Another Vietnam

These and a hundred other images are seared into our consciousness - but a very different viewpoint appears in this vision of three decades of war in Vietnam.".

The American experience in Vietnam divided us as a nation and eroded our confidence in both the morality and the effectiveness of our foreign policy. Yet our understanding of this tragic episode remains superficial because, then and now, we have never grasped the passionate commitment with which the Vietnamese clung to and fought over their own competing visions of what Vietnam was and what it might become. To understand the war, we must understand the Vietnamese, their culture, and their ways of looking at the world. Neil L. Jamieson, after many years of living and working in Vietnam, has written the book that provides this understanding. Jamieson paints a portrait of twentieth-century Vietnam. Against the background of traditional Vietnamese culture, he takes us through the saga of modern Vietnamese history and Western involvement in the country, from the coming of the French in 1858 through the Vietnam War and its aftermath. Throughout his analysis, he allows the Vietnamese—both our friends and foes, and those who wished to be neither—to speak for themselves through poetry, fiction, essays, newspaper editorials and reports of interviews and personal experiences. By putting our old and partial perceptions into this new and broader context, Jamieson provides positive insights that may perhaps ease the lingering pain and doubt resulting from our involvement in Vietnam. As the United States and Vietnam appear poised to embark on a new phase in their relationship, Jamieson's book is particularly timely.

This military memoir examines one of the most vicious and tragically forgotten battles of the Vietnam War from a variety of perspectives. In June of 1967, the Viet Cong sought to isolate and destroy an elite South Vietnamese unit as part of a new offensive strategy. They sent a voluntary POW as an “informant” to dupe the 52nd Vietnamese Ranger Battalion into taking a dangerous position in the III Corps sector of South Vietnam. In the midst of an ambush, the members of the 52nd Ranger Battalion conducted themselves with great skill and valor. As one of those men, Keith Nightingale is uniquely suited to relate the events of that day. Based on firsthand experience as well as After Action Reports from a variety of sources, Just Another Day in Vietnam explores multiple perspectives, affording equal weight to ally and enemy alike. Nightingale offers rare insight into the often misunderstood role of the elite Vietnamese Ranger forces; the intelligence acquired from captured Rangers; and a rare eyewitness account to this fateful yet underexamined Vietnam battle.

Written by a cultural historian, this text offers a wide-ranging exploration of the causes, meaning and continuing significance of the American war in Vietnam, arguing that the war was not a mistake, or a quagmire but a defining event in global history.

When American forces arrived in Vietnam, they found themselves embedded in historic village and frontier spaces already shaped by many past conflicts. American bases and bombing targets followed spatial and political logics influenced by the footprints of past wars in central Vietnam. The militarized landscapes here, like many in the world�s historic conflict zones, continue to shape post-war land-use politics. Footprints of War traces the long history of conflict-produced spaces in Vietnam, beginning with early modern wars and the French colonial invasion in 1885 and continuing through the collapse of the Saigon government in 1975. The result is a richly textured history of militarized landscapes that reveals the spatial logic of key battles such as the Tet Offensive. Drawing on extensive archival work and years of interviews and fieldwork in the hills and villages around the city of Hue to illuminate war�s footprints, David Biggs also integrates historical Geographic Information Systems (GIS) data, using aerial, high-altitude, and satellite imagery to render otherwise placeless sites into living, multidimensional spaces. This personal and multilayered approach yields an innovative history of the lasting traces of war in Vietnam and a model for understanding other militarized landscapes.

Kritische analyse van de steun, die de V.S. geven aan de rechts-extremistische militaire junta in Guatemala.

“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.

The Republic of (South) Vietnam is commonly viewed as a unified entity throughout the two decades (1955–75) during which the United States was its main ally. However, domestic politics during that time followed a dynamic trajectory from authoritarianism to chaos to a relatively stable experiment in parliamentary democracy. The stereotype of South Vietnam that appears in most writings, both academic and popular, focuses on the first two periods to portray a caricature of a corrupt, unstable dictatorship and ignores what was achieved during the last eight years. The essays in Voices from the Second Republic of South Vietnam (1967–1975) come from those who strove to build a constitutional structure of representative government during a war for survival with a totalitarian state. Those committed to realizing a noncommunist Vietnamese future placed their hopes in the Second Republic, fought for it, and worked for its success. This book is a step in making their stories known.

The inspirational memoir of a Vietnam War veteran and a double amputee recounts not only his remarkable recovery but also recognizes the efforts of the people who aided him, with a lack of bitterness and abundance of hope that will stir emotions in veterans, the families of veterans, and civilians.

Existing studies of the Vietnam War have been written mostly from an American perspective, using western sources, and viewing the conflict through western eyes. This book, based on extensive original research, including Vietnamese, Chinese and former Soviet sources, presents a history of the war from the perspective of the Vietnamese communists. It charts relations with Moscow and Beijing, showing how the involvement of the two major communist powers changed over time, and how the Vietnamese, despite their huge dependence on the Chinese and the Soviets, were most definitely in charge of their own decision making. Overall, it provides an important corrective to the many one-sided studies of the war, and presents a very interesting new perspective.