Brutal Intimacy

Brutal Intimacy is the first book to explore the fascinating films of contemporary France, ranging from mainstream genre spectaculars to arthouse experiments, and from wildly popular hits to films that deliberately alienate the viewer. Twenty-first-century France is a major source of international cinema—diverse and dynamic, embattled yet prosperous—a national cinema offering something for everyone. Tim Palmer investigates France’s growing population of women filmmakers, its buoyant vanguard of first-time filmmakers, the rise of the controversial cinema du corps, and France’s cinema icons: auteurs like Olivier Assayas, Claire Denis, Bruno Dumont, Gaspar Noé, and stars such as Vincent Cassel and Jean Dujardin. Analyzing dozens of breakthrough films, Brutal Intimacy situates infamous titles alongside many yet to be studied in the English language. Drawing on interviews and the testimony of leading film artists, Brutal Intimacy promises to be an influential treatment of French cinema today, its evolving rivalry with Hollywood, and its ambitious pursuits of audiences in Europe, North America, and around the world.

Communal Intimacy and the Violence of Politics explores the notoriously brutal Philippine war on drugs from below. Steffen Bo Jensen and Karl Hapal examine how the war on drugs folded itself into communal and intimate spheres in one Manila neighborhood, Bagong Silang. Police killings have been regular occurrences since the birth of Bagong Silang. Communal Intimacy and the Violence of Politics shows that although the drug war was introduced from the outside, it fit into and perpetuated already existing gendered and generational structures. In Bagong Silang, the war on drugs implicated local structures of authority, including a justice system that had always been deeply integrated into communal relations. The ways in which the war on drugs transformed these intimate relations between the state and its citizens, and between neighbors, may turn out to be the most lasting impact of Duterte's infamously violent policies.

Real Sex Films explores one of the most controversial movements in international cinema through theories of globalization and embodiment.

Has any big subject ever generated so many myths, lies and unfounded claims as sex? The Rough Guide to Sex is the antidote to the cynical hype, noisy boasts and all those embarrassed silences. It tells it how it is - for men and women, gay and straight from touch and masturbation to sexual positions with accessible 'how to do it' advice. Honest and informative, author James McConnachie gets up close and personal, covering not just body parts, techniques and accessories, but sexual health, attitudes, expectations and beliefs. Amply illustrated, this is a book for the curious, dealing with everything you know and don't know about sex- and beyond. It unveils the nature of desire, the meaning of fantasy, the science of orgasm - what works and what doesn't for both him and her. It tells how scientists and gurus, writers and lovers, perverts and priests have all contributed to the story of sex. Above all, it looks at how sex really figures in people's lives. Myth-busting, witty, thoughtful, and candid, The Rough Guide to Sex uncovers the facts of life without the fiction.

In exploring an array of intimacies between global migrants Nayan Shah illuminates a stunning, transient world of heterogeneous social relations—dignified, collaborative, and illicit. At the same time he demonstrates how the United States and Canada, in collusion with each other, actively sought to exclude and dispossess nonwhite races. Stranger Intimacy reveals the intersections between capitalism, the state's treatment of immigrants, sexual citizenship, and racism in the first half of the twentieth century.

Reproduction of the original: Studies in the Psychology of Sex by Havelock Ellis

Sexual inversion, as here understood, means sexual instinct turned by inborn constitutional abnormality toward persons of the same sex. It is thus a narrower term than homosexuality, which includes all sexual attractions between persons of the same sex, even when seemingly due to the accidental absence of the natural objects of sexual attraction, a phenomenon of wide occurrence among all human races and among most of the higher animals. It is only during recent years that sexual inversion has been recognized; previously it was not distinguished from homosexuality in general, and homosexuality was regarded as a national custom, as an individual vice, or as an unimportant episode in grave forms of insanity.[1] We have further to distinguish sexual inversion and all other forms of homosexuality from another kind of inversion which usually remains, so far as the sexual impulse itself is concerned, heterosexual, that is to say, normal. Inversion of this kind leads a person to feel like a person of the opposite sex, and to adopt, so far as possible, the tastes, habits, and dress of the opposite sex, while the direction of the sexual impulse remains normal. This condition I term sexo-esthetic inversion, or Eonism. The nomenclature of the highly important form of sexual perversion with which we are here concerned is extremely varied, and most investigators have been much puzzled in coming to a conclusion as to the best, most exact, and at the same time most colorless names to apply to it. The first in the field in modern times was Ulrichs who, as early as 1862, used the appellation "Uranian" (Uranier), based on the well-known myth in Plato's Banquet. Later he Germanized this term into "Urning" for the male, and "Urningin" for the female, and referred to the condition itself as "Urningtum." He also invented a number of other related terms on the same basis; some of these terms have had a considerable vogue, but they are too fanciful and high-strung to secure general acceptance. If used in other languages than German they certainly should not be used in their Germanized shape, and it is scarcely legitimate to use the term "Urning" in English. "Uranian" is more correct.

Both India and South Africa have shared the infamy of being labelled the world’s ‘rape capitals’, with high levels of everyday gender-based and sexual violence. At the same time, both boast long histories of resisting such violence and its location in wider cultures of patriarchy, settler colonialism and class and caste privilege. Through the lens of the #MeToo moment, the book tracks histories of feminist organising in both countries, while also revealing how newer strategies extended or limited these struggles. Intimacy and injury is a timely mapping of a shifting political field around gender-based violence in the global south. In proposing comparative, interdisciplinary, ethnographically rich and analytically astute reflections on #MeToo, it provides new and potentially transformative directions to scholarly debates this book builds transnational feminist knowledge and solidarity in and across the global south.

Studies in the Psychology of Sex, Volume 1, is the first of six volumes by English physician Havelock Ellis. First published in 1897, the book is part of a huge study on sexuality. Ellis was also a pioneer in the study of psychedelic drugs, introduced the concepts of narcissism and autoeroticism, and published works on transgender psychology. He was in favour of feminism as he saw that the improved choices given to women would benefit humans overall. This first volume includes; The Evolution of Modesty; The Phenomena of Sexual Periodicity; and, Auto-Eroticism, a Study of the Spontaneous Manifestations of the Sexual Impulse. Full chapter list. № 67 in Anne Haight's List of Banned Books.

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the New York Times, the Washington Post, Time, and the New Yorker, Friedman's grimly evocative black-and-white images—“intimate, behind-the-scenes photos” (Time)—have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his “unflinching” lens and his intrepid reporting. For his new collection of photographs, Lyudmila and Natasha, Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, Lyudmila and Natasha powerfully evokes both a vital place and the people who call it home. Lyudmila and Natasha was designed by Emerson, Wajdowicz Studios (EWS).