Bill Bruford

Bill Bruford - once known as the godfather of progressive-rock drumming - has been at the top of his profession for four decades, playing with Yes, King Crimson, Genesis, Earthworks, and many more. This is his autobiography, a memoir of life at the heart of progressive rock and electronic and acoustic jazz. It's an account of Bill's 40 years on the road and in the studio, rubbing shoulders with everyone from Phil Collins to Allan Holdsworth and creating an impressive tally of great music.

What do expert drummers do? Why do they do it? Is there anything creative about it? If so, how might that creativity inform their practice and that of others in related artistic spheres? Applying ideas from cultural psychology to findings from research into the creative behaviors of a specific subset of popular music instrumentalists, Bill Bruford demonstrates the ways in which expert drummers experience creativity in performance and offers fresh insights into in-the-moment interactional processes in music. An expert practitioner himself, Dr. Bruford draws on a cohort of internationally renowned, peak-career professionals and his own experience to guide the reader through the many dimensions of creativity in drummer performance.

This book is a description of how one drummer, Bill Bruford of Yes, King Crimson, Genesis and U.K. fame, survived the lunacy that accompanies a professional musician's existence and still retained the desire to sit at the drumset and play. It is a compendium of 18 of Bruford's recorded works in notated form, together with scene-setting and some explanation of how and why he arrived at the end product. For the compulsive practisers amongst his readership he has included a few exercises that may or may not be related to the music which precedes them in the chapter. If the narrative casts a somewhat jaundiced eye on the reasons drummers play the things they play the author makes no apologies for that. Published by Foruli Classics - dedicated to bringing the best out-of-print music and popular culture books back into print.

They have names like Barmy Bernie, Daft Donald, and Steamin' Sammy. They like lager (in huge quantities), the Queen, football clubs (especially Manchester United), and themselves. Their dislike encompasses the rest of the known universe, and England's soccer thugs express it in ways that range from mere vandalism to riots that terrorize entire cities. Now Bill Buford, editor of the prestigious journal Granta, enters this alternate society and records both its savageries and its sinister allure with the social imagination of a George Orwell and the raw personal engagement of a Hunter Thompson.

No Beethoven chronicles the life and times of drummer Peter Erskine, with the legendary band Weather Report being the nexus to this first-hand account. Erskine was in the midst of the modern American jazz music scene as it underwent its most dynamic change. Peter Erskine is a musician of his times with incredibly rich stories to tell in this autobiography. Including never-before published photographs. No Beethoven includes chapters dedicated to Weather Report and the musicians Joe Zawinul, Jaco Pastorius, and Wayne Shorter, plus the bands Steps Ahead, Steely Dan, and artists such as Elvin Jones, Joni Mitchell, Freddie Hubbard, Diana Krall, Steve Gadd, producer Manfred Eicher, composers John Williams, and Mark-Anthony Turnage, et al. The book provides a revealing look at the creative process involved in performing music on-stage and in the recording studio, as well as a behind-the-scenes look at how the musical instrument industry operates. This is a book for all musicians and fans of music. As famed drummer and Rush founder Neil Peart writes: No Beethoven is among the best musical autobiographies I have read. Peter's story is absorbing and compelling, full of well-drawn characters and incidents both humorous and serious. It flows with the same ease and naturalness as his drumming, and under that good-humored gloss, it conveys the same profundity of experience and ideas. This book should be read not only by every drummer, but by every musician. Even amateurs of music performance will find it entertaining and worthwhile.

Full band transcriptions of the three King Crimson recordings Discipline, Beat and Three Of A Perfect Pair.256 pages, spiral bound.

"Kick It, the first social history of the drum kit, looks closely at key innovators in the development of the instrument: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Addressing a seeming contradiction--the centrality of the drum kit on the one hand, and the general disparagement of drummers on the other--author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Tackling the history of race relations, global migration, and the changing tension between high and low culture, Kick It shows how the drum kit and drummers helped change modern music--and society--from the bottom up"--Back cover

Traces the history of the rock group Radiohead, discussing how the group met, what their musical background is, how their music has influenced other groups, and other related topics.

Features interviews with Bill Bruford, Peter Giles, Gordon Haskell, Judy Dyble and more . . . In 1969 five young Englishmen calling themselves King Crimson altered the course of rock music, and despite a revolving-door lineup, the band has continued to innovate and inspire for more than fifty years. Fifty Shades of Crimson tells the story of this legendary band and of the unique English guitarist Robert Fripp it revolves around. With a deep passion for the music, author Pete Tomsett celebrates the achievements of Fripp and the array of incredible talent that has passed through Crimson, while not shying away from the many behind-the-scenes difficulties. Getting signed after supporting The Rolling Stones at Hyde Park, Crimson shot to fame with their debut album, In the Court of the Crimson King, becoming one of the most influential bands of that era and triggering the rise of prog rock. While going through countless personnel, including Greg Lake, Bill Bruford and John Wetton, rejecting Elton John and Bryan Ferry along the way, they have put out many highly acclaimed albums and to this day maintain a big international following. In their early years Fripp's band reached the same commercial heights as the likes of David Bowie and Pink Floyd. However, as an intellectual who despised the practices of the music business, Fripp preferred innovation over chasing big sales. In 1974 he withdrew from mainstream music, becoming involved with the Fourth Way philosophy, but was eventually tempted back and reformed Crimson to much acclaim in the eighties. As well as also having collaborations with Brian Eno, Andy Summers and others, Fripp has created new forms of instrumental music, run his own idiosyncratic guitar courses and set up an ethical record company. Both genius and 'a special sort of awkward', Fripp has never been afraid to take his music where no one has gone before, and Crimson have been a powerful influence on everyone from Genesis and Yes to Roxy Music and Radiohead, creating a legacy that will live on for decades more!

Once the domain of a privileged few, the art of record production is today within the reach of all. The rise of the ubiquitous DIY project studio and internet streaming have made it so. And while the creative possibilities available to everyday musicians are seemingly endless, so too are the multiskilling and project management challenges to be faced. In order to demystify the contemporary popular-music-making phenomenon, Marshall Heiser reassesses its myriad processes and wider sociocultural context through the lens of creativity studies, play theory and cultural psychology. This innovative new framework is grounded in a diverse array of creative-practice examples spanning the CBGBs music scene to the influence of technology upon modern-day music. First-hand interviews with Jerry Harrison (Talking Heads), Bill Bruford (King Crimson, Yes) and others whose work has influenced the way records are made today are also included. Popular Music, Power and Play is as thought provoking as it will be indispensable for scholars, practitioners and aficionados of popular music and the arts in general.