Arktouros Hellenic Studies Presented To Bernard Macgregor Walker Knox On The Occasio Of His 65 Birthday

Includes entries for maps and atlases.

Internationale Forschungsberichte aus dem Bereich des Klassischen Altertums.

Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

The first two chapters of this book isolate and describe the literary phenomenon of the Sophoclean tragic hero. In all but one of the extant Sophoclean dramas, a heroic figure who is compounded of the same literary elements faced a situation which is essentially the same. The demonstration of this recurrent pattern is made not through character-analysis, but through a close examination of the language employed by both the hero and those with whom he contends. The two chapters attempt to present what might, with a slight exaggeration, be called the "formula" of Sophoclean tragedy. A great artist may repeat a structural pattern but he never really repeats himself. In the remaining four chapters, a close analysis of three plays, the Antigone, Philoctetes, and Oedipus at Colonus, emphasizes the individuality and variety of the living figures Sophocles created on the same basic armature. This approach to Sophoclean drama is (as in the author's previous work on the subject) both historical and critical; the universal and therefore contemporary appeal of the plays is to be found not by slighting or dismissing their historical context, but by an attempt to understand it all in its complexity. "The play needs to be seen as what it was, to be understood as what it is."

Linked by the events of Bernard Knox's remarkable life, the twenty-five chapters of "Essays Ancient and Modern" cover subjects ranging from Hesiod, Homer, and Thucydides to Auden, Forster, and the Spanish Civil War. With a masterful eye for the telling detail, Knox continually reminds us that we share the present with antiquity's living past. A soldier in Italy finds a battered book in the rubble of a bombed-out firehouse-- and opens it to read Virgil's denunciation of war. An illiterate Greek bard composes a garbled Homeric song to celebrate the recent heroism of local partisans. A traveler heading north from modern Athens must choose between the Sacred Way-- or the NATO Road.

With contributions by thirty leading international scholars, this volume offers an up-to-date and in-depth overview of all current approaches to Thucydides’ History.

Within the great diversity of their world, the assertion of origin was essential to the ancient Greeks in defining their sense of who they were and how they distinguished themselves from neighbours and strangers. Each person's name might carry both identity and origin - 'I am' . . . inseparable from 'I come from' . . . Names have surfaced in many guises and locations - on coins and artefacts, embedded within inscriptions and manuscripts - carrying with them evidence even from prehistoric and preliterate times. The Lexicon of Greek Personal Names has already identified more than 200,000 individuals. The contributors to this volume draw on this resource to demonstrate the breadth of scholarly uses to which name evidence can be put. These essays narrate the stories of political and social change revealed by the incidence of personal names and cast a fascinating light upon both the natural and supernatural phenomena which inspired them. This volume offers dramatic illumination of the ways in which the ancient Greeks both created and interpreted their world through the specific language of personal names.