Colefax Fowler

"Chintz in glorious faded colours, curtains meticulously swagged, fringed and tasselled, the most comfortable upholstery and expertly applied paint finishes, all set in timeless interiors and discreetly lit to show off beautiful antiques and paintings. These are the hallmarks of the style developed by Colefax & Fowler in the post-war years and currently more fashionable then ever. This informative and fascinatingly anecdotal book tells the story of the firm's founder, John Fowler, and shows his style evolving through his association with Sybil Colefax and Nancy Lancaster and later through his work restoring National Trust houses. It describes the expert craftmanship and technical skills which produce the ageless Colefax & Fowler look, and shows examples of their current work in different types of rooms in a wide variety of locations, ranging from Badminton and Sudeley Castle, large and small country houses, to flats and mews houses in London and abroad."

Discover the world of decorating in the classic English style as revealed by Roger Banks-Pye, one of Colefax & Fowler's most innovative and talented designers. Roger Banks-Pye was one of the most sought-after interior decorators of his time. Design director at the doyen of interior decoration Colefax and Fowler, his work appears traditional at first glance but is in fact spiced with innovation, originality and irreverence. This classic volume shows the decorator at work in a selection of the private homes he transformed with flair and panache, from a London studio apartment decorated on a shoestring to a Scottish hunting lodge where money was no object. This book is a record of the spaces he created and there are accessible, practical and creative ideas to be picked up on each and every page. Inspirational Interiors allows a privileged glimpse into his unique world of style.

John Fowler was an interior decorator who set fashions and changed tastes. The English country house style, which he developed with Sibyl Colefax and Nancy Lancaster, his partners in the firm of Colefax & Fowler, has proved a source of continuing inspiration to decorators and home-owners on both sides of the Atlantic and indeed across the world. Today, a hundred years after his birth, his influence is almost as powerful as it was in the mid 20th century, when he was working on many of Britain's finest and most famous houses, including Uppark, Chequers and Buckingham Palace, as well as dozens of more modest projects. Fowler's style has been so widely imitated that it is easy to forget what an innovator he was. In the 1930s and 1940s his style was a breath of fresh country air, sweeping away heavy velvets and damasks in favour of crisp cotton chintzes, replacing glossy mahogany with painted Regency furnishings, elaborate porcelain and glitzy ormolu with modest pottery and painted tin. Even after the war, when he came to specialize in the decoration of architecturally important interiors, he continued to prefer 'humble elegance' and 'romantic disrepair' to pomposity.

This chronologically arranged set of case studies looks at how interior design has constantly redefined itself as a manifestation of culture, from the eighteenth-century to the present day. The book looks at the amateur activities of female "home makers" in search of creative outlets and married couples seeking to modernize their homes as well as the contributions of early professional (female) "interior decorators," and later, (male) "interior designers." It also considers the more anonymous role of commercial enterprises, such as hairdressing salons, cruise ships or modern offices. Issues relating to interiority, gender, and the relationship of the public sphere are also considered opening up a new level of design historical enquiry.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Presents the work of Roger Banks-Pye with the design firm of Colefax & Fowler and uses quotations to explore how he creates original interiors

Nancy Lancaster, who was born in 1897 into a wealthy Virginian family, became one of the greatest influences on interior decoration and garden design in Great Britain and America in the second half of the 20th century. She created what is known today as the 'English Country House Style' – a mixture of faded colors, chintzes and painted and antique furniture. In the garden, she worked in a formal yet romantic neo-Georgian style, which is still a strong spirit in British garden design. This book examines Nancy's contribution to the arts of interior decoration and garden design by chronicling her own homes and gardens –and her extraordinary life. Mirador, her family's Virginian country house, was to remain her key inspiration throughout her life. Nancy herself, her houses, her gardens and her friends are shown in an intriguing collection of photographs by distinguished photographers of the era, including Horst and Cecil Beaton.