Comic Connections

With the popularity of comic adaptations on television and at the movies, these current topics can be a great way to engage students by bringing characters and stories they connect with into the classroom to help them build the skills that they need to be successful. Comic Connections: Reflecting on Women in Popular Culture is designed to help teachers from middle school through college find exciting new strategies that they can use right away as part of their curricular goals. Each chapter has three pieces: comic relevance, classroom connections, and concluding thoughts; this format allows a reader to pick-and-choose where to start. Some readers might want to delve into the history of a comic to better understand characters and their usefulness, while other readers might want to pick up an activity, presentation, or project that they can fold into that day’s lesson. This volume in Comic Connections series focuses on female characters—Wonder Woman, Peggy Carter, and Lois Lane, to name a few—with each chapter deconstructing a specific character to help students engage in meaningful conversations, writing projects, and other activities that will complement and enhance their literacy skills.

This book is designed to help teachers from middle school through college find exciting new strategies to help students develop their literacy skills.

Few scholars nursed on the literary canon would dispute that knowledge of Western literature benefits readers and writers of the superhero genre. This analysis of superhero comics as Romance literature shows that the reverse is true--knowledge of the superhero romance has something to teach critics of traditional literature. Establishing the comic genre as a cousin to Arthurian myth, Spenser, and Shakespeare, it uses comics to inform readings of The Faerie Queene, The Tempest, Malory's Morte and more, while employing authors like Ben Johnson to help explain comics by Alan Moore, Jack Kirby, and Grant Morrison and characters like Iron Man, the Hulk, the X-Men, and the Justice League. Scholars of comics, medieval and Renaissance literature alike will find it appealing.

Presents practical suggestions for pairing a graphic novel with a traditional text or examining connections between multiple sources.

Bringing together drawings by both established and up-and-coming graphic artirts and cartoonists, a hilarious anthology of comics provides a whimsical look at people searching for love through a series of chance encounters, might-have-been moments, passionate longings, and offbeat attractions. Original. 30,000 first printing.

Comics are all around campuses everyday, and with students arriving less prepared to tackle basics like reading, writing, and analyzing, this text helps connect what students enjoy to the classroom. Comic Connections: Analyzing Hero and Identity is designed to help teachers from middle school through college find a new strategy that they can use right away as part of their curricular goals. Each chapter has three pieces: comic relevance, classroom connections, and concluding thoughts; this format allows a reader to pick-and-choose where to start. Some readers might want to delve into the history of a comic to better understand characters and their usefulness, while other readers might want to pick up an activity, presentation, or project that they can fold into that day’s lesson. This book focuses on defining heroic traits in popular characters such as Superman, Batman, or Daredevil, while offering a scholarly perspective on how to analyze character and identity in ways that would complement any literary classroom.

This book is designed to help teachers from middle school through college find exciting new strategies to help students develop their literacy skills.

The Definitive Guide to Disney Films From Snow White and the Seven Dwarfs in 1937, through the films Disney plans to release through 2019 and early 2020, Professor James Mason delivers a cinemaphile's treasure trove of pertinent and often hard-to-find information about each of Disney's animated and live-action films. Mason's chronological, cross-referenced collector's companion to Disney theatrical features is unmatched in its detail, providing not just release dates, cast and crew, and literary sources, but also the film's connections to comic strip adaptations, soundtrack albums, and non-fiction books, with cross-references to relevant Disney theme park rides, sequels, TV shows, and other media. In this comprehensive all-in-one guide--over 500 pages!-- you'll have at your fingertips up-to-date information about not just the classic and modern Disney films, but Pixar, Marvel, and Star Wars releases, as well. Want to know comic strips and comic books feature Dumbo? Which TV series and video games star the Avengers? Where to find obscure features like Condorman or The Littlest Outlaw on DVD, Blu-ray, or Laserdisc? It's in here! For Disney fans, collectors, and historians alike, this is your front-row ticket to the cinematic magic of Disney.

The popular blogger and publisher of Envoy magazine offers 10 key reasons why he loves being Catholic (and you should too). Drawing heavily on poignant anecdotes from his own experience as a life-long Catholic born in 1960s, Madrid offers readers a way of looking at the Church--its members, teachings, customs, and history--from perspectives many may have never considered. Growing up Catholic during a time of great social and theological upheaval and transition, a time in which countless Catholics abandoned their religion in search of something else, Patrick Madrid learned a great deal about why people leave Catholicism and why others stay. This experience helped him gain many insights into what it is about the Catholic Church that some people reject, as well as those things that others treasure. Drawing upon Madrid's personal experiences, Why Be Catholic? offers a deeply personal, fact-based, rationale for why everyone should be Catholic or at least consider the Catholic Church in a new light.

Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium’s origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way—market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.