Benjamins Book

A hamster's efforts to remove his paw print from a blank page of a book prove unsuccessful.

Are you looking for the perfect Easter picture book and a way to engage your children with the biblical story of Holy Week in a way they’ll remember? Learn about Jesus along with Benjamin as he follows Jesus through Jerusalem to find out who this man really is. When Jesus comes to Jerusalem, Benjamin first thinks he is a teacher, then a king. But as he follows Jesus throughout the week, filling his wooden box with special treasures along the way, he finally learns the REAL good news—Jesus is all about love. Benjamin’s Box: The Story of the Resurrection Eggs is: For ages 4–8 Beautifully illustrated, making this a book something to treasure Perfect for small group or individual reading experiences Ideal to use alongside Family Life’s Resurrection Eggs® or alone as a meaningful look at Jesus’ ministry and sacrifice Benjamin’s Box: The Story of the Resurrection Eggs brings the story of Jesus’ time in Jerusalem, his death, and resurrection to life for readers young and old.

The acclaimed and now-classic biographical novel of Walter Benjamin's last days--adapted into screenplay by Jay Parini. It is 1940. For the past decade, Walter Benjamin--the German-Jewish critic and philosopher--has been writing his masterpiece in a library in Paris, a city he loves. Now Nazi tanks have overrun the suburbs, and Benjamin is forced to flee. With a battered briefcase that contains his precious manuscript of a thousand handwritten pages, he sets off for the border and is led by chance to a young anti-Nazi who is taking Jews and other refugees over the Pyrenees into Spain, where they may (with luck) make their way to freedom in Portugal or South America. Beloved biographical novelist Jay Parini's thrilling tale of escape is beautifully interwoven with vignettes of Benjamin's complex, cosmopolitan past: his privileged childhood in Berlin, his years with the German Youth Movement, his university days. His close friendship with Gershom Scholem, the eminent scholar of Jewish mysticism, and many other well-known artists and intellectuals who were part of Benjamin's intimate circle between the two world wars. Part tragedy, part dark comedy, this sharply realized historical novel tells one of the great and most moving peripheral stories of the Holocaust.

From the money nerds behind the award-winning Stacking Benjamins podcast, a new kind of personal finance book to get your house in order. Rich. Wealthy. Well-heeled. Moneyed. Affluent. Not bad—but why not get Stacked instead? If you’ve ever dreamed of a basic philosophy of money that’ll help you live bigger, be bolder, and laugh harder, you need this book. In these uncertain times, the basics matter more than ever. But for most of us, concepts such as investing, budgeting, and getting out of debt just don’t float our boats (or 150-foot yachts)—and so we put them off longer than we should. Joe Saul-Sehy and Emily Guy Birken are here to tell you that personal finance can be a lot more fun than you think. (No haberdashery, maritime knowledge, or specialized flatware required.) Learn about everything from side hustles, to hiring a legit financial adviser, to planning for emergencies, to what’s new and exciting—and actually worth your time—in financial apps and software. If you’re looking for the same old get-rich-quick clichés, avocado toast shaming, or alphabet soup of incomprehensible financial terms, you won’t find them here. Instead, Saul-Sehy and Birken take you step by step along the way to financial success, with their signature blend of shrewd financial information and wacky humor.

Walter Benjamin was fascinated by the impact of new technology on culture, an interest that extended beyond his renowned critical essays. From 1927 to ’33, he wrote and presented something in the region of eighty broadcasts using the new medium of radio. Radio Benjamin gathers the surviving transcripts, which appear here for the first time in English. This eclectic collection demonstrates the range of Benjamin’s thinking and his enthusiasm for popular sensibilities. His celebrated “Enlightenment for Children” youth programs, his plays, readings, book reviews, and fiction reveal Benjamin in a creative, rather than critical, mode. They flesh out ideas elucidated in his essays, some of which are also represented here, where they cover topics as varied as getting a raise and the history of natural disasters, subjects chosen for broad appeal and examined with passion and acuity. Delightful and incisive, this is Walter Benjamin channeling his sophisticated thinking to a wide audience, allowing us to benefit from a new voice for one of the twentieth century’s most respected thinkers.

“There is no world of thought that is not a world of language,” Walter Benjamin remarked, “and one only sees in the world what is preconditioned by language.” In this book, Samuel Weber, a leading theorist on literature and media, reveals a new and productive aspect of Benjamin’s thought by focusing on a little-discussed stylistic trait in his formulation of concepts. Weber’s focus is the critical suffix “-ability” that Benjamin so tellingly deploys in his work. The “-ability” (-barkeit, in German) of concepts and literary forms traverses the whole of Benjamin’s oeuvre, from “impartibility” and “criticizability” through the well-known formulations of “citability,” “translatability,” and, most famously, the “reproducibility” of “The Work of Art in the Age of Its Technological Reproducibility.” Nouns formed with this suffix, Weber points out, refer to a possibility or potentiality, to a capacity rather than an existing reality. This insight allows for a consistent and enlightening reading of Benjamin’s writings. Weber first situates Benjamin’s engagement with the “-ability” of various concepts in the context of his entire corpus and in relation to the philosophical tradition, from Kant to Derrida. Subsequent chapters deepen the implications of the use of this suffix in a wide variety of contexts, including Benjamin’s Trauerspiel book, his relation to Carl Schmitt, and a reading of Wagner’s Ring. The result is an illuminating perspective on Benjamin’s thought by way of his language—and one of the most penetrating and comprehensive accounts of Benjamin’s work ever written.

Benjamin's Sling by Eileen M. Berry is a poetic version of the Christmas story through the eyes of a young shepherd. One night, a group of angels tells Benjamin and the other shepherds of a newborn Savior. Rejoicing, the men decide to go in search of Him. But Benjamin remembers the terrible night when his father died defending the sheep from wolves. How can Benjamin leave the flock alone on the dark hillside? Follow in Benjamin's footsteps as he finds a new source of peace and trust in the infant Jesus. Simple and lyrical, this retelling of Christ's birth will delight young and old readers alike. - Publisher.

This volume on Transfiction (understood as an aestheticized imagination of translatorial action) recognizes the power of fiction as a vital and pulsating academic resource, and in doing so helps expand the breadth and depth of TS. The book covers a selection of peer-reviewed papers from the 1st International Conference on Fictional Translators and Interpreters in Literature and Film (held at the University of Vienna, Austria in 2011) and links literary and cinematic works of translation fiction to state-of-the-art translation theory and practice. It presents not just a mixed bag of cutting-edge views and perspectives, but great care has been taken to turn it into a well-rounded transficcionario with a fluid dialogue among its 22 chapters. Its investigation of translatorial action in the mirror of fiction (i.e. beyond the cognitive barrier of ‘fact’) and its multiple transdisciplinary trajectories make for thought-provoking readings in TS, comparative literature, as well as foreign language and literature courses.

A philosopher finds himself at risk when his country begins punishing people for being different, a circumstance that forces him to escape over hills and valleys while carrying a mysterious, heavy suitcase.