Bennetts World

“Sheer entertainment… Bennett infuses wit and an arch sensibility into her prose… This is not mere froth, it is pure confection.” – New York Times Book Review “[A] pitch-perfect murder mystery… If The Crown were crossed with Miss Marple…, the result would probably be something like this charming whodunnit.” – Ruth Ware, author of One by One The bestselling first book in a highly original and delightfully clever crime series in which Queen Elizabeth II secretly solves crimes while carrying out her royal duties. It is the early spring of 2016 and Queen Elizabeth is at Windsor Castle in advance of her 90th birthday celebrations. But the preparations are interrupted by the shocking and untimely death of a guest in one of the Castle bedrooms. The scene leads some to think the young Russian pianist strangled himself, yet a badly tied knot leads MI5 to suspect foul play. When they begin to question the Household’s most loyal servants, Her Majesty knows they’re looking in the wrong place. For the Queen has been living an extraordinary double life ever since her teenage years as “Lilibet.” Away from the public eye and unbeknownst to her closest friends and advisers, she has the most brilliant skill for solving crimes. With help from her Assistant Private Secretary, Rozie Oshodi, a British Nigerian officer recently appointed to the Royal Horse Artillery, the Queen discreetly begins making inquiries. As she carries out her royal duties with her usual aplomb, no one in the Royal Household, the government, or the public knows that the resolute Elizabeth won’t hesitate to use her keen eye, quick mind, and steady nerve to bring a murderer to justice. SJ Bennett captures Queen Elizabeth’s voice with skill, nuance, wit, and genuine charm in this imaginative and engaging mystery that portrays Her Majesty as she’s rarely seen: kind yet worldly, decisive, shrewd, and, most important, a superb judge of character.

“Sheer entertainment… Bennett infuses wit and an arch sensibility into her prose… This is not mere froth, it is pure confection.” — New York Times Book Review on The Windsor Knot Amateur detective Queen Elizabeth II is back in this hugely entertaining follow-up to the bestseller The Windsor Knot, in which Her Majesty must determine how a missing painting is connected to the shocking death of a staff member inside Buckingham Palace. At Buckingham Palace, the autumn of 2016 presages uncertain times. The Queen must deal with the fallout from the Brexit referendum, a new female prime minister, and a tumultuous election in the United States—yet these prove to be the least of her worries when a staff member is found dead beside the palace swimming pool. Is it truly the result of a tragic accident, as the police think, or is something more sinister going on? Meanwhile, her assistant private secretary, Rozie Oshodi, is on the trail of a favorite painting that once hung outside the Queen’s bedroom and appears to have been misappropriated by the Royal Navy. And a series of disturbing anonymous letters have begun circulating in the palace. The Queen’s courtiers think they have it all ‘under control’, but Her Majesty is not so sure. After all, though the staff and public may not be aware, she is the keenest sleuth among them. Sometimes, it takes a Queen’s eye to see connections where no one else can.

Michael Bennett is a Super Bowl Champion, a three-time Pro Bowl defensive end, a fearless activist, a feminist, a grassroots philanthropist, an organizer, and a change maker. He's also one of the most scathingly humorous athletes on the planet, and he wants to make you uncomfortable. Bennett adds his unmistakable voice to discussions of racism and police violence, Black athletes and their relationship to powerful institutions like the NCAA and the NFL, the role of protest in history, and the responsibilities of athletes as role models to speak out against injustice. Following in the footsteps of activist-athletes from Muhammad Ali to Colin Kaepernick, Bennett demonstrates his outspoken leadership both on and off the field.Written with award-winning sportswriter and author Dave Zirin, Things that Make White People Uncomfortable is a sports book for our turbulent times, a memoir, and a manifesto as hilarious and engaging as it is illuminating.

(Screen World). John Willis' Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. You'll also find biographical entries a prices reference for over 2,000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own.

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken beauty. Mourning her mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. It's not serious-- until the pregnancy. As years move by, Nadia, Luke, and her friend Aubrey are living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently?

