Beyond Hill And Hollow

Annotation "The first book to focus exclusively on studies of Appalachia's women, Beyond Hill and Hollow: Original Readings in Appalachian Women's Studies is a pathbreaking collection that firmly establishes the field of Appalachian women's studies. Bringing together the work of historians, linguists, sociologists, social workers, performance artists, literary critics, theater scholars, and others, the collection portrays the diverse cultures of Appalachian women." "Appropriate both as a reference and as a classroom text, Beyond Hill and Hollow expands our understanding of Appalachian women's lives."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In 1966 in Rabun County, Georgia, a group of high school English students created theFoxfire magazine, a literary journal that celebrated Appalachian stories, peoples, and culture. The publication was filled with poetry and prose from local students and authors and featured interviews with community members. These oral histories quickly became the focal point of the magazine and, eventually, the material that generated the multivolume Foxfire book series. Now, pulled from the vast Foxfire archive comes the first volume in the series focused specifically on the lives of Appalachian women. These remarkable narratives illuminate a diverse regional culture held together by the threads that are woven between women and place, and through generations. Told sometimes with humor, sometimes with sadness, but always with a gripping rawness and honesty, the stories recount women's lived experiences from the 1960s to the present. The interviews cover work, family, and community, illuminating Cherokee, Black, and white women's experiences; changes in Appalachian culture; and the importance of relationships in daily life. Reading each interview in this book is almost like joining these women on their porches and in their homes as they take us on a journey through their lives. Taken together, the stories speak against regional stereotypes and offer instead a sampling of the many expressions of these women's strength.

Scholars of southern Appalachia have largely focused their research on men, particularly white men. While there have been a few important studies of Appalachian women, no one book has offered a broad overview across time and place. With this collection, editors Connie Park Rice and Marie Tedesco redress this imbalance, telling the stories of these women and calling attention to the varied backgrounds of those who call the mountains home. The essays of Women of the Mountain South debunk the entrenched stereotype of Appalachian women as poor and white, and shine a long-overdue spotlight on women too often neglected in the history of the region. Each author focuses on a particular individual or group, but together they illustrate the diversity of women who live in the region and the depth of their life experiences. The Mountain South has been home to Native American, African American, Latina, and white women, both rich and poor. Civil rights and gay rights advocates, environmental and labor activists, prostitutes, and coal miners—all have lived in the place called the Mountain South and enriched its history and culture.

Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as “pure white stock” and as deeply impoverished and backward. Meredith McCarroll’s Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what “rednecks” and “white trash” are, McCarroll argues, we rely on the continued use of such categories in fashioning our broader sense of self and other. Further, we continue to depend upon the existence of the region of Appalachia as a cultural construct. As a consequence, Appalachia has long been represented in the collective cultural history as the lowest, the poorest, the most ignorant, and the most laughable community. McCarroll complicates this understanding by asserting that white privilege remains intact while Appalachia is othered through reliance on recognizable nonwhite cinematic stereotypes. Unwhite demonstrates how typical characterizations of Appalachian people serve as foils to set off and define the “whiteness” of the non-Appalachian southerners. In this dynamic, Appalachian characters become the racial other. Analyzing the representation of the people of Appalachia in films such as Deliverance, Cold Mountain, Medium Cool, Norma Rae, Cape Fear, The Killing Season, and Winter’s Bone through the critical lens of race and specifically whiteness, McCarroll offers a reshaping of the understanding of the relationship between racial and regional identities.

An interdisciplinary effort of scholars from history, women's studies, and family and consumer sciences, Remaking Home Economics covers the field's history of opening career opportunities for women and responding to domestic and social issues. Calls to “bring back home economics” miss the point that it never went away, say Sharon Y. Nickols and Gwen Kay—home economics has been remaking itself, in study and practice, for more than a century. These new essays, relevant for a variety of fields—history, women's studies, STEM, and family and consumer sciences itself—take both current and historical perspectives on defining issues including home economics philosophy, social responsibility, and public outreach; food and clothing; gender and race in career settings; and challenges to the field's identity and continuity. Home economics history offers a rich case study for exploring common ground between the broader culture and this highly gendered profession. This volume describes the resourcefulness of past scholars and professionals who negotiated with cultural and institutional constraints to produce their work, as well as the innovations of contemporary practitioners who continue to change the profession, including its name and identity. The widespread urge to reclaim domestic skills, along with a continual need for fresh ways to address obesity, elder abuse, household debt, and other national problems affirms the field's vitality and relevance. This volume will foster dialogue both inside and outside the academy about the changes that have remade (and are remaking) family and consumer sciences. Contributors: Elizabeth L. Andress, Rima D. Apple, Jorge H. Atiles, Susan F. Clark, Billie J. Collier, Caroline E. Crocoll, Stephanie M. Foss, Gwen Kay, Emma M. Laing, Richard D. Lewis, Peggy S. Meszaros, Rachel Louise Moran, Virginia Moxley, Sharon Y. Nickols, Margarete Ordon, Linda Przybyszewski, Penny A. Ralston, Jane Schuchardt.

"The Appalachian Mountains attracted an endless stream of visitors in the twentieth century, each bearing visions of the realm that they would encounter on high. The name "Appalachia" became shorthand for a series of moral and economic calculations and pop culture references. Well before large numbers of tourists took to the mountains in the latter half of the century, however, networks of missionaries, sociologists, folklorists, doctors, artists, and conservationists made Appalachia their primary site for fieldwork. Proving Ground studies a collection of these professionals in transit to show that the travelers' tales were the foundation of powerful forms of insider knowledge. The visitors represented occupational and recreational groups that used Appalachia to gain precious expertise, and it was to these groups that they became insiders. They were not immersing themselves in a regional culture, but rather in their own professional cultures. These were people who used the mountains to help themselves. Proving Ground is a cultural history of expertise, an environmental history of the Appalachian Mountains, and a historical geography of spaces and places in the twentieth century. By using these frameworks to analyze the personal papers, professional records, and popular works of these budding experts, the book presents mountain landscapes as a fluid combination of embodied sensation, narrative fantasy, and class privilege. It will attract students of Appalachian Studies who are interested in the phenomena of cultural and environmental intervention, environmental historians concerned with the construction of hybrid landscapes, and mobility scholars who recognize the organizational power derived from access and movement"--

Appalachia in the Classroom contributes to the twenty-first century dialogue about Appalachia by offering topics and teaching strategies that represent the diversity found within the region. Appalachia is a distinctive region with various cultural characteristics that can’t be essentialized or summed up by a single text. Appalachia in the Classroom offers chapters on teaching Appalachian poetry and fiction as well as discussions of nonfiction, films, and folklore. Educators will find teaching strategies that they can readily implement in their own classrooms; they’ll also be inspired to employ creative ways of teaching marginalized voices and to bring those voices to the fore. In the growing national movement toward place-based education, Appalachia in the Classroom offers a critical resource and model for engaging place in various disciplines and at several different levels in a thoughtful and inspiring way. Contributors: Emily Satterwhite, Elizabeth S. D. Engelhardt, John C. Inscoe, Erica Abrams Locklear, Jeff Mann, Linda Tate, Tina L. Hanlon, Patricia M. Gantt, Ricky L. Cox, Felicia Mitchell, R. Parks Lanier, Jr., Theresa L. Burriss, Grace Toney Edwards, and Robert M. West.

Known for its dramatic beauty and valuable natural resources, Appalachia has undergone significant technological, economic, political, and environmental changes in recent decades. Home to distinctive traditions and a rich cultural heritage, the area is also plagued by poverty, insufficient healthcare and education, drug addiction, and ecological devastation. This complex and controversial region has been examined by generations of scholars, activists, and civil servants -- all offering an array of perspectives on Appalachia and its people. In this innovative volume, editors William Schumann and Rebecca Adkins Fletcher assemble both scholars and nonprofit practitioners to examine how Appalachia is perceived both within and beyond its borders. Together, they investigate the region's transformation and analyze how it is currently approached as a topic of academic inquiry. Arguing that interdisciplinary and comparative place-based studies increasingly matter, the contributors investigate numerous topics, including race and gender, environmental transformation, university-community collaborations, cyber identities, fracking, contemporary activist strategies, and analyze Appalachia in the context of local-to-global change. A pathbreaking study analyzing continuity and change in the region through a global framework, Appalachia Revisited is essential reading for scholars and students as well as for policymakers, community and charitable organizers, and those involved in community development.

Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time.

The Horror Beyond Life's Edge: 560+ Macabre Classics, Supernatural Mysteries & Dark Tales is a literary journey that transcends the commonplace, delving into the realms of the macabre, the supernatural, and the darkly mysterious. This anthology boasts a collection that spans a broad spectrum of literary styles, from gothic horror and eerie ghost stories to unsettling tales of the uncanny and supernatural investigations. The diversity and significance of the works included cannot be overstated, featuring standout pieces from the Victorian era to the early twentieth century, encapsulating the evolution of horror and mystery in literature. The anthology serves as a conduit to explore the depths of human fears, anxieties, and the unknown through a compendium of narratives that challenge the boundaries of imagination and reality. The contributing authors and editors of this collection represent a pantheon of literary giants, each bringing their unique voice and perspective to the overarching theme. From the psychological terror of Edgar Allan Poe to the cosmic horror of H.P. Lovecraft; from the gothic romance of the Brontë sisters to the social critiques of Charles Dickens and the pioneering science fiction of H.G. Wells; these authors collectively contribute to the rich tapestry of horror and supernatural literature. The anthology aligns with various historical, cultural, and literary movements, enriching the readers understanding by offering a myriad of lenses through which to view the complexities of fear, the supernatural, and the human condition. The Horror Beyond Life's Edge: 560+ Macabre Classics, Supernatural Mysteries & Dark Tales is an indispensable volume for readers seeking to immerse themselves in the breadth and depth of gothic, horror, and supernatural literature. This anthology offers a unique opportunity to explore a multiplicity of perspectives, themes, and narratives within a single tome. It is a call to readers to delve into the abyss of the macabre, to confront the shadows lurking at the edges of life, and to explore the diversity of human expression found in the confrontation with the unknown. For scholars, enthusiasts, and casual readers alike, this collection stands as a monumental testament to the enduring power and appeal of the horror and mystery genre.