coulette, Robert Greeley, J.V. Cunningham, James Dickey, William Dickey, Alan Dugan, Alvin Feinman, Edward Field, Donald Finkel, Isabella Gardner, Jack Gilbert, Allen Ginsberg, Louise Gluck, Paul Goodman, John Haines, Donald Hall, Kenneth O. Hanson, Anthony Hecht, Daryl Hine, Daniel Hoffman, John Hollander, Richard Howard, Barbara Howes, Robert Huff, Richard Hugo, David Ignatow, Randall Jarrell, LeRoi Jones, Donald Justice, Weldon Kees, X.J. Kennedy, Galway Kinnell, Carolyn Kizer, Kenneth Koch, Al Lee, Denise Levertov, Philip Levine, Laurence Lieberman, John Logan, Robert Lowell, William H. Matchett, E.L. Mayo, William Meredith, James Merrill, W.S. Merwin, Howard Moss, Stanley Moss, Lisel Mueller, Howard Nemerov, Frank O'Hara, Charles Olson, Robert Pack, Donald Petersen, Sylvia Plath, Adrienne Rich, Theodore Roethke, James Schuyler, Winfield Townley Scott, Anne Sexton, Karl Shapiro, Charles Simic, Louis Simpson, L.E. Sissman, William Jay Smith, W.D. Snodgrass, Gary Snyder, William Stafford, Mark Strand, Robert Sward, May Swenson, James Tate, Constance Urdang, Peter Viereck, David Wagoner, Ds.

Edited by poets about poets, this is a chronologically organized anthology of the work of major poets born after 1920. Part of the Penguin Academics series, it provides an introduction to the study of contemporary American literature.

A multicultural anthology of contemporary American poetry, featuring works by over one hundred famous and lesser-known writers, including Gwendolyn Brooks, Sandra Cisneros, Simon Oritz, and Ray A. Young Bear.

A collection of poems written primarily between 1970 and 1995 by contemporary American poets that recall the experiences of elementary and high school.

The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.

A collection of poems that explore the issues surrounding race relations in American society, told from the experience of Black, Native American, Asian, Arabic, Hispanic, and white cultures.

This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh--Taslima Nasrin Chile--Pablo Neruda China--Bei Dao, Shu Ting El Salvador--Claribel Alegria France--Yves Bonnefoy Greece--Odysseus Elytis, Yannis Ritsos India--A.K. Ramanujan Israel--Yehuda Amichai Japan--Shuntaro Tanikawa Mexico--Octavio Paz Nicaragua--Ernesto Cardenal Nigeria--Wole Soyinka Norway--Tomas Transtromer Palestine--Mahmoud Darwish Poland--Zbigniew Herbert, Czeslaw Milosz Russia--Joseph Brodsky, Yevgeny Yevtushenko Senegal--Leopold Sedar Senghor South Africa--Breyten Breytenbach St. Lucia, West Indies--Derek Walcott

The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.