Art Religion In Eighteenth Century Europe

Eighteenth-century Europe witnessed monumental upheavals in both the Catholic and Protestant faiths and the repercussions rippled down to the churches’ religious art forms. Nigel Aston now chronicles here the intertwining of cultural and institutional turmoil during this pivotal century. The sustained popularity of religious art in the face of competition from increasingly prevalent secular artworks lies at the heart of this study. Religious art staked out new spaces of display in state institutions, palaces, and private collections, the book shows, as well as taking advantage of patronage from monarchs such as Louis XIV and George III, who funded religious art in an effort to enhance their monarchial prestige. Aston also explores the motivations and exhibition practices of private collectors and analyzes changing Catholic and Protestant attitudes toward art. The book also examines purchases made by corporate patrons such as charity hospitals and religious confraternities and considers what this reveals about the changing religiosity of the era as well. An in-depth historical study, Art and Religion in Eighteenth-Century Europe will be essential for art history and religious studies scholars alike.

The religious turmoil of the sixteenth century constituted a turning point in the history of Western Christian art. The essays presented in this volume investigate the ways in which both Protestant and Catholic reform stimulated the production of religious images, drawing on examples from across Europe and beyond. Eight essays by leading scholars in the field Brings art historians and historians into productive dialogue Broad chronology, from the sixteenth to the eighteenth century Broad geographical coverage Richly illustrated

From his series of definitive works on religious art in medieval France, and later in Italy, Spain, Flanders, and Germany, as well, the author has chosen those passages most significant and interesting for the general reader and arranged them, providing transitional passages where necessary, in this compact and useful volume. Again available in paperback, and including improved illustrations, the book presents a summation that eloquently conveys an intimate picture of the French Middle Ages and the grandeur of the artistic renaissance that accompanied the Counter Reformation.

Investigates the response of the Roman Catholic Church to European Enlightenment critiques of revealed religion and clerical governance through the lens of its art, architecture, urbanism, and material culture.

Lauren G. Kilroy-Ewbank examines the complex meanings encoded in images of the Sacred Heart of Jesus in eighteenth-century New Spain.

"This volume considers how ideas were made visible through the making of art and visual experiences occasioned by reception during the long eighteenth century. Contributors consider the approach taken by individual artists and the material formation of concepts in different contexts by asking new questions of artworks that are implicated by the need to see ideas in painted, sculpted, illustrated, designed, and built forms. The first four essays work with ideas about material objects and identity formation, while the last four essays address the intellectual work that can be expressed through or performed by objects. Making Ideas Visible in the Eighteenth Century thus introduces new visual materials and novel conceptual models into traditional accounts of the intellectual history of the Enlightenment."--Cover page 4.

David Hempton's history of the vibrant period between 1650 and 1832 engages with a truly global story: that of Christianity not only in Europe and North America, but also in Latin America, Africa, Russia and Eastern Europe, India, China, and South-East Asia. Examining eighteenth-century religious thought in its sophisticated national and social contexts, the author relates the narrative of the Church to the rise of religious enthusiasm pioneered by Pietists, Methodists, Evangelicals and Revivalists, and by important leaders like August Hermann Francke, Jonathan Edwards and John Wesley. He places special emphasis on attempts by the Spanish, Portuguese, French, Dutch and British seaborne powers to export imperial conquest, commerce and Christianity to all corners of the planet. This leads to discussion of the significance of Catholic and Protestant missions, including those of the Jesuits, Moravians and Methodists. Particular attention is given to Christianity's impact on the African slave populations of the Caribbean Islands and the American colonies, which created one of the most enduring religious cultures in the modern world. Throughout the volume changes in Christian belief and practice are related to wider social trends, including rapid urban growth, the early stages of industrialization, the spread of literacy, and the changing social construction of gender, families and identities.