Ancient Faces

From the first major discoveries a century ago, the painted portraits of Roman Egypt were a revelation to scholars and the public alike, and the recent finding of a new cache of these gilded images, which made national headlines, have only heightened their mystery and appeal. Published to coincide with a new major exhibition of these portraits, Ancient Faces is the most comprehensive, up-to-date survey of these astonishing works of art. Dating from the later period of Roman rule in Egypt, shortly before the birth of Christ, the painted mummy portraits are among the most remarkable products of the ancient world, a fusion of the traditions of pharonic Egypt and the Classical world. They are historical and cultural objects of outstanding importance and beauty, superb works of art that represent some of the earliest known examples of life-like portraiture. Though the subjects of the portraits believed in the traditional Egyptian cults, which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, with their fashion of dress and adornment signaling their status in life. Despite their ancient history, these portraits speak to the modern eye with a beauty and intensity that would be lost to portraiture until the Renaissance.

From the first major discoveries in the 19th century, the painted panel and shroud portraits of Roman Egypt were a revelation to scholars and the public alike. Though the subjects of the portraits believed in the traditional Egyptian cults which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, the portraits focusing on their status in life. The images reveal the adoption of Roman fashions in dress and personal adornment by persons remote from the centre of the empire, but likely to have been actively engaged in its local administration. Many of the best known mummy portraits come from the Fayum, but portraits in various media are known from sites in the Nile Valley and along the Mediterranean coast. This text presents a wide range of examples, showing Roman influence coexisting with traditional Egyptian ways of commemorating the dead.

The essays in this collection explore ideas about women and their positions in Indian society from the earliest history to the present day. It is designed to provide primary material from literary, historical and sociological sources and to guide critical exploration of specific issues.

The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie’s own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.

How much was archaeology founded on prejudice? The Archaeology of Race explores the application of racial theory to interpret the past in Britain during the late Victorian and Edwardian period. It investigates how material culture from ancient Egypt and Greece was used to validate the construction of racial hierarchies. Specifically focusing on Francis Galton's ideas around inheritance and race, it explores how the Egyptologist Flinders Petrie applied these in his work in Egypt and in his political beliefs. It examines the professional networks formed by societies, such as the Anthropological Institute, and their widespread use of eugenic ideas in analysing society. Archaeology of Race draws on archives and objects from the Petrie Museum of Egyptian Archaeology and the Galton collection at UCL. These collections are used to explore anti-Semitism, skull collecting, New Race theory and physiognomy. These collections give insight into the relationship between Galton and Petrie and place their ideas in historical context.

A young nobleman confronts a specter from the past that could threaten his family’s legacy. A brash young aristocrat, Lucius Antonius anticipates Emperor Augustus Caesar will support his lofty ambitions to serve as a praetor in the Roman justice system in 2 BC Rome. As the son of the distinguished politician and poet, Iullus Antonius, Lucius prays to Janus, the two-faced god of beginnings, to open the door for him to rise politically. But he is unaware of the political firestorm ready to erupt in the imperial family. Augustus must confront evidence that his daughter, Julia, has behaved scandalously in public and that Iullus is her lover. The prospect that Julia might want to marry Iullus—the only surviving son of Marcus Antonius—threatens to redirect the glory from Augustus to his most hated rival beyond the grave. Caught in the political crossfire, Lucius must demonstrate his loyalty to Augustus by meeting all of his demands or face the destruction of his family’s legacy and possibly his own life. Will Lucius ultimately choose to betray and abandon his disgraced father?

Histories of Egyptology are increasingly of interest: to Egyptologists, archaeologists, historians, and others. Yet, particularly as Egypt undergoes a contested process of political redefinition, how do we write these histories, and what (or who) are they for? This volume addresses a variety of important themes, the historical involvement of Egyptology with the political sphere, the manner in which the discipline stakes out its professional territory, the ways in which practitioners represent Egyptological knowledge, and the relationship of this knowledge to the public sphere. Histories of Egyptology provides the basis to understand how Egyptologists constructed their discipline. Yet the volume also demonstrates how they construct ancient Egypt, and how that construction interacts with much wider concerns: of society, and of the making of the modern world.

Herakleides was a young man who lived and died in Roman Egypt almost 2000 years ago. This multidisciplinary study of his mummy highlights the funerary practices and religious beliefs of his world.