Cocaine Vampires

What do a kleptomaniac, sex fiend and suicide risk have in common? They're all vampires. Cocaine Vampires offers the gift of life through the kiss of death. Life Sucks.

They are human beings like the rest of us. They are a special class of people who service and enjoy stealing from the helpless so as to maintain their expensive lifestyle. They like to be worshipped and are not ashamed to display their wealth for all to see. They consider stealing as some of their heroic deeds. They go by the name Economic Vampires.

Imagine being an immortal and knowing that you had to share your 6,000-year existence with your mother and grandmother. Imagine if you were forced to watch the follies of humanity while causing problems of your own with famous figures from history. Welcome to the world of Isidore Glassman, Izzy to his friends, in this politically incorrect romp through history, as seen from the perspective of a Jewish vampire. Yes, a Jewish vampire. Sometimes intellectual, often irreverent, and constantly hilarious, this story will make you rethink the way you look at vampires. Memoirs of a Jewish Vampire: 6,000 Years of Kvetching projects a full-frontal assault on political correctness. Meet Izzy’s best friends, Jerry and Shlomo, his mother who is frequently drunk and always embarrassing, and his beloved grandmother, Bubbe.

A new anthology of cocaine stories from the creators of The Speed Chronicles—“Caution: these stories are addicting” (Harlan Coben). This ambitious anthology of jaw-grinding criminal behavior is masterfully curated by acclaimed authors Gary Phillips and Jervey Tervalon. Cocaine is the subject, the whys and whereofs in The Cocaine Chronicles, a collection of original short stories that are funny and harrowing, sad and scary, but at all times riveting. The Cocaine Chronicles contains tough tales by a cross-section of today’s most thought-provoking writers. Featuring brand-new stories by: Susan Straight, Lee Child, Laura Lippman, Ken Bruen, Jerry Stahl, Nina Revoyr, Bill Moody, Emory Holmes II, James Brown, Gary Phillips, Jervey Tervalon, Kerry E. West, Donnell Alexander, Deborah Vankin, Robert Ward, Manuel Ramos, and Detrice Jones.

Elizabeth Evans possesses all the qualities that make a good nurse: dedication, empathy, and a healthy respect for human life. But theres only one problemElizabeth is dead. After a chance encounter in the cardiac catheterization lab of Mercy Memorial Hospital results in her demise, the newly turned vampire joins the ranks of the hospitals undead subculture. She becomes the protg of Dr. Paul Bertrand, a cardiologist who is more than willing to train her in the ways of her new existence. While Elizabeth struggles with her love for humans and her overwhelming need to feed, the doctor and nurse temporarily become the perfect vampire couple. When the urge to strike out on her own calls Elizabeth to Tennessee to work on a television series, she encounters Alexander Fekete, a terrifying vampire and heavy metal musician who immediately becomes infatuated with her. But it is her relationship with actor Lars Jansson that will change everything. Worlds collide as Elizabeth abandons her maker and alienates her tormentor, and a doctor decides to reclaim the vampire nurse he once created.

Divided into four thematic sections, What's Eating You? explores the deeper significance of food on screen-the ways in which they reflect (or challenge) our deepest fears about consuming and being consumed. Among the questions it asks are: How do these films mock our taboos and unsettle our notions about the human condition? How do they critique our increasing focus on consumption? In what ways do they hold a mirror to our taken-for-granteds about food and humanity, asking if what we eat truly matters? Horror narratives routinely grasp those questions and spin them into nightmares. Monstrous “others” dine on forbidden fare; the tables of consumption are turned, and the consumer becomes the consumed. Overindulgence, as Le Grande Bouffe (1973) and Street Trash (1987) warn, can kill us, and occasionally, as films like The Stuff (1985) and Poultrygeist (2006) illustrate, our food fights back. From Blood Feast (1963) to Sweeney Todd (2007), motion pictures have reminded us that it is an “eat or be eaten” world.

More than ten thousand years ago, a race called the Bitalo conquered the continent of Africa. They were something like vampires, something like African vampires. There is a quite a bit of sunshine in Africa. Do you know what that means? It means that the African vampires do not fear the sun. It means that the sun cannot save you from an African vampire. There are African vampires in the United States. They came to this country during the slave trade. Most of them look like ordinary African American people, but there are Bitalos in every race. African vampires do not like blood that much. To them it is like milk—good for their health. Some call them cannibal vampires or ghoul vampires because their main food is people. They like their food prepared in many ways—fried, baked, barbequed, and ground like hamburgers. There are quite a few African vampires in the United States. Now they are planning to take over the United States. Somebody has got to stop them. John Irungu has killed quite a few Bitalos, but he is a very old man now, and he is becoming senile. Also, there would seem to be very few Irungu Knights left. But John Irungu has a much younger friend named John David Hunter, also known as the Preacher. The preacher just might be a natural-born Irungu Knight. He just might be the Chosen One. Bitalo prophecy warns them of the coming of a man who could destroy them. He would be a descendant of Curtis Jore, the man of war, the man who destroyed their ancient vampire. Could this preacher be the Chosen One?

A guide to surviving an attack by hordes of the predatory undead explains vampire history, physiology and behavior, the most effective defense strategies and how to destroy the vampire if needed.

Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975.

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