Closet Queens

Closet Queens is a fascinating study of gay men in twentieth century British politics, from Lord Rosebery and Lord Beauchamp in Edwardian times to Michael Portillo and Peter Mandelson in our own era. As all homosexual activity was illegal until 1967, and exposure meant ruin and disgrace, such men were obliged either to repress their sexual feelings or else lead double lives, indulging their tastes secretly while respectably married with children. The need to cover up their sexuality, while causing problems and disappointments, often sharpened their skills as politicians - they were masters of secrecy and subterfuge, and knew how to take calculated risks. An entertaining and insightful account of some extraordinary personalities, Closet Queens opens doors into a hidden world.

A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print. Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives. Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

Princess Cupcake Jones loves exploring her mom's closet and trying on shoes. In the closet she finds herself in a transforming make-believe world of fun. When Cupcake discovers a special box that she hasn't seen before, curiosity propels her to explore what lies within the mystery box. And once she looks inside, she finds herself in a shoe-filled situation that is more than she could have imagined. Children will delight in Cupcake's discovery and will enjoy searching for the special word ("love") hidden in each illustration.

The first book to address the interaction between the Walt Disney Company and the gay community From its Magic Kingdom theme parks to its udderless cows, the Walt Disney Company has successfully maintained itself as the brand name of conservative American family values. But the Walt Disney Company has also had a long and complex relationship to the gay and lesbian community that is only now becoming visible. In Tinker Belles and Evil Queens, Sean Griffin traces the evolution of this interaction between the company and gay communities, from the 1930s use of Mickey Mouse as a code phrase for gay to the 1990s "Gay Nights" at the Magic Kingdom. Armed with first-person accounts from Disney audiences, Griffin demonstrates how Disney animation, live-action films, television series, theme parks, and merchandise provide varied motifs and characteristics that readily lend themselves to use by gay culture. But Griffin delves further to explore the role of gays and lesbians within the company, through an examination of the background of early studio personnel, an account of sexual activism within the firm, and the story of the company's own concrete efforts to give recognition to gay voices and desires. The first book to address the history of the gay community and Disney, Tinker Belles and Evil Queens broadly examines the ambiguous legacy of how modern consumerism and advertising have affected the ways lesbians and gay men have expressed their sexuality. Disney itself is shown as sensitive to gay and lesbian audiences, while exploiting those same audiences as a niche market with strong buying power. Finally, Griffin demonstrates how queer audiences have co-opted Disney products for themselves-and in turn how Disney's corporate strategies have influenced our very definitions of sexuality.

In this dazzling new vision of the ever-fascinating queen, a dynamic young historian reveals how Marie Antoinette's bold attempts to reshape royal fashion changed the future of France Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion—the vehicle she used to secure her triumphs—was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.

From Los Angeles Times Book Prize Award winner and Edgar Award nominee Malla Nunn comes a stunning portrait of a family divided and a powerful story of how friendship saves and heals. When Amandla wakes up on her fifteenth birthday, she knows it's going to be one of her mother's difficult days. Her mother has had another vision. This one involves Amandla wearing a bedsheet loosely stitched as a dress. An outfit, her mother says, is certain to bring Amandla's father back home, as if he were the prince and this was the fairytale ending their family was destined for. But in truth, Amandla's father has long been gone--since before Amandla was born--and even her mother's memory of him is hazy. In fact, many of her mother's memories from before Amandla was born are hazy. It's just one of the many reasons people in Sugar Town give them strange looks--that and the fact her mother is white and Amandla is Black. When Amandla finds a mysterious address in the bottom of her mother's handbag along with a large amount of cash, she decides it's finally time to get answers about her mother's life. What she discovers will change the shape and size of her family forever. But with her best friends at her side, Amandla is ready to take on family secrets and the devil himself. These Sugar Town queens are ready to take over the world to expose the hard truths of their lives.

People feel angry and let down by their leaders, as well as by the institutions that dominate their lives: political parties, government bureaucracy, and corporations. Yet the cause of this malaise, according to political -- advisor -- turned -- tech -- CEO Steve Hilton, is not being addressed by politicians on the left or the right. Hilton argues that much of our daily experience -- from the food we eat, to the governments we elect, to the economy on which our wealth depends, to the way we care for our health and well -- being -- has become too big, too bureaucratic, and too distant from the human scale. More Human sets out a radical manifesto for change, aimed at the root causes of our problems rather than just the symptoms. Whether it's using the latest advances in neuroscience to inform the fight against poverty and inequality, or applying lessons from America's most radical schools to transform our children's education, this book is an agenda for rethinking and redesigning the outdated systems and structures of our politics, government, economy, and society to make them more suited to the way we want to live our lives today. To make them more human.

“Extraordinary. . . . It is a tribute to Starkey’s narrative drive, his puckish wit, and sharp discrimination that it doesn’t seem a page too long. . . . With each queen, Starkey offers a vivid character study but also has fresh discoveries that subtly alter the picture he started out with.” — Sunday Times (London) The dramatic, legendary story of Henry VIII, his six wives, and the England they ruled—told by one of the world’s preeminent historians of the Tudor era. Perhaps no one in history had a more eventful career in matrimony than Henry VIII. His marriages were tumultuous and complicated, and made instant legends of six very different women. Henry took his first bride, Catherine of Aragon, when he was 17. Their 24-year marriage was a relatively stable prelude to what followed. Anne Boleyn, a pretty, French-educated Protestant who was the mother of Elizabeth I, was eventually beheaded. Jane Seymour served as a demure contrast to the vampish Boleyn, and gave birth to Henry’s longed-for son (Edward VI). After a brief marriage to the plain Anne of Cleves, Henry married a flirtatious teenager, Catherine Howard, who would be the second of his brides to lose her head along with the king’s favor. Finally, there was Catherine Parr, a shrewd Protestant bluestocking. In this brilliant new work, one of the world’s most respected historians weaves startling new facts and fresh interpretations into a spellbinding account of the emotional drama and political intrigue that attended Henry’s six marriages. With a keen eye for both the personal and the global stage, David Starkey masterfully recaptures the Tudor era—and the wives of Henry VIII—as only he can.