The successful laying of a transatlantic cable in 1866 remade world communications. A message could travel across the ocean in minutes, shrinking the space between continents, cultures, and nations. An eclectic group of engineers, entrepreneurs, politicians, and media visionaries then developed this technology into a telecommunications system that spread a particular vision of civilization—but not everyone wanted to wire the world the same way. Wiring the World is a cultural and social history that explores how the large Anglo-American cable companies won out over alternative visions. Bitter rivalries emerged over telegram prices, visions for world peace, scientific innovation, and the role of the nation-state. Such struggles determined the growth of cable technology, which in turn influenced world history. Filled with fascinating characters and new insights into pivotal events, Wiring the World traces globalization's diverse paths and close ties to business and politics.

The Bennetts: An Acting Family is a chronicle of one of the royal families of stage and screen. The saga begins with Richard Bennett, a small-town Indiana roughneck who grew up to be one of the bright lights of the New York stage during the early twentieth century. In time, however, Richard's fame was eclipsed by that of his daughters, Constance and Joan, who went to Hollywood in the 1920s and found major success there. Constance became the highest-paid actress of the early 1930s, earning as much as $30,000 a week in melodramas. Later she reinvented herself as a comedienne in the classic comedy Topper, with Cary Grant.. After a slow start as a blonde ingenue, Joan dyed her hair black and became one of the screen's great temptresses in films such as Scarlet Street. She also starred in such lighter fare as Father of the Bride. In the 1960s, Joan gained a new generation of fans when she appeared in the gothic daytime television serial Dark Shadows. The Bennetts is also the story of another Bennett sister, Barbara, whose promising beginnings as a dancer gave way to a turbulent marriage to singer Morton Downey and a steady decline into alcoholism. Constance and Joan were among Hollywood's biggest stars, but their personal lives were anything but serene. In 1943, Constance became entangled in a highly publicized court battle with the family of her millionaire ex-husband, and in 1951, Joan's husband, producer Walter Wanger, shot her lover in broad daylight, sparking one of the biggest Hollywood scandals of the 1950s. Brian Kellow, features editor of Opera News magazine, is the coauthor of Can't Help Singing: The Life of Eileen Farrell. He lives in New York and Connecticut.

In the North American Confederacy . . . People are free--really free. Free to do as they please, whether it be starting a business, running for elected office, or taking target practice in the back forty. There's not a whole lot of government, nor is there a lot of crime, because everyone who wants to carries a gun, and isn't afraid to use it. But someone has bombed the Endicott Building, killing hundreds of people, and Win Bear, the only licensed detective in the confederacy, has to find out who did this dastardly deed, and why. Because whoever did it has already shown their willingness to commit more terrorist acts, no matter how many people are hurt. And that can't go on, or soon the confederacy will be just as the bad old United States--and that is something they want to avoid at all costs.

From one of England's most celebrated writers, a funny and superbly observed novella about the Queen of England and the subversive power of reading When her corgis stray into a mobile library parked near Buckingham Palace, the Queen feels duty-bound to borrow a book. Discovering the joy of reading widely (from J. R. Ackerley, Jean Genet, and Ivy Compton-Burnett to the classics) and intelligently, she finds that her view of the world changes dramatically. Abetted in her newfound obsession by Norman, a young man from the royal kitchens, the Queen comes to question the prescribed order of the world and loses patience with the routines of her role as monarch. Her new passion for reading initially alarms the palace staff and soon leads to surprising and very funny consequences for the country at large. With the poignant and mischievous wit of The History Boys, England's best loved author Alan Bennett revels in the power of literature to change even the most uncommon reader's life.

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW YORKER, AND VOGUE “Bennett writes like no one else. She is a rare talent, and Checkout 19 is a masterful novel.” –Karl Ove Knausgaard From the author of the “dazzling. . . . and daring” Pond (O magazine), the adventures of a young woman discovering her own genius, through the people she meets–and dreams up–along the way. In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses–and finds–herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world, the two kinds of ingenuity kindling to a brilliant conflagration. Exceeding the extraordinary promise of Bennett’s mold-shattering debut, Checkout 19 is a radical affirmation of the power of the imagination and the magic escape those who master it open to us all.