Between Words Space

Award-winning author, Michèle Phoenix, weaves an unforgettable tale of hope and survival in The Space Between Words. “Several scenes in The Space Between Words will leave readers without words, the ability of speech replaced by the need to absorb all the feels.” —RT Book Reviews, 4½ stars, TOP PICK! “There were seconds, when I woke, when the world felt unshrouded. Then memory returned.” When Jessica regains consciousness in a French hospital on the day after the Paris attacks, all she can think of is fleeing the site of the horror she survived. But Patrick, the steadfast friend who hasn’t left her side, urges her to reconsider her decision. Worn down by his loving insistence, she agrees to follow through with the trip they’d planned before the tragedy. “The pages found you,” Patrick whispered. “Now you need to figure out what they’re trying to say.” During a stop at a country flea market, Jessica finds a faded document concealed in an antique. As new friends help her to translate the archaic French, they uncover the story of Adeline Baillard, a young woman who lived centuries before—her faith condemned, her life endangered, her community decimated by the Huguenot persecution. “I write for our descendants, for those who will not understand the cost of our survival.” Determined to learn the Baillard family’s fate, Jessica retraces their flight from France to England, spurred on by a need she doesn’t understand. Could this stranger who lived three hundred years before hold the key to Jessica’s survival? “An unforgettable portrait of courage and reclaimed hope.” —Kristy Cambron, award-winning author of the Lost Castle series

Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.

An essential collection which you'll want to gift to friends and family and return to multiple times, Between Words & Space is the debut collection of poetry by curator, writer and educator Péjú Oshin. It explores performativity, a fear of vulnerability both in public and private spheres and relationships in their varying complexities through the nuances of culture, liminality and where we find home. This collection speaks to anyone who has ever felt that they didn't quite fit in, had thoughts and feelings that you were too afraid dare utter aloud and those reflecting on womanhood to offer reaffirming mantras and prayers to aid the process of healing.

This newly updated (2012) reference book defines words and terms commonly used in discussing outer space--from Apollo Program to Zodiac.

Searchable electronic version of print product with fully hyperlinked cross-references.

Reflections on architecture and the exchange of information in the spaces and places of the city, from the necessity of skyscrapers in an age of Web sites to cities as talent magnets, from architectural bling to the neo-minimalism of the new MoMA. The meaning of a message, says William Mitchell, depends on the context of its reception. "Shouting 'fire' in a crowded theater produces a dramatically different effect from barking the same word to a squad of soldiers with guns," he observes. In Placing Words, Mitchell looks at the ways in which urban spaces and places provide settings for communication and at how they conduct complex flows of information through the twenty-first century city. Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information -- from one device to another in the urban scene -- creates a digital network that also exists in physical space. Placing Words examines this emerging system of spaces, flows, and practices in a series of short essays -- snapshots of the city in the twenty-first century. Mitchell questions the necessity of flashy downtown office towers in an age of corporate Web sites. He casts the shocked-and-awed Baghdad as a contemporary Guernica. He describes architectural makeovers throughout history, listing Le Corbusier's Fab Five Points of difference between new and old architecture, and he discusses the architecture of Manolo Blahniks. He pens an open letter to the Secretary of Defense recommending architectural features to include in torture chambers. He compares Baudelaire, the Parisian flaneur, to Spiderman, the Manhattan traceur. He describes the iPod-like galleries of the renovated MoMA and he recognizes the camera phone as the latest step in a process of image mobilization that began when artists stopped painting on walls and began making pictures on small pieces of wood, canvas, or paper. The endless flow of information, he makes clear, is not only more pervasive and efficient than ever, it is also generating new cultural complexities.

"A tiny insect king demands a rock with which to build his throne"--

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging. WINNER OF THE COMPTON CROOK AWARD • FINALIST FOR THE LOCUS AWARD • “Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse ONE OF THE BEST BOOKS OF THE YEAR—NPR, Library Journal, Book Riot Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security. But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse. “Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)

An impossible decision in the chaos of D-Day. Ripples that cascade seventy-five years into the present. And two lives transformed by the tenuous resolve to reach out of the darkness toward fragments of light. Cancer stole everything from Ceelie—her peace of mind, her selfimage, perhaps even her twenty-three-year marriage to her college sweetheart, Nate. Without the support of Darlene, her quirky elderly friend, she may not have been able to endure so much loss. So when Darlene’s own prognosis turns dire, Ceelie can’t refuse her seemingly impossible request—to find a WWII paratrooper named Cal, the father who disappeared when Darlene was an infant, leaving a lifetime of desolation in his wake. The search that begins in the farmlands of Missouri eventually leads Ceelie to a small town in Normandy, where she uncovers the harrowing tale of the hero who dropped off-target into occupied France. Alternating between Cal’s D-Day rescue by two French sisters and Ceelie’s present-day journey through trial and heartbreak, Fragments of Light explores a timeless question: When life becomes unbearable, will you surrender to the darkness or dare to press toward a lingering light? Praise for Fragments of Light “Michèle Phoenix skillfully explores the strength and resiliency of the human spirit but also its heartbreaking limits. Brimming with expertly researched wartime details, Fragments of Light abounds with poignancy and insight.” —Susan Meissner, bestselling author of The Last Year of the War “As a D-Day Airborne participant, I recommend this novel with enthusiasm. Everyone should read it.” —Staff Sergeant Thomas Rice, WWII Veteran, 101st Airborne “Michele Phoenix’s Fragments of Light is a luminous portrait of men and women grappling with the past in a brave attempt to forge a different kind of future . . . A story as beautiful as it is heartbreaking. In short, I loved this book!” —Lauren Denton, USA TODAY bestselling author of The Hideaway “Deeply personal and beautifully humane, Phoenix once again asserts her power as one of the most moving and lyrical voices in inspirational fiction.” —Rachel McMillan, author of The London Restoration “Written with depth and understanding, this story offers readers a wonderful journey spanning from war-torn World War II France to a battle for love in our time.” —Katherine Reay, bestselling author of Dear Mr. Knightley “As the title suggests, there are no easy illuminations on the path of healing. Cancer attacks more than the body. War destroys more than flesh and bone. Not all heroes welcome the attention, and not all husbands are up to the challenge. Women find the most unlikely sources of strength, and the best families defy definition.” —Allison Pittman, bestselling author of The Seamstress “It’s not often a story moves me as Fragments of Light has. With a rare and honest voice, Michèle Phoenix weaves a story of heroes from yesteryear and also those from your neighborhood—each with hearts of valor—as they endure the fight of their lives.” —Elizabeth Byler Younts, Carol Award–winning author The Solace of Water

Illuminating her inner journey growing up mixed-race in Britain, Esua Jane Goldsmith's unique memoir exposes the isolation and ambiguities that often come with being 'an only'. Raised in 1950s South London and Norfolk with a white, working-class family, Esua's education in racial politics was immediate and personal. From Britain and Scandinavia to Italy and Tanzania, she tackled inequality wherever she saw it, establishing an inspiring legacy in the Women's lib and Black Power movements. Plagued by questions of her heritage and the inability to locate all pieces of herself, she embarks on a journey to Ghana to find the father who may have the answers. A tale of love, comradeship, and identity crises, Esua's rise to the first Black woman president of Leicester University Students' Union and Queen Mother of her village, is inspiring, honest, and full of heart.