Boston Boy

Boston Boy is Nat Hentoff's memoir of growing up in the Roxbury section of Boston in the 1930s and 1940s. He grapples with Judaism and anti-Semitism. He develops a passion for outspoken journalism and First Amendment freedom of speech. And he discovers his love of jazz music as he follows, and is befriended by, the great jazz musicians of the day, including Duke Ellington and Lester Young. "Nat Hentoff knows jazz. And it comes alive in this wonderful, touching memoir." —Ken Burns, creator of the PBS series "Jazz" "This memoir of [Hentoff's] youth should be appreciated not only by adults who grew up through the fires of their own youthful rebellion, but by those restless young people who are now bringing their own views and questions to the world they are inheriting. They could learn from this example that rebels can be gentle as well as enraged and compassionate in their commitment." —New York Times Book Review "[A] charmingly bittersweet memoir." —Boston Globe "This is a touching book about a painful, wonderful time in Boston…I loved it." —Anthony Lewis "[A] richly textured, vivid memoir of growing up in Boston's Roxbury neighborhood…It weaves a colorful and varied tapestry." —Senator Paul Wellstone

Flanked by gorgeous brick row houses in the heart of Boston's South End, the Club Café is a bar where everybody knows your name--and who you slept with last. Every night men like Tommy Perez, Rico DiMio, and Kyle Andrews take their place among the glistening crowd sporting chest-defining shirts and lots of smooth, tanned skin, sizing up the regulars and the new blood while TV monitors blare Beyoncé and Missy Elliott. For Tommy, Thursdays at the Club Café in the company of his wingman Rico and a Skinny Black Bitch (vodka and Diet Coke) are unmissable. Recently relocated from Miami to Boston to take a reporting job at The Boston Daily, Tommy is finding it hard to break away from his tight-knit Cuban family, but his homesickness goes into rapid remission when he meets Mikey, a blue-eyed, boyish guidance counselor from Cape Cod. Smart, funny, and wicked cute, Mikey is perfect boyfriend material. . .until his drinking leads Tommy to suspect that he's got some issues of his own. Rico--a tough-talking, Italian-American accountant with a gamma ray smile and mournful green eyes that hint at a past he'll admit to no one--is sure Mikey is bad news, but to Rico any relationship that lasts longer than three hours sounds like bad news. Then there's Kyle, the lean, preening model and former reality show star who makes a red-carpet entrance into the CC every Thursday as if a swarm of cameras still follows his every move, but whose real life is about to take a dramatic turn he never anticipated. Over the course of one unforgettable year, Tommy is forced to rethink everything he's ever believed about life, lust, and love. And in the Club Café, a place filled with endless possibilities--of stumbling upon the perfect partner, the perfect story idea, or just a play buddy for the night--Tommy might finally discover the person he was meant to be. "Make way for the boys of summer! Johnny Diaz has written a sexy beach-read romp you won't be able to put down." --William J. Mann, author of Where the Boys Are and All American Boy

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

When twelve-year-old Jesse Pomeroy tortured seven small boys in the Boston area and then went on to murder two other children, one of the most striking aspects of his case was his inability ever to answer the question of why he did what he did. Experts tried to explain his horrible acts -- and distance the rest of society from them -- but the mystery remains. This book details the crimes and explores the two reigning theories at the time -- that he was shaped before birth when his pregnant mother visited a slaughterhouse and that he imitated brutal acts found in popular dime novels. The author then offers a new theory: that Pomeroy suffered a devastating reaction to a smallpox vaccination which altered his brain, creating a psychopath who revealed the human potential for brutality.

“A rousing adventure yarn full of danger and heart and humor.” —Richard Russo An instant classic for fans of Jane Smiley and Kitchens of the Great Midwest: when two hardscrabble young boys think they’ve committed a crime, they flee into the Northwoods of Wisconsin. Will the adults trying to find and protect them reach them before it’s too late? It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about. One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them. Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement. The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.

The harmonica is one of the most important, yet overlooked, instruments in music. This definitive volume celebrates the history of the world's most popular musical device, its impact on various forms of music, folk, country, blues, rock, jazz and classical music. The author traces the development of the harmonica from the ancient Chinese sheng to futuristic harmonica sythesizers. Nearly seventy harmonica masters are profiled including Stevie Wonder, Little Walter, Bob Dylan, Jimmy Reed, Charlie McCoy, Sonny Terry, and John Popper. This updated edition includes an extensive new afterword, an expanded discography of the finest harmonica recordings, and a listing of the best harmonica resources on the internet.

Two early volumes of poetry (1913–1914) contain many of the poet's finest, best-known works: "Mending Wall," "After Apple-Picking," "The Death of the Hired Man," many more.

“I can lick any son-of-a-bitch in the world.” So boasted John L. Sullivan, the first modern heavyweight boxing champion of the world, a man who was the gold standard of American sport for more than a decade, and the first athlete to earn more than a million dollars. He had a big ego, big mouth, and bigger appetites. His womanizing, drunken escapades, and chronic police-blotter presence were godsends to a burgeoning newspaper industry. The larger-than-life boxer embodied the American Dream for late nineteenth-century immigrants as he rose from Boston’s Irish working class to become the most recognizable man in the nation. In the process, the “Boston Strong Boy” transformed boxing from outlawed bare-knuckle fighting into the gloved spectacle we know today. Strong Boy tells the story of America’s first sports superstar, a self-made man who personified the power and excesses of the Gilded Age. Everywhere John L. Sullivan went, his fists backed up his bravado. Sullivan’s epic brawls, such as his 75-round bout against Jake Kilrain, and his cross-country barnstorming tour in which he literally challenged all of America to a fight are recounted in vivid detail, as are his battles outside the ring with a troubled marriage, wild weight and fitness fluctuations, and raging alcoholism. Strong Boy gives readers ringside seats to the colorful tale of one of the country’s first Irish-American heroes and the birth of the American sports media and the country’s celebrity obsession with athletes.