Amulet Of Wishes

The Guardians are the protectors of Aloseria. They are the keepers of the peace and they have a unique ability-they can turn into dragons. Derek Draco is one of them. Haunted by the memories of his past, Derek comes across a piece of a mythical amulet, said to hold the power to grant wishes once all three pieces are brought together. Seeing an opportunity to right the wrongs of his past, Derek sets out on a journey to find the rest of the amulet, along with his friends, Jared and Arabelle. However, Derek is unaware of the true power of the amulet and using it to fulfil his seemingly innocent wish could have disastrous consequences.

In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half. Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs. A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy. These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace. The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

At the end of Five Children and It Robert, Anthea, Cyril, and Jane promised not to ask the Psammead for another wish as long as they lived, but expressed a half wish to see it again some time. The children are reunited with the Psammead in a London pet store; the Psammead can't grant their wishes anymore - not after the last adventure - but he does tell them where to find half of an amulet of great power. The ancient Amulet can grant them their heart's desire and journey through time. The children desire the return of their parents, and their magic adventures start over again with a journey through time to ancient Babylon, Egypt, and Atlantis. The trilogy of Five Children and It, The Phoenix and the Carpet and The Story of the Amulet.

Half of the sand-fairy's magic amulet transports four London children back to the worlds of ancient Egypt, Rome, Babylon, and Atlantis.

Four children find in the sandpit a strange creature. Its eyes were on long horns like snail's eyes, and it could move them in and out like telescopes. It was old, old, old, and its birthday was the beginning of everything. It also had the power to give people whatever they wished for.

"The Story of the Amulet is a novel for children, written in 1906 by English author Edith Nesbit.It is the final part of a trilogy of novels that also includes Five Children and It (1902) and The Phoenix and the Carpet (1904). In it the children re-encounter the Psammead-the ""it"" in Five Children and It. As it no longer grants wishes to the children, however, its capacity is mainly advisory in relation to the children's other discovery, the Amulet, thus following a formula successfully established in The Phoenix and the Carpet."

Long ago-that is to say last summer-the children, finding themselves embarrassed by some wish which the Psammead had granted them, and which the servants had not received in a proper spirit, had wished that the servants might notnotice the gifts which the Psammead gave. And when they parted from the Psammead their last wish had been that they should meet it again. Therefore they HAD met it (and it was jolly lucky for the Psammead, as Robert pointed out). Now, of course, you see that the Psammead's being where it was, was the consequence of one of their wishes, and therefore was a Psammead-wish, and as such could not be noticed by the servants. And it was soon plain that in the Psammead's opinion old Nurse was still a servant, although she had now a house of her own, for she never noticed the Psammead at all. And that was as well, for she would never have consented to allow the girls to keep an animal and a bath of sand under their bed.When breakfast had been cleared away-it was a very nice breakfast with hot rolls to it, a luxury quite out of the common way-Anthea went and dragged out the bath, and woke the Psammead.It stretched and shook itself.'You must have bolted your breakfast most unwholesomely, ' it said, 'you can't have been five minutes over it.''We've been nearly an hour, ' said Anthea. 'Come-you know you promised.''Now look here, ' said the Psammead, sitting back on the sand and shooting out its long eyes suddenly, 'we'd better begin as we mean to go on. It won't do to have any misunderstanding, so I tell you plainly that-''Oh, PLEASE, ' Anthea pleaded, 'do wait till we get to the others. They'll think it most awfully sneakish of me to talk to you without them; do come down, there's a de

THERE were once four children who had the good fortune to find in the sandpit a strange creature. Its eyes were on long horns like snail's eyes, and it could move them in and out like telescopes. It had ears like a bat's ears, and its tubby body was shaped like a spider's and covered with thick soft fur - and it had hands and feet like a monkey's. It was old, old, old, and its birthday was almost at the very beginning of everything. But it still kept its fairylikeness, and part of this fairylikeness was its power to give people whatever they wished for. "You know fairies have always been able to do this. The four children found their wishes come true; but, somehow, they never could think of just the right things to wish for, and their wishes sometimes turned out very oddly indeed. . . .We are happy to announce this classic book. Many of the books in our collection have not been published for decades and are therefore not broadly available to the readers. Our goal is to access the very large literary repository of general public books. The main contents of our entire classical books are the original works. To ensure high quality products, all the titles are chosen carefully by our staff. We hope you enjoy this classic.

Long ago-that is to say last summer-the children, finding themselves embarrassed by some wish which the Psammead had granted them, and which the servants had not received in a proper spirit, had wished that the servants might notnotice the gifts which the Psammead gave. And when they parted from the Psammead their last wish had been that they should meet it again. Therefore they HAD met it (and it was jolly lucky for the Psammead, as Robert pointed out). Now, of course, you see that the Psammead's being where it was, was the consequence of one of their wishes, and therefore was a Psammead-wish, and as such could not be noticed by the servants. And it was soon plain that in the Psammead's opinion old Nurse was still a servant, although she had now a house of her own, for she never noticed the Psammead at all. And that was as well, for she would never have consented to allow the girls to keep an animal and a bath of sand under their bed.When breakfast had been cleared away-it was a very nice breakfast with hot rolls to it, a luxury quite out of the common way-Anthea went and dragged out the bath, and woke the Psammead.It stretched and shook itself.'You must have bolted your breakfast most unwholesomely, ' it said, 'you can't have been five minutes over it.''We've been nearly an hour, ' said Anthea. 'Come-you know you promised.''Now look here, ' said the Psammead, sitting back on the sand and shooting out its long eyes suddenly, 'we'd better begin as we mean to go on. It won't do to have any misunderstanding, so I tell you plainly that-''Oh, PLEASE, ' Anthea pleaded, 'do wait till we get to the others. They'll think it most awfully sneakish of me to talk to you without them; do come down, there's a de

THERE were once four children who had the good fortune to find in the sandpit a strange creature. Its eyes were on long horns like snail's eyes, and it could move them in and out like telescopes. It had ears like a bat's ears, and its tubby body was shaped like a spider's and covered with thick soft fur - and it had hands and feet like a monkey's. It was old, old, old, and its birthday was almost at the very beginning of everything. But it still kept its fairylikeness, and part of this fairylikeness was its power to give people whatever they wished for. "You know fairies have always been able to do this. The four children found their wishes come true; but, somehow, they never could think of just the right things to wish for, and their wishes sometimes turned out very oddly indeed. . . .