Class Not Dismissed

Everyone is afraid of something... Madeleine Masterson is deathly afraid of bugs, especially spiders. Theodore Bartholomew is petrified of dying. Lulu Punchalower is scared of confined spaces. Garrison Feldman is terrified of deep water. With very few options left, the parents of these four twelve year-olds send them to the highly elusive and exclusive School of Fear to help them overcome their phobias. But when their peculiar teacher, Mrs. Wellington, and her unconventional teaching methods turn out to be more frightening than even their fears, the foursome realize that this just may be the scariest summer of their lives.

Allan Woodrow is back with another pitch-perfect middle-grade novel full of hilarious antics, epic arguments, and a class that just doesn't get along. Class 507 is the worst class Ms. Bryce has ever taught. And she would know -- she's been teaching forever. They are so terrible that when a science experiment goes disastrously wrong (again), Ms. Bryce has had it and quits in the middle of the lesson. But through a mix-up, the school office never finds out. Which means ... Class 507 is teacher-free! The class figures if they don't tell anyone, it'll be one big holiday. Kyle and his friends can play games all day. Samantha decides she'll read magazines and give everyone (much needed) fashion advice. Adam can doodle everywhere without getting in trouble. Eric will be able to write stories with no one bothering him. And Maggie ... well, as the smartest kid in the class she has an ambitious plan for this epic opportunity. But can Class 507 keep the principal, the rest of the students, and their parents from finding out ... or will the greatest school year ever turn into the worst disaster in school history?

In Class Dismissed, John Marsh debunks a myth cherished by journalists, politicians, and economists: that growing poverty and inequality in the United States can be solved through education. Using sophisticated analysis combined with personal experience in the classroom, Marsh not only shows that education has little impact on poverty and inequality, but that our mistaken beliefs actively shape the way we structure our schools and what we teach in them. Rather than focus attention on the hierarchy of jobs and power--where most jobs require relatively little education, and the poor enjoy very little political power--money is funneled into educational endeavors that ultimately do nothing to challenge established social structures, and in fact reinforce them. And when educational programs prove ineffective at reducing inequality, the ones whom these programs were intended to help end up blaming themselves. Marsh's struggle to grasp the connection between education, poverty, and inequality is both powerful and poignant.

This gripping story -a year in the lives of three high school seniors and their school-takes us deep into the hearts and minds of American teenagers, and American society, today. The seniors of Berkeley High are the white, black, Latino, Asian, and multiracial children of judges and carpenters, software consultants and garbage collectors, housewives and housekeepers. Some are Harvard bound; others are illiterate. They are the Class of 2000, and through the lives of three of them Class Dismissed brings us inside the nation's most diverse high school-where we glimpse the future of the nation. Autumn was ten when her father abandoned her family; since then she's been helping her mother raise her two little brothers and keep food on the table-while keeping her grades up so she can go to college. Her faith in God gives Autumn strength, but who will give her the money she needs when she's offered the opportunity of a lifetime? From the outside, Jordan's life looks perfect. He hangs out with the "rich white kids"; rows on the crew team, has a cool mom, applied early to an East Coast college. But Jordan's drug-addicted father died last year, leaving Jordan reeling with grief and anger that makes his life feel anything but perfect-and his future suddenly seem uncertain. A third-generation Berkeley High student, Keith is bright and popular, a talented football player who hopes to play college ball and one day, go pro. But Keith has a reading problem that threatens his NFL dream. And the Berkeley police have a problem with Keith that threatens his very freedom. Looking into the lives of these young people, in this American town, at this time in history, we see more than what's true---and what's possible--for Berkeley High. We see what's true and what's possible for America.

In A Life in Learning, award-winning professor Anthony Aveni tells the personal story of his six decades in college classrooms and some of the 10,000 students who have filled them. Through anecdotes of his own triumphs and tribulations—some amusing, others heartrending—Aveni reveals his teaching story and thoughts on the future of higher education. Although in recent years the lecture has come under fire as a pedagogical method, Aveni ardently defends lecturing to students. He shares his secrets on crafting an engaging lecture and creating productive dialogue in class discussions. He lays out his rules on classroom discipline and tells how he promotes the lost art of listening. He is a passionate proponent of the liberal arts and core course requirements as well as a believer in sound teaching promoted by active scholarship. Aveni is known to his students as a consummate storyteller. In A Life in Learning he shares real stories about everyday college life that shed light on serious educational issues. The result is a humorous, reflective, inviting, and powerful inquiry into higher education that will be of interest to anyone invested in the current and future state of college and university education.

STUDENT GIVES TEACHER THE FINGER, screams the Post headline after Patrick Lynch slams his classroom door on the hand of Josh Mishkin, the learning-disabled son of two NYU professors. Josh's injury casts Patrick, thirty-year-old son of the Midwest, down a New York City rabbit hole of Board of Ed bureaucracy and union politics. Transformed into an unwilling celebrity by his fellow inmates in that teacher purgatory, the Rubber Room, Mr. Lynch is suddenly more "at risk" than any of his students. Now he must fight his way back to his classroom at Marcus Garvey High School and reclaim the affections of his social worker fiancée, all while wrestling the legend of his late father, Superintendent Lynch, the pride of Peterson's Prairie, Minnesota.

In this ethnographic examination of Mexican-American and white girls coming of age in California’s Central Valley, Julie Bettie turns class theory on its head, asking what cultural gestures are involved in the performance of class, and how class subjectivity is constructed in relationship to color, ethnicity, gender, and sexuality. A new introduction contextualizes the book for the contemporary moment and situates it within current directions in cultural theory. Investigating the cultural politics of how inequalities are both reproduced and challenged, Bettie examines the discursive formations that provide a context for the complex identity performances of contemporary girls. The book’s title refers at once to young working-class women who have little cultural capital to enable class mobility; to the fact that analyses of class too often remain insufficiently transformed by feminist, ethnic, and queer studies; and to the failure of some feminist theory itself to theorize women as class subjects. Women without Class makes a case for analytical and political attention to class, but not at the expense of attention to other social formations.

Have no fear! The frightened foursome are back in this this wickedly funny and phobia-inducing sequel to School of Fear! Everyone is (still) afraid of something... Madeleine Masterson is deathly afraid of bugs, especially spiders; Theodore Bartholomew is petrified of dying; Lulu Punchalower is terrified of confined spaces; Garrison Feldman is frightened by deep water. . . After discovering that each of her former students has secretly regressed, headmistress Mrs. Wellington brings Madeleine, Theo, Lulu, and Garrison back for a mandatory summer of retraining. Facing their fears is terrifying enough, but when they are joined by a fifth student things start to get even scarier.

Thirteen-year-olds Madeleine, Theo, and Lulu, fourteen-year-old Garrison, and ten-year-old new "contestant" Hyacinth, must face their phobias and join forces to learn who is stealing wigs and pageant trophies from the School of Fear.

This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.