Anna And The Conductor

A mysterious conductor on the Underground Railroad arrives late one night on Anna’s doorway in Iowa to deliver freedom seekers. Although the masked man disappears as quietly as he came, Anna finds she cannot forget him. Nor can the conductor forget her, and when slave catchers pursue Anna and her charges, he returns to rescue them. Love blossoms, but the advent of the American Civil War soon tears them apart. Called upon to spy for the Union Army, the conductor must leave the woman he loves. Can they find each other again in the chaos and destruction of war? Is love truly enough to surmount every obstacle?

A Conductor's Guide to the Choral-Orchestral Works of the Classical Period, Part I: Haydn and Mozart is the fourth volume in Jonathan Green's innovative study of the vast body of choral-orchestral repertoire. A treasure-trove for conductors of choir and orchestras, in this volume all of the masses, oratorios, cantatas, litanies, vespers, and minor sacred works of Haydn and Mozart are carefully examined. For each work, the author has compiled the text source, duration, date of composition, date and place of premiere, location of manuscript materials, commercially available editions, a selected discography, a bibliography, and a brief history of the work. Most importantly, the performance concerns for the choir, orchestra, and soloists of each work are evaluated and described. This will prove to be an invaluable programming aid for conductors and a touchstone for anyone embarking on research into this music.

Reports for 1892/94-1896/98 include Proceedings of the South Dakota Educational Association.

“Nan Ryan knows how to heat up the pages” in this western romance novel about a long-lost woman and the man who could love her—or destroy her (RT Book Reviews). Anna Regent Wright, the heiress to the Regent ranch, has finally come home. With no memory of her life before Apaches abducted her as a child, she has suddenly been given a name and a past, and thrust into a new world that holds a future beyond her wildest dreams. But not everyone is happy for her return. Charming hell-raiser Brit Caruth is positive that Anna is an imposter, and he’s determined to prove it before Anna inherits the fortune that was supposed to be his. But his attraction to the beautiful stranger is undeniable, and as his love blooms, his resentment fades. But when the truth finally does come out, whose future will it put in jeopardy? And will the blooming love between Anna and Brit survive the revelation?

Focusing on the works of J. S. Bach, this invaluable guide surveys the choral-orchestral repertoire.

Anna has been assigned to write a poem for her class, but she doesn’t really know what a poem is, let alone how to write one. As she and her brother Sam fall asleep in their sleeping bags (they’re camping out in their back yard), they embark upon a wonderful adventure aboard the Train of Thought, where (in addition to the Conductor) they meet an array of fanciful characters like the Balladeer, the Heroic Couplet twins, the Master of Metaphor, the Mix-Master of Metaphor, the Doggerel Dog, Peter Patterfeet (who’s in charge of rhythm and meter), and ultimately the King and Queen of Poetry. When Sam and Anna return from their journey, Anna not only knows what a poem is, but is able to write one herself.

Vols. for 1867-1915 include report of the state director of the United New Jersey Railroad and Canal Company issued through 1878 under its earlier names: 1867-71, Delaware and Raritan Canal and Camden and Amboy Railroad and Transportation Companies (which continues the reports of the State Directors); 1873-78, United Rail Road and Canal Company of New Jersey.

e-artnow offers you this warm and meticulously edited collection for these stressful times: Romeo & Juliet by William Shakespeare (Play) Romeo & Juliet (Prose Version) Evelina (Fanny Burney) Camilla (Fanny Burney) Pride and Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Mansfield Park (Jane Austen) Emma (Jane Austen) Persuasion (Jane Austen) The Sorrows of Young Werther (Goethe) Jane Eyre (Charlotte Brontë) Villette (Charlotte Brontë) Wuthering Heights (Emily Brontë) The Tenant of Wildfell Hall (Anne Brontë) The Red and the Black (Stendhal) Lorna Doone (R.D. Blackmore) Dangerous Liaisons (Pierre Choderlos de Laclos) The Portrait of a Lady (Henry James) The Wings of the Dove (Henry James) Scarlet Letter (Nathaniel Hawthorne) Adam Bede (George Eliot) Anna Karenina (Leo Tolstoy) Far from the Madding Crowd (Thomas Hardy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) Wives and Daughters (Elizabeth Gaskell) The Age of Innocence (Edith Wharton) Little Women (Louisa May Alcott) An Old-Fashioned Girl (Louisa May Alcott) The Lady of the Camellias (Alexandre Dumas) The House of a Thousand Candles (Meredith Nicholson) Great Expectations (Charles Dickens) The Phantom of the Opera (Gaston Leroux) A Room with a View (E. M. Forster) The Beautiful and Damned (F. Scott Fitzgerald) Jennie Gerhardt (Theodore Dreiser) Ann Veronica (H. G. Wells) The Enchanted Barn (Grace Livingston Hill) The Girl from Montana (Grace Livingston Hill) The Miranda Trilogy (Grace Livingston Hill) Marcia Schuyler Phoebe Deane Miranda The Agony Column (Earl DerrBiggers) The Bride of Lammermoor (Walter Scott) Night and Day (Virginia Woolf) Affairs of State (Burton Egbert Stevenson) Jill the Reckless (P.G. Wodehouse) The Black Moth (Georgette Heyer) The Transformation of Philip Jettan (Georgette Heyer) And Both Were Young (Madeleine L'Engle) Penny Plain (O. Douglas) The Awakening (Kate Chopin)