Better Call Saul And Philosophy

Better Call Saul and Philosophy: I Think Therefore I Scam is a collection of twenty-three essays exploring the philosophical themes in the hit television show Better Call Saul, a prequel to the TV show Breaking Bad. The sixth and final season of Better Call Saul, with thirteen episodes, began airing in April 2022.

Breaking Bad, hailed by Stephen King, Chuck Klosterman, and many others as the best of all TV dramas, tells the story of a man whose life changes because of the medical death sentence of an advanced cancer diagnosis. The show depicts his metamorphosis from inoffensive chemistry teacher to feared drug lord and remorseless killer. Driven at first by the desire to save his family from destitution, he risks losing his family altogether because of his new life of crime. In defiance of the tradition that viewers demand a TV character who never changes, Breaking Bad is all about the process of change, with each scene carrying forward the morphing of Walter White into the terrible Heisenberg. Can a person be transformed as the result of a few key life choices? Does everyone have the potential to be a ruthless criminal? How will we respond to the knowledge that we will be dead in six months? Is human life subject to laws as remorseless as chemical equations? When does injustice validate brutal retaliation? Why are drug addicts unsuitable for operating the illegal drug business? How can TV viewers remain loyal to a series where the hero becomes the villain? Does Heisenberg’s Principle of Uncertainty rule our destinies? In Breaking Bad and Philosophy, a hand-picked squad of professional thinkers investigate the crimes of Walter White, showing how this story relates to the major themes of philosophy and the major life decisions facing all of us.

Welcome lawbreakers! Injured on the job? Involved in a traffic accident? Confessed to a homicide? "Better Call Saul!" Call risk free now! (505) 503-4455 This is your official guide to the world of Saul Goodman

Better Call Saul chronicles the transformation of a decent, likable guy named Jimmy McGill into Saul Goodman, the morally bankrupt lawyer we met on Breaking Bad. Captivating and funny, the show provides far more than a few binge-watched hours of entertainment, raising questions about the legal system and human nature itself. Why You Better Call Saul: What Our Favorite TV Lawyer Says About Life, Love, and Scheming Your Way to Acquittal and a Large Cash Payout examines the many faces of our favorite fictional lawyer, as well as other characters in the Breaking Bad/Better Call Saul universe: ls Saul Goodman a persona that Jimmy invents to attract a particular kind of client, or does he reflect Jimmy's true self? To what extent does Jimmy/Saul bend - or break - the rules to which attorneys are bound?What do Jimmy McGill and Mike Ehrmantraut have in common with Dexter Morgan? What do Jimmy's most important relationships teach us about the effect of outside influences on one's psyche? How do Saul Goodman and Walter White break free of societal constraints? How does Saul manipulate the media in order to promote his legal services? Is he defined by his tacky advertisements? And much more ... About the Author STEVEN KESLOWITZ is a practicing attorney and pop culture expert. He is the author of three other books - The World According to the Simpsons, The Tao of Jack Bauer, and From Poland to Brooklyn -- and several journal articles focused on the intersection of law and pop culture. Please visit his website at StevenKeslowitz.com

So you want to disappear? Whether you got the fuzz on your back or a price on your head, Saul Goodman can help! Big Brother’s got eyes everywhere—don’t pretend they’re not all watching you. Nowadays you’d better assume anything you do is already on the 24/7 news feed, but there are measures you can take. Darken your windows. Bash your smartphone. Cut up your credit cards. But first, buy this book. From the cunning counsel (me) who kept you out of the slammer with his handy manual Don’t Go to Jail!, here’s your escape plan for busting out of the prison of modern surveillance. You might be up to no good or you might be up to nothing at all—hey, it’s not my business, and let me tell you, it’s nobody else’s business, either. My business is making sure it stays your business. An unlisted phone number is no longer enough. I want to help you find your inner alias. I want to show you your dream safe house. I don’t want to hear about you on the Internet. Get Off the Grid! can do all of this and more. It’s your one down-to-earth guide on going to ground, and not just that: it’s the best vanishing act you’ll never see!

Paul Horwich presents a bold new interpretation of Wittgenstein's later work. He argues that it is Wittgenstein's radically anti-theoretical metaphilosophy - and not his identification of the meaning of a word with its use - that underpins his discussions of specific issues concerning language, the mind, mathematics, knowledge, art, and religion.

Despite its place in the humanities, the career prospects and numbers of women in philosophy much more closely resemble those found in the sciences and engineering. This book collects a series of critical essays by female philosophers pursuing the question of why philosophy continues to be inhospitable to women and what can be done to change it. By examining the social and institutional conditions of contemporary academic philosophy in the Anglophone world as well as its methods, culture, and characteristic commitments, the volume provides a case study in interpretation of one academic discipline in which women's progress seems to have stalled since initial gains made in the 1980s. Some contributors make use of concepts developed in other contexts to explain women's under-representation, including the effects of unconscious biases, stereotype threat, and micro-inequities. Other chapters draw on the resources of feminist philosophy to challenge everyday understandings of time, communication, authority and merit, as these shape effective but often unrecognized forms of discrimination and exclusion. Often it is assumed that women need to change to fit existing institutions. This book instead offers concrete reflections on the way in which philosophy needs to change, in order to accommodate and benefit from the important contribution women's full participation makes to the discipline.

NEW YORK TIMES BESTSELLER • In this “essential” (Entertainment Weekly), “hilarious” (AV Club) memoir, the star of Mr. Show, Breaking Bad, and Better Call Saul opens up about the highs and lows of showbiz, his cult status as a comedy writer, and what it’s like to reinvent himself as an action film ass-kicker at fifty. “I can’t think of another entertainer who has improbably morphed so many times, and all through real genius and determination.”—Conan O’Brien ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vulture, Newsweek Bob Odenkirk’s career is inexplicable. And yet he will try like hell to explicate it for you. Charting a “Homeric” decades-long “odyssey” from his origins in the seedy comedy clubs of Chicago to a dramatic career full of award nominations—with a side-trip into the action-man world that is baffling to all who know him—it’s almost like there are many Bob Odenkirks! But there is just one and one is plenty. Bob embraced a life in comedy after a chance meeting with Second City’s legendary Del Close. He somehow made his way to a job as a writer at Saturday Night Live. While surviving that legendary gauntlet by the skin of his gnashing teeth, he stashed away the secrets of comedy writing—eventually employing them in the immortal “Motivational Speaker” sketch for Chris Farley, honing them on The Ben Stiller Show, and perfecting them on Mr. Show with Bob and David. In Hollywood, Bob demonstrated a bullheadedness that would shame Sisyphus himself, and when all hope was lost for the umpteenth time, the phone rang with an offer to appear on Breaking Bad—a show about how boring it is to be a high school chemistry teacher. His embrace of this strange new world of dramatic acting led him to working with Steven Spielberg, Alexander Payne, and Greta Gerwig, and then, in a twist that will confound you, he re-re-invented himself as a bona fide action star. Why? Read this and do your own psychoanalysis—it’s fun! Featuring humorous tangents, never-before-seen photos, wild characters, and Bob’s trademark unflinching drive, Comedy Comedy Comedy Drama is a classic showbiz tale told by a determined idiot.

In The Handmaid’s Tale and Philosophy, philosophers give their insights into the blockbuster best-selling novel and record-breaking TV series, The Handmaid’s Tale. The story involves a future breakaway state in New England, beset by environmental disaster and a plummeting birth rate, in which the few remaining fertile women are conscripted to have sex and bear children to the most powerful men, all justified and rationalized by religious fundamentalism. Among the questions raised by this riveting and harrowing story: ● The Handmaid’s Tale displays the connection between sex and power. What light does this story shed on sex and power in our own society? ● The divinity of the feminine is associated with the female capacity to give birth. Is this association inherently exploitative? ● In the story, the revolution rapidly rebranded people by changing their names and placing them into functional groups with specific titles. How important is change in language to the suppression of individual freedom? ● The Handmaid’s Tale sees everything through the eyes of one character. How is it possible to construct a self and an identity at odds with the definition which the culture attempts to impose? ● In oppressive societies, even the most oppressed do show some freedom of choice. What is the limit of autonomy in a repressive society ruled by a fanatical ideology? ● Our present ethics of sex relies heavily on the notion of consent, but in the world of The Handmaid’s Tale there is little scope for consent. How is the power of consent constricted by the broader social conditions? ● The feminist idea of Care Ethics can be used to critique various gender relationships. How does Care Ethics evaluate our own society and the society depicted in The Handmaid’s Tale? ● The society portrayed in the story is marked by fierce religiosity, yet the Christian God presumably disapproves of its brutal exploitation and oppression. What is the relation between a loving Deity and the literal interpretation of scriptural passages? ● Among many dystopian stories, what makes The Handmaid’s Tale particularly memorable, and what purpose is served by the contemplation of imaginary dystopias? ● Suicide is common in The Handmaid’s Tale, and contemplating the possibility of suicide is even more common. Can life be worth living if the political and religious structure is thoroughly malign? ● Beneath the theocratic preaching, there is the practical suggestion that everything is being arranged for the good of society and therefore of everyone. Who gets to decide and enforce what is in society’s best interests